Dream Rider Saga by Douglas Smith

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Douglas Smith is a five-time award-winning author described by Library Journal as “one of Canada’s most original writers of speculative fiction.”

His latest work is the multi-award-winning YA urban fantasy trilogy, The Dream Rider Saga. Other books include the urban fantasy novel, The Wolf at the End of the World; the collections, Chimerascope and Impossibilia; and the writer’s guide Playing the Short Game.
His short fiction has appeared in the top markets in the field, including The Magazine of Fantasy & Science Fiction, Amazing Stories, InterZone, Weird Tales, and many others.

He is a 4-time winner of Canada’s Aurora Award as well as the juried IAP Award. He’s been a finalist for the Astounding Award, CBC’s Bookies Award, Canada’s juried Sunburst Award, the juried Alberta Magazine Award for Fiction, and France’s juried Prix Masterton and Prix Bob Morane.

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When Did You Start Writing? / When did you realize you wanted to be a writer?
I did a lot of writing in high school, but got away from it for many years. I’d always planned to get serious about fiction “someday.” Then, in 1995, I finally decided to try. I started writing what would become my first professionally published story, “Spirit Dance,” but I really wasn’t making much progress. I’d spent, I think, all of July rewriting the same opening scene.
Then, while on vacation, I came across a book called The Artist’s Way by Julia Cameron. It’s essentially a twelve-step program for recovering your creativity as an adult, the creativity we’re all born with and which is then beaten out of us by society as we’re told to grow up and get a real job. It’s a wonderful book and one I recommend to anyone who wants to be creative (or more creative), whether that be writing, art, music, acting, or whatever.
But the real impetus for me to get serious about writing came when I returned from that vacation. and read that one of my all-time favourite writers, Roger Zelazny, had passed away from cancer at the far too young age of 56. That was it. Right then, I decided not to wait for “someday” or retirement or anything to start writing. There’s no guarantee any of us will live long enough to have a “someday.” I started producing stories regularly and sending them out to professional markets. I submitted my first story in January 1996—and got my first rejection that same month. But I kept submitting and received my first acceptance letter for “Spirit Dance” on Dec 31 that year, which was a great way to end a year and start a new one.

How did you discover the joys of speculative fiction?
I had two “discovery” periods. When I was eight, a friend introduced me to Robert A. Heinlein’s young-adult SF novels — essentially rocket and ray-gun books. I devoured all of those, but then stopped reading the genre. Then in Grade 11, I had to do a paper in English comparing the works of multiple authors. Amazingly, the teacher included a group consisting of Heinlein, Isaac Asimov, Arthur C. Clarke, and Ray Bradbury, which, of course, was the group I picked. That assignment got me back into reading SF and fantasy.

What writing has inspired you? / Major Influences? / Favourite Authors?
I’d have to say my favourite author and influence on my own writing has been the late Roger Zelazny. His Lord of Light is one of the greatest speculative fiction novels ever written. His stories are often based on mythology, and I’ve always loved myths—Greek, Norse, Egyptian, Native American—so that was one attraction to his work. His prose style is lean but poetic, his stories poignant and mythic and filled with unique characters you want to spend time with. Plus, his work shows the most fantastic range of imagination of any writer I’ve ever encountered. I don’t think I write like him, but I’m sure he’s had an influence.
Ray Bradbury’s short fiction was another early influence. He wrote about the fantastical hiding in our everyday lives, whether the hidden mystery is wondrous or frightening. I love his lyrical prose style, the simple humanity of his characters, and his insight into what it means to be human, no matter what our age. I reread “Something Wicked This Way Comes” recently. When I’d read it as a teenager, I remember loving the book and the kid characters, but not really “getting” the father. Reading it now, as an adult and father, I realize that Bradbury really understood both generations and the changes, choices, and regrets that come with age, and that is where the power of the book resides.
I came to Hemingway late and after he was out of fashion, but his lean prose style amazed me, the way he could say so much by saying so little, and often communicating as much by what he left out, by what his characters didn’t discuss, as what he put on the page.
Other favourite authors include Charles de Lint, Shirley Jackson, Emily St. John Mandel, Amor Towles, Thomas Perry, Thomas King, Ian Hamilton, Neil Gaiman, and Tim Powers. That’s a short list (but a good one).
Some favourite books, including a lot on non-speculative fiction, include Station Eleven, The Queen’s Gambit, A Gentleman in Moscow, Memory & Dream, Ready Player One, Weaveworld, We Have Always Lived in the Castle, Tomorrow and Tomorrow and Tomorrow, Ian Hamilton’s Ava Lee series, and of course, the spec fic classics like Dune, Stranger in a Strange Land, and LOTR.
I’ve also written several short stories inspired in some way by the songs of Bruce Springsteen. He’s an astounding storyteller. In a few lines, he tells stories of everyday people struggling with whatever life has thrown at them, but with an attitude of defiance and hope despite the odds against them.
And Buffy. Major Buffy fan. It remains one of the most creative shows ever to hit TV and is a writing workshop on character development and arcs and dialog.

