Virtual Poetry Reading – Episode A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Pieces by Amanda Porter ~ Read by Molly Knicks
Sleep by Chloe Long ~ Read by Nina Soden
Did Anyone… by Nina Soden ~ Read by Stephanie Jones
Margaret Fuller Slack by Edgar Lee Masters ~ Read by Cam Gaylord Scales
Stopping by Woods on a Snowy Evening by Robert Lee Frost ~ Read by Mel White
Virtual Poetry Reading – Episode A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Everybody Take A Knee by Jason M. Summer ~ Read by David Schulte
Nations by Amanda Porter ~ Read by Art Walthall
Tin Soldiers by Stacy Kingsley ~ Read by Michelle Huguley
Is It Wrong To Be Black? by Faith Monique ~ Read by Faith Monique
Virtual Poetry Reading – Episode 2 A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
Forgiven by Amanda Porter ~ Read by Kelly Hutchings
Mirror Image by Nina Soden ~ Read by Valerie Clemons
Kin by Chloe Long ~ Read by Savannah Rutherford
A Dream by Edgar Allan Poe ~ Read by George Kobler
Virtual Poetry Reading – Episode 1 A #TheRedheadedAuthor Production
INCLUDED IN THIS EPISODE:
The Story of Alice by Amanda Porter ~ Read by Tanja Miller
Desperately Falling by Nina Soden ~ Read by Jacinda Rose Swinehart-Johnson
How I Let Myself be Happy in 3 Steps by Chloe Long ~ Read by Megan Tompkins
What Was by Jason M. Summer ~ Read by Michael Anders
The Raven by Edgar Allan Poe ~ Read by John Miller
The Time Is Write: How Making Time to Write Each Day Helps Keep Me Grounded (Guest post by Desiree Villena)
Lately, time seems to have lost all its usual meaning. When everything is done at home, the divide between work and leisure becomes hazy — one long, delirious blur without our typical routines to divide the days. This can make it hard to maintain momentum in your writing, especially when you feel a million competing voices in your head telling you all the things you should be doing: working harder, spending time with family, reading more, sleeping more…
I, too, often struggle with how to balance my creative projects with personal and professional demands. But though structure may have vanished, there’s still the same number of hours in a day. I’ve found that carving out dedicated writing time, even if it’s just a little bit every day, helps me regain a sense of meaning — I can’t control what goes on in the world outside, but I can control what happens in my stories.
Whether you’re writing a book that you hope to publish soon or crafting tales purely for your own enjoyment, writing for even a small portion of each day can do wonders for your artistic and emotional health. Here, I outline my approach to balancing writing with my other commitments, and delve into how working on my stories keeps me from feeling overwhelmed in the chaos.
Making use of small moments
Maybe you’ve already got a consistent writing schedule that keeps you on track — but for most of us, that’s a hard thing to establish! Building a reliable writing routine has been something that plagues even the most dedicated of authors. Personally, I’ve never quite been able to commit to a strict writing routine. While sometimes I wish I could make myself write at the same time every day or hit concrete targets, life is too unpredictable, and I’ve come to realize different writing tips work for different people!
Especially when you have a full-time job, a family, or other obligations that require your time and mental energy, dedicating hours of each day simply to write can feel like an unrealistic luxury. So my philosophy is to allow myself flexibility to write when I can, taking advantage of small pockets of time. Morning runs can occasionally serve as great brainstorming sessions, and gaps between meetings can be a great time to start outlining my next chapter. I even find myself jotting down ideas while watching TV or doing chores — inspiration can strike at strange times.
Writing does not have to be a 9-to-5 job or a non-stop marathon. Everyone writes at their own pace, and little chunks of time can quickly add up to great progress. Breaking up your day with short bursts of creativity can also help replenish your energy, giving you something to look forward to throughout the day.
Keeping my vision in sight
Dedicating at least small bits of each day to writing also gives me a sense of purpose as an author. Every day, I’m asking myself to treat writing seriously, and reminding myself why I write in the first place: while it can be challenging, especially when I’m struggling with a difficult passage or trying to edit, it is also an immense joy to bring characters to life on the page.
