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Tune in Tomorrow
by Randee Dawn
Genre: Humorous Pop-Culture Fantasy

A funny, thrilling and mysterious adventure into the world of alternate reality television… Perfect for fans of Jasper Fforde and Christopher Moore.

She’s just a small town girl, with big mythic dreams.
Starr Weatherby came to New York to become… well, a star. But after ten years and no luck, she’s offered a big role – on a show no one has ever heard of. And there’s a reason for that. It’s a ‘reality’ show beyond the Veil, human drama, performed for the entertainment of the Fae.
But as Starr shifts from astounded newcomer to rising fan favorite, she learns about the show’s dark underbelly – and mysterious disappearance of her predecessor. She’ll do whatever it takes to keep her dream job – though she might just bring down the show in the process.

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Randee Dawn is an author, journalist, and lucky denizen of Brooklyn. Her first novel, the humorous pop-culture fantasy Tune in Tomorrow, published in August 2022 (Solaris/Rebellion).
Randee’s short fiction has appeared in publications and podcasts including 3AM Magazine (“The View of My Brother’s Profile in the Rear-View Mirror,” 2001; “Warm, In Your Coat,” 2004) and Well-Told Tales (“Home for the Holidays,” 2015; “Can’t Keep a Dead Man Down,” 2017).
Dawn’s stories have appeared in anthologies including Where We May Wag (“The Last Dog,” Writing Piazza Press, 2018), Children of a Different Sky (“Can’t Find My Way Home,” Kos Books, 2018), Magic for Beginners (“Queen Zoe and the Spinning Game,” Fantasia Divinity, 2019), Dim Shores Presents (“Rough Beast, Slouching,” 2021), Another World: Stories of Portal Fantasy (“The Way Is Clear,” SummerStorm Press, 2021), and Horror for the Throne: One-Sitting Reads (“Cat Person”).
She has a short collection of dark speculative fiction short stories, “Home for the Holidays” (2014) and co-authored “The Law & Order: SVU Unofficial Companion” (BenBella Books, 2009). She co-edited the speculative fiction anthology of “what if” stories about The Beatles, “Across the Universe: Tales of Alternative Beatles” (Fantastic Books, 2019).
When not making stuff up, Randee publishes entertainment profiles, reviews, and think pieces regularly in outlets including Variety, The Los Angeles Times, Today.com and Emmy Magazine, and writes trivia for BigBrain.
She can be found at RandeeDawn.com and @RandeeDawn (on Twitter).

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Do you have a favorite movie?
Certainly! You don’t even have to drop a hat to get me to watch The Philadelphia Story, a movie from 1940 with some of my favorite actors of all time – Katharine Hepburn, Cary Grant and Jimmy Stewart. Ruth Hussey is also magnificent. It’s funny, it’s screwy, and it has a wonderful back story in that it helped revive Hepburn’s then-flagging career. Plus, it’s just a pleasure to watch these beautiful people on screen. In 1956, Bing Crosby, Frank Sinatra and Grace Kelley – plus Louis Armstrong! – were the stars of a musical remake called High Society, with music by Cole Porter. I’ll always pick Philadelphia first, but Society is one of those rare reimaginings that’s almost as perfect, particularly the performance of “Well! Did You Evah?” in which Crosby notes to Sinatra, “Tune in tomorrow.”

Who is your hero and why?
When I was about 10 or 11, I came across something called “An Eschatological Laundry List,” by the late psychologist and author Sheldon B. Kopp. It’s a series of 43 brief sentences that starts with “This is it!” and includes lines like “All of the significant battles are waged within the self.” One that sticks with me is: “If you have a hero, look again: you have diminished yourself in some way.” I can see heroic behavior and admire it, but I do not have a single hero. We all live in the gray area, including the great people. What is heroic is loving, and admiring, someone despite their gray areas. My mother is a hero. My friend Julia – who gave me the list originally – is a hero. Everyone I love is heroic. And I strive for that, every day.

Which of your novels can you imagine being made into a movie?
All of them! I’ve only had one published so far – Tune in Tomorrow – and frankly, I think it’d make a better series than a movie, but I’ll assume that’s included in the question. I write with a movie playing in my head at all times. I know what every scene looks like, where the characters are standing, and if I squint, what they’re wearing. I only include the details that matter in each scene, but there are many more I don’t include. So for me, every book and short story I write is a kind of script for the movie I want it to become. But let’s face it: the book is always better.

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