Virtual Poetry Reading – Episode 9 A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Courage by Karen Mullins (Read by Karen Mullins and Brewer Mitchell)
We Are Asleep by Amanda Porter (Read by Nina Soden)
Missing You Both by Nina Soden (Read by Jacinda Rose Swinehart-Johnson)
Abdulla Bulbul Ameer by William Percy French (Read by John Miller)
Virtual Poetry Reading – Episode 8 A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Taste by Amanda Porter (Read by Stacy Kingsley)
It's OK by Amanda Porter (Read by Tanja Miller)
Life Is But A Dream by Karen Mullins (Read by Brewer Mitchell and Mae Mullins)
Annabel Lee by Edgar Allan Poe (Read by John Miller)
Virtual Poetry Reading – Episode A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Chagrin by Jason M. Summer (Read by David Schulte)
We're Alive by Amanda Porter (Read by Carrie Smithson)
My Dragon by Tanja Miller (Read by Valerie Clemons)
Recessional by Rudyard Kipling (Read by John Miller)
Virtual Poetry Reading – Episode A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Goldfish by Haley Loveday (Read by Carrie Smithson)
Little Girl by Tanja Miller (Read by Nina Soden)
Awake by Chloe Long (Read by Robbie Shafer)
The Yarn of the Nancy Bell by William S. Gilbert (Read by John Miller)
Virtual Poetry Reading – Episode A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Death of Us by Jason M. Summer (Read by Haley Loveday)
My Car to Your Door by Nina Soden (Read by Meredith Johnson)
Momma and Poppa by Amanda Porter (Read by Cam Gaylord Scales)
Gunga Din by Rudyard Kipling (Read by John Miller)
Virtual Poetry Reading – Episode A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Pieces by Amanda Porter ~ Read by Molly Knicks
Sleep by Chloe Long ~ Read by Nina Soden
Did Anyone… by Nina Soden ~ Read by Stephanie Jones
Margaret Fuller Slack by Edgar Lee Masters ~ Read by Cam Gaylord Scales
Stopping by Woods on a Snowy Evening by Robert Lee Frost ~ Read by Mel White
Virtual Poetry Reading – Episode A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Everybody Take A Knee by Jason M. Summer ~ Read by David Schulte
Nations by Amanda Porter ~ Read by Art Walthall
Tin Soldiers by Stacy Kingsley ~ Read by Michelle Huguley
Is It Wrong To Be Black? by Faith Monique ~ Read by Faith Monique
Virtual Poetry Reading – Episode 2 A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Forgiven by Amanda Porter ~ Read by Kelly Hutchings
Mirror Image by Nina Soden ~ Read by Valerie Clemons
Kin by Chloe Long ~ Read by Savannah Rutherford
A Dream by Edgar Allan Poe ~ Read by George Kobler
Virtual Poetry Reading – Episode 1 A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
The Story of Alice by Amanda Porter ~ Read by Tanja Miller
Desperately Falling by Nina Soden ~ Read by Jacinda Rose Swinehart-Johnson
How I Let Myself be Happy in 3 Steps by Chloe Long ~ Read by Megan Tompkins
What Was by Jason M. Summer ~ Read by Michael Anders
The Raven by Edgar Allan Poe ~ Read by John Miller
Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller/ Directed by Nina Soden
Actress/Director Nina Soden
I am excited to be bringing Mary Jane Kelly back to life, even if just for a few minutes, to tell her story. I am truly thankful to Wayne Miller, playwriter and co-owner of Evil Cheez Productions, for the beautiful words and the gracious permission to produce and direct this wonderful show. I am proud to have been able to work with such a wonderful cast and excited to be able to still bring theatre to an audience, even when so many theatres across the globe are still shut down due to COVID-19. Art is essential and will find ways, such as virtual theatre, to survive. Thank you, to all of you, for taking the time to watch this show.
When asked her thoughts on Mary Jane Kelly’s monologue, Nina had this to say: Her words, the way Wayne wrote her, is devastating. She had such hope in life. She had love, loss, joy, pain, determination, and below it all a deep sadness. I had the honor of playing her during the premier performance of The Belles of Whitechapel at The Lowery House many years ago when Wayne Miller directed it. Reconnecting with her has been like putting on a warm coat or slipping into my favorite pajamas; it is easy to slip into her skin and feel all of her emotions. Maybe its because of how well she is written, or maybe it is because on some level I think every woman can relate to her.
When asked about the process of performing virtual theatre, she said: Of course live theatre is always best with an audience. However, in this crazy pandemic life we are living in right now, I believe it is still important to be creating art in any way we can. Besides, as an actress, film has always been my passion, so being in front of a camera is completely natural for me. I love it! Being able to share Mary Jane Kelly with a broader audience is the icing on the cake. When it comes to stage vs. camera, I prepare for a role the same way. Memorization is memorization, and the lines come easy to me – they always have. I enjoy the character development process, I think that is why it is so easy to slip into a role and learn the lines. As a director, this process was a little harder. We conducted ZOOM rehearsals to ensure proper social distancing and did all of our communicating through Facebook. It wasn’t as easy as meeting face to face, but it worked. With just 2 short weeks to complete the project, I think everyone did a wonderful job.
A Note from the Director
As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden
WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.
Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.
Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.
Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.
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To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!