Keeping in mind my larger vision for each project also gives me something concrete to work toward — thinking about what this short story might look like when it’s complete, or where this character arc goes. Imagining my future readers once my work is published also helps give me a sense of purpose as I try to write stories that resonate. I ask myself questions like How would I describe this book? Why does it matter to me? Keeping sight of what I’m trying to write and why I’m writing serves as a potent reminder of why my work matters, even in confusing times.
Turning each day into a non-zero day
My philosophy of writing is dedicated to the idea of the “non-zero day”: doing something each and every day to advance toward my goal, even if it’s a tiny step forward. Progress is progress, no matter how insignificant it may seem. Sometimes it can feel overwhelming to tackle a challenge like “finish a story” or “edit a draft” — setting small, achievable, goals is a great way to keep myself motivated.
I aim to do a little something every day to stay grounded in my writing habits. Even if I’m not adding a single sentence to my work in progress, I can find other ways to still develop my craft: doing research, sketching out character backstory, or reading other books for inspiration. If you’re stuck on a book you’re writing, you might spend time looking at comparable titles, thinking about how’ll market your finished work to your audience, or developing your author website — granting each day a sense of purpose.
Giving myself freedom to explore
Even with all my strategies for maintaining inspiration, writer’s block inevitably hits sometimes. When this happens, I often find it helpful to allow myself to use “imperfect words” and freewrite without filtering.
The goal of freewriting is to write unhindered by self-consciousness or the expectation that a story has to be immediately polished. I go wherever my mind takes me. That means, if I feel inspired to take a total detour from my current project by starting a story in a new genre or embodying a silly new character, I let myself go for it! Sometimes using a creative writing prompt or taking part in a writing challenge also helps me regain that spark of imagination.
I never want to lose sight of the passion that urges me to write in the first place. That’s why my approach to my writing is to make it a funhabit — like a daily treat, not a job or chore. When I feel overwhelmed by what today might hold or wonder what tomorrow might look like, writing grounds me in the present moment — harnessing the emotion and noise of the world and making today count.
Lately I have been especially grateful for each sentence I put on the page. Even as we lose our sense of time, we do not lose our sense of purpose: words have immense power, and will always make themselves heard.
Desiree Villena is a writer with Reedsy, a marketplace that connects authors with the world’s best publishing resources. In her spare time, Desiree enjoys reading contemporary fiction and writing short stories — and occasionally giving writerly advice! She looks forward to writing in coffee shops and libraries again soon.
Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller/ Directed by Nina Soden
Actress/Director Nina Soden
I am excited to be bringing Mary Jane Kelly back to life, even if just for a few minutes, to tell her story. I am truly thankful to Wayne Miller, playwriter and co-owner of Evil Cheez Productions, for the beautiful words and the gracious permission to produce and direct this wonderful show. I am proud to have been able to work with such a wonderful cast and excited to be able to still bring theatre to an audience, even when so many theatres across the globe are still shut down due to COVID-19. Art is essential and will find ways, such as virtual theatre, to survive. Thank you, to all of you, for taking the time to watch this show.
When asked her thoughts on Mary Jane Kelly’s monologue, Nina had this to say: Her words, the way Wayne wrote her, is devastating. She had such hope in life. She had love, loss, joy, pain, determination, and below it all a deep sadness. I had the honor of playing her during the premier performance of The Belles of Whitechapel at The Lowery House many years ago when Wayne Miller directed it. Reconnecting with her has been like putting on a warm coat or slipping into my favorite pajamas; it is easy to slip into her skin and feel all of her emotions. Maybe its because of how well she is written, or maybe it is because on some level I think every woman can relate to her.
When asked about the process of performing virtual theatre, she said: Of course live theatre is always best with an audience. However, in this crazy pandemic life we are living in right now, I believe it is still important to be creating art in any way we can. Besides, as an actress, film has always been my passion, so being in front of a camera is completely natural for me. I love it! Being able to share Mary Jane Kelly with a broader audience is the icing on the cake. When it comes to stage vs. camera, I prepare for a role the same way. Memorization is memorization, and the lines come easy to me – they always have. I enjoy the character development process, I think that is why it is so easy to slip into a role and learn the lines. As a director, this process was a little harder. We conducted ZOOM rehearsals to ensure proper social distancing and did all of our communicating through Facebook. It wasn’t as easy as meeting face to face, but it worked. With just 2 short weeks to complete the project, I think everyone did a wonderful job.