Why start with short fiction?
I started with short fiction because in spec fic, it’s been traditional to break in writing short stories. But I also think it makes sense to start with the short form before trying to tackle a novel, and I always urge young writers to do the same. Short stories let you learn the craft of fiction much faster than writing a novel. Twenty 5,000-word short stories let you experiment far more with different styles, points of view, genres, story structures, etc. than you could in a single 100,000-word novel. Plus, you’ll be able to find out earlier if your writing is at a publishable level by submitting those stories to short fiction markets.
And short fiction will teach you skills you need whether you write short stories or novels—handling point of view, story structure, use of scenes, characterization, plot, pacing, dialog, setting, world building, information flow, voice—not to mention basic sentence structure, paragraphing, punctuation, grammar.
I moved to novels once all my “short” stories started becoming very long stories.

What I read as a child
I was reading by the time I was four, thanks to my parents reading to me every night at bedtime. It hooked me on books for a lifetime. Reading was a way to have wonderful adventures as a kid and make my world so much bigger than my house and neighborhood and school.
My early favourites were animal stories, which probably led me to my love for writing shapeshifter tales. I loved A.E. Milne’s “Winnie the Pooh” books (apparently my favourite bedtime stories as a young child) and Walter Brook’s “Freddie the Pig” series (the first books I remember knowing how to find in a library). Later it was everything by Jack London. About grade 5 or 6, Robert A. Heinlein juveniles got me hooked on SF, which led to fantasy. John Creasey and Dorothy Sayers introduced me to mystery and crime fiction somewhere in there as well.
I believe that parents can teach kids to love reading by reading them a bedtime story EVERY night, from the day you bring them home. Make it a fun time, something they look forward to and associate with a wonderful experience. And make books a natural thing to have around. Our kids knew we’d say “no” to games, toys, or candy when out shopping—but they could always buy a new book.
And for any wannabe writers, you can’t be a writer if you’re not a voracious reader. Period.

Will Dreycott is a superhero. In his dreams…and in yours.

The Hollow Boys
The Dream Rider Saga Book 1
by Douglas Smith
Genre: YA Urban Fantasy

WINNER OF THE 2023 AURORA AWARD FOR BEST YA NOVEL
WINNER OF THE 2023 JURIED IAP AWARD FOR BEST YA NOVEL

“Thrilling YA fantasy” —BookLife (Editor’s Pick)
“A must-read story for YA fantasy fans.” —Blueink Review (Starred review)
“Inventive, engaging, and boundless fun.” —The Ottawa Review of Books

Vanishing street kids. An ancient evil. The end of the world.
Our only hope? A hero who can’t leave home.

At seventeen, Will Dreycott is a superhero…in his dreams. And in yours.

Eight years ago, Will’s parents, shady dealers in ancient artifacts, disappeared on a jungle expedition. Will, the sole survivor, returned home with no memory of what happened, bringing a gift…and a curse.

The gift? Will can walk in our dreams. At night in Dream, Will hunts for criminals—and his parents. During the day, his Dream Rider comic, about a superhero no one knows is real, has made Will rich.

The curse? Severe agoraphobia. Will can’t go outside. So he makes his home a skyscraper with everything he needs in life—everything but the freedom to walk the streets of his city.

Case, an orphan Will’s age, survives on those streets with her younger brother, Fader. Survives because she too has a gift. She hears voices warning her of danger. And Fader? Well, he fades.

When street kids start vanishing, the Dream Rider joins the hunt. Will’s search becomes personal when Case breaks into his tower to escape her own abduction. Fader isn’t so lucky.

As Will and Case search for Fader and the missing kids, an unlikely romance grows between the boy with everything and the girl with nothing except the freedom Will longs for.

But as they push deeper into the mystery, they confront an ancient power feeding on these forgotten kids to restore itself. And once restored, no one in the world will be safe.

To defeat this creature, Will must do the impossible.

Go outside.

Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).