A Note from the Director
As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden
WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.
Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.
Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.
Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.
Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.
To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!
Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller/ Directed by Nina Soden
Actress Haley Loveday
Haley Loveday has been in love with acting since 2010 when she auditioned for her very first play, Noises Off. Since then, she has had the honor of bringing roles such as Blanche DuBois in Streetcar Named Desire, Pickles in The Great American Trailerpark Musical, Evelyn Thompson in The Shape of Things, and most recently, Meg MaGrath in Crimes of the Heart, to life. She has also done some work in film and television. Haley lives in Huntsville with her wife and daughter and their 3 dogs, Bubsy, Pip, and Lucy. She loves to write, travel, and drink wine. She would like to thank Nina Soden for trusting her with this role and Wayne Miller for breathing life into The Belles of Whitechapel.
When asked her thoughts on Sarah Lewis’s monologue, Haley had this to say: Sarah Lewis is very different from my own character in that I found her to be very judgemental of the “unfortunates” and almost victim shaming when it came to their circumstances. I think she has layers of sympathy and humility, but it is often times over-shadowed by her piety. She is terrified when she realizes that she could have been just like the women that she looks down upon, no matter that she is an honest woman herself. I believe that she might have a history of prostitution or degeneracy, which was probably brought on by poverty in the past, but now that she is married and out of “the life” the idea that she could have potentially been mistaken for one of “those women” again might be worse to her than the fact that she met Jack the Ripper.
When asked about the process of performing virtual theatre, she said: The process of learning a monologue as long and as layered as this one in only 2 weeks, with a 1 year old running around, was really survival of the fittest. My wife was a big help in giving me an hour or two here and there to really dive in and razor focus. I would have liked more time to work through the piece, but having such a short time to learn it forced me to challenge myself and pushed me to jump in with both feet right away.
I enjoy monologues because they give you the opportunity to find levels in your work. There is a real peace in knowing that you have ultimate control over what you bring to the script and how it is presented. I also like the pressure of only having myself to rely on on stage or in this case, on film. I do prefer scene work and being on stage with a live audience over monologues and film, simply because having the response of the audience adds to the over all experience and energy of the experience each night. There is nothing quite like treading the boards under bright stage lights.
A Note from the Director
As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden
WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.
Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.
Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.
Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.
Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.
To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!
Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller/ Directed by Nina Soden
Actress Leslie Gates
LESLIE GATES is very excited to be part of this project. She has been seen on stage in Huntsville in The Importance of Being Earnest, The Diviners, Blithe Spirit, and Nunsense. Leslie is also the Executive Director of Theatre Huntsville. Thank you to Nina for such a fun opportunity and to Wayne for a great script.
When asked her thoughts on Elizabeth “Long Liz” Stride’s role, Leslie had this to say: Liz was a very interesting person. She was born in Sweden, and came to London for a better life. That didn’t seem to work out for her as she ended up on the streets, depending on charity and selling her wares to make ends meet. However, she did seem to have somewhat of an optimistic outlook. Liz seemed like she never gave up and never lost her sense of humor.
When asked about the process of performing virtual theatre, she said: Film is so different from the stage. It was a little intimidating to have the camera there – I really wasn’t used to that. And having the shorter time period was really different – especially the older I get. I tend to attach words to movement, so that was different as well. And I must admit I did miss the audience. But Nina was so supportive and patient that it was not as scary as I thought it would be.
Actress Gena Rawdon
Gena has been active in community theatre for 20+ years and is honored to be appearing in The Belles of Whitechapel for a third time. She would love to tell every belle’s story if she has the chance!
After working in the Shoals theater scene for seven years, her first show in Huntsville was Theatre Huntsville’s Sabrina Fair in 2000. She has consistently worked with community theatre companies in Huntsville, Florence and Guntersville throughout her career.
Her first opportunity for a movie role came in 2018, when she played “Maw” in “The Quiet”, a movie filmed in the Shoals.
Gena wants to thank Nina Soden and all the Belles for bringing these beautiful women and their haunting stories to light.
When asked her thoughts on Kate Eddowes’s role, Gena had this to say: Oh, Kate. I loved Kate for her brutal honesty and her vulnerability. To think about a woman who was brutally murdered telling people about how she ended up dying at the hands of a serial killer…..it’s so powerful. To portray a woman who struggled with poverty, classism and addiction during a time when women had no viable options is a humbling experience. Kate had a man she loved and I get the feeling they felt it was them against the world. She made some poor choices, sure. I have too, we all have. They didn’t cost me my life, though. Kate was a survivor. She had love in her life. She deserved a fighting chance, but Jack the Ripper’s success as a serial killer depended upon a society who didn’t give women and poor people a fighting chance. The deck was stacked against Kate, but she never gave up. I love her for that.
When asked about the process of performing virtual theatre, she said: I haven’t done much screen work, but I love the option of being able to do a retake if I flub a scene or want to record a better version. The quick turnaround was a little nerve-wracking, but I would do it again in a heartbeat to be able to tell this story!
I really miss not being able to collaborate with my fellow artists. I’m glad Leslie and I had a chance to play off each other. I look forward to the day that we can all be collaborating in person again!
A Note from the Director
As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden
WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.
Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.
Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.
Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.
Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.
To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!
Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller/ Directed by Nina Soden
Actress Sherri Ryan
Sherri Ryan has been fortunate to have been acting and directing for over 50 years… “Wow, sounds old when I say it that way,” she stated! As a theatre teacher, she says she was blessed to work with amazing Sparkman High School students until she retired in 2015. Her favorite rolls include, Mame in ‘Mame’, Anita in ‘West Side Story’, Doris in ‘Same Time Next Year’, Ouisa in ‘Six Degrees of Separation’, Clairee in ‘Steele Magnolias’, and playing Annie Chapman!!! After 10 years of NOT acting, she says a 15-minute monologue can really rattle you, but that she is thankful for this opportunity.
When asked her thoughts on “Dark Annie’ Chapman’s monologue, Sherri had this to say: When Nina first asked me to take on the role of Annie Chapman, I was thrilled that at 67, I was going to do “theatre” again. (It has been 10 years since I was last on stage). THEN I saw the script. WOW. 15 minutes of a monologue AND with an accent. It was such a challenge but I finally did it and so appreciated the opportunity. I have always enjoyed doing film work as well as performing on stage. This was quite fun though with only 2 weeks of studying, filming for 30 minutes, and you are finished with the project.
But now I miss Annie! What a character I was fortunate enough to bring back to life, or death!! She had spunk, edgy charm, and her own unique take on life. Learning her dialogue and putting it into perspective in order to capture her was like peeling an onion, lots of layers. I appreciate the writing of Wayne Miller so much, the direction of Nina Soden, and the opportunity to get to know “Dark Annie Chapman”.
A Note from the Director
As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden
WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.
Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.
Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.
Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.
Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.
To watch all seven scenes, follow the link below to the YouTube playlist.
To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!
Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller / Directed by Nina Soden
Actress Tanja Lewis Miller
Tanja Lewis Miller is honored at the opportunity to reprise the role of Polly Nichols and to, once again, give her a voice. Involved in theatre since childhood, she has acted in and/or directed and/or produced countless productions in North Alabama. Like, literally, she can’t remember how many. She is the co-owner of Evil Cheez Productions, along with her highly creative hubby Wayne, and it’s a safe bet you’ve seen her on the stage somewhere. Much love to Nina and the rest of the amazingly talented cast for allowing her to share the airwaves with them. And a huge thank you to YOU, the audience, for helping to keep theatre alive.
When asked her thoughts on Polly Nichols’ monologue, Tanja had this to say: As the playwright’s wife, I was allowed to read all of the monologues before anyone else, and I fell in love with Polly from her first line, “Do you like my new bonnet?” She’s an optimist. She’s not going to let her situation drag her down. She’s strong, stubborn, and she uses her quick wit as a defense mechanism. She doesn’t defend her faults, but she doesn’t dwell either. She’s someone I can relate to. She’s someone EVERYONE can relate to.
When asked about the process of performing virtual theatre, she said: As far as the process, I’ll take a live audience any day of the week and twice on Sundays. I’m not the biggest fan of being on film. However, I’ll also take theatre any way I can get it. Call me an addict, if you will, but once the acting bug bit, I became a lifer. I will say that Nina made it as painless as possible, and it’s always a joy to work with her.
A Note from the Director
As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden
WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.
Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.
Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.
Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.
Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.
To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!