Praise for The Hollow Boys:
“This arresting series kickoff grips from the start as it introduces its inventive milieu, its flawed but fantastically powered hero, its playful worldbuilding, and a host of tantalizing mysteries. … [A] vigorously imaginative scenario. … Takeaway: Thrilling YA fantasy” —BookLife (Editor’s Pick)

“An assured, confident novel … A must-read story for YA fantasy fans.” —Blueink Review (Starred review)

“Inventive, engaging, and boundless fun.” —The Ottawa Review of Books “A fun supernatural tale with well-developed characters and a touch of romance.” —Kirkus Reviews
Praise for Douglas Smith:

“The man is Sturgeon good. Zelazny good. I don’t give those up easy.” —Spider Robinson, Hugo and Nebula Awards winner

“A great storyteller with a gifted and individual voice.” —Charles de Lint, World Fantasy Award winner

“His stories are a treasure trove of riches that will touch your heart while making you think.” —Robert J. Sawyer, Hugo and Nebula Awards winner

On Sale Until Jan 11!
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The Crystal Key
The Dream Rider Saga Book 2

Sequel to the AURORA AWARD WINNER and the Juried IAP AWARD WINNER, The Hollow Boys

“Give me the Crystal Key!”

Will Dreycott is the Dream Rider, the agoraphobic teenage superhero who can walk in our dreams but never in the streets of his city. Case is his girlfriend, a survivor of those streets who hears voices that warn her of danger. Fader is her brother, who is very good at disappearing. Together, they defeated a body swapper and a witch to save the world (The Hollow Boys).

Now, Case battles guilt over living sheltered in Will’s tower home while her street friends still struggle. Blaming his affliction for Case’s sadness, Will searches for a way to live a normal life with the girl he loves—a way to go outside.

But his efforts draw the attention of dark forces. Sinister figures hunt Will in Dream. Intruders scour the vast warehouse of antiquities “acquired” by Will’s missing parents. And a masked swordswoman attacks Will, demanding “the Crystal Key” before disappearing into thin air.

Are they all searching for the same thing? Something from Will’s parents’ shady past? For the swordswoman leaves behind a flowery scent, Will’s only memory from the lost expedition eight years ago that gave him powers in Dream but cost him his parents and his freedom.

A trail of dark secrets leads Will, Case, and Fader to a mysterious world. Trapped between warring cults willing to kill for the Crystal Key, the three friends must master strange new powers that grow stronger and wilder the closer they draw to the truth.

This time it’s not just the fate of the world at stake…but the multiverse.

~ ~ ~

Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).

Praise for The Crystal Key:
“The richly inventive Dream Rider adventure continues in this second appealing entry…with an exciting plot… always enlivened by the Smith hallmarks of crack dialogue, fun sleuthing and puzzle-solving, a strong throughline of emotion, a swift pace…and a principled refusal to settle for the familiar. Takeaway: This thrilling superpowered urban fantasy series continues to grip.” (New readers should start with book one.) —BookLife (Editor’s Pick)
“The engrossing second installment of Douglas Smith’s Dream Rider Saga trilogy. … Smith continues to demonstrate an ability to expertly weave multiple complex fantasy elements into a cohesive whole. … This fast-paced story delivers in a big way—and Smith has all his ducks lined up for an explosive conclusion [to the series] that readers won’t want to miss.” —Blueink Review (★ Starred review)
Praise for Douglas Smith:

“The man is Sturgeon good. Zelazny good. I don’t give those up easy.” —Spider Robinson, Hugo and Nebula Awards winner

“A great storyteller with a gifted and individual voice.” —Charles de Lint, World Fantasy Award winner

“His stories are a treasure trove of riches that will touch your heart while making you think.” —Robert J. Sawyer, Hugo and Nebula Awards winner

“Stories you can’t forget, even years later.” —Julie Czerneda, multi-award-winning author and editor

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The Lost Expedition
The Dream Rider Saga Book 3

The Thrilling Conclusion to the Multi-Award-Winning Trilogy

Will is the Dream Rider, the superhero who walks in our dreams but never in the streets of his own city. Case is his girlfriend, a survivor of those streets who hears voices warning her of danger. Fader, her brother, is very good at disappearing.

In The Hollow Boys, they defeated a body swapper and a witch to save the world. In The Crystal Key, they battled warring cults to protect an ancient artifact tied to Will’s affliction.

The Chakana. The Crystal Key. But the key to what? To finding answers, they hope, to the questions that rule their lives.

What caused their strange powers? And Will’s crippling agoraphobia? Can he be cured? Why did their parents travel to the jungles of Peru eight years ago? Are they still alive?

Behind every question is the Chakana. What is the mysterious relic? Why will people kill to possess it? What hold does it have on Will?

As creatures from Inca myths haunt the three friends, another attack on the Chakana threatens Will’s life. To save him and solve the mystery of the lost expedition, only one choice remains.

Return to Peru. With the Chakana.

There, they find friends and foes, both old and new. And behind it all, an unseen enemy moving them like pieces on a chessboard.

To win this deadly game, Will, Case, and Fader must master new powers to defeat the most dangerous adversary they’ve ever faced—a god.

At stake this time? Every life, every world, every universe. Everything.

Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).

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