Wayne Miller ~ Author Interview

We have a very special guest today, Wayne Miller is the author of The Confessions of Saint Christopher: Werewolf!

WAYNE MILLER, aka The Evil Cheezman, is the owner and chief creative director of EVIL CHEEZ PRODUCTIONS, specializing in providing the finest in entertainment for the stage, the page, and the screen. Miller has written, directed, and produced over a dozen independent stage plays and overseen numerous haunted attractions. He writes weekly content for the websites VAMPIRES.COM, WEREWOLVES.COM, ZOMBIES.ORG, TOPCOMICS.COM, and DARKNESS.COM and has been a featured film reviewer for Legless Corpse Films. A storyteller since before he learned the alphabet–he drew picture books–Miller is a devotee of Edward D. Wood, Jr. (“One is always considered mad when one perfects something that others cannot grasp.”) and William Castle. Think P.T. Barnum meets Edgar Allan Poe. That’s him.


Check out Miller’s book below!

Millions of Christians the world over pray to him every day. Few of those, however, know the true history of the patron saint of travelers. Few know that he was, in fact, a Werewolf. Now at last the story will be told.

Check out our interview on YouTube:

Follow him on Social Media here:

Follow Miller on Facebook!

Mary Jane Kelly ~ Victim of Jack the Ripper Speaks

Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller / Directed by Nina Soden

Actress/Director Nina Soden

I am excited to be bringing Mary Jane Kelly back to life, even if just for a few minutes, to tell her story. I am truly thankful to Wayne Miller, playwriter and co-owner of Evil Cheez Productions, for the beautiful words and the gracious permission to produce and direct this wonderful show. I am proud to have been able to work with such a wonderful cast and excited to be able to still bring theatre to an audience, even when so many theatres across the globe are still shut down due to COVID-19. Art is essential and will find ways, such as virtual theatre, to survive. Thank you, to all of you, for taking the time to watch this show.

When asked her thoughts on Mary Jane Kelly’s monologue, Nina had this to say: Her words, the way Wayne wrote her, is devastating. She had such hope in life. She had love, loss, joy, pain, determination, and below it all a deep sadness. I had the honor of playing her during the premier performance of The Belles of Whitechapel at The Lowery House many years ago when Wayne Miller directed it. Reconnecting with her has been like putting on a warm coat or slipping into my favorite pajamas; it is easy to slip into her skin and feel all of her emotions. Maybe its because of how well she is written, or maybe it is because on some level I think every woman can relate to her.

When asked about the process of performing virtual theatre, she said: Of course live theatre is always best with an audience. However, in this crazy pandemic life we are living in right now, I believe it is still important to be creating art in any way we can. Besides, as an actress, film has always been my passion, so being in front of a camera is completely natural for me. I love it! Being able to share Mary Jane Kelly with a broader audience is the icing on the cake. When it comes to stage vs. camera, I prepare for a role the same way. Memorization is memorization, and the lines come easy to me – they always have. I enjoy the character development process, I think that is why it is so easy to slip into a role and learn the lines. As a director, this process was a little harder. We conducted ZOOM rehearsals to ensure proper social distancing and did all of our communicating through Facebook. It wasn’t as easy as meeting face to face, but it worked. With just 2 short weeks to complete the project, I think everyone did a wonderful job.


A Note from the Director

As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden


WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.

Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.

When not involved in Cheez business, Wayne Miller is a reporter for the websites werewolves.com, vampires.com, and darkness.com. He has previously written content for zombies.org, topcomics.com, thenerdrecites.com, and Legless Corpse Films.


SPECIAL THANKS:

Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.

Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.


Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.  


To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!

Annie Millwood
Martha Tabram
Polly Nichols
“Dark Annie” Chapman
Elizabeth “Long Liz” Stride and Kate Eddowes
Sarah Lewis
Mary Jane Kelly

Sarah Lewis ~ Victim of Jack the Ripper Speaks

Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller / Directed by Nina Soden

Actress Haley Loveday

Haley Loveday has been in love with acting since 2010 when she auditioned for her very first play, Noises Off. Since then, she has had the honor of bringing roles such as Blanche DuBois in Streetcar Named Desire, Pickles in The Great American Trailerpark Musical, Evelyn Thompson in The Shape of Things, and most recently, Meg MaGrath in Crimes of the Heart, to life. She has also done some work in film and television. Haley lives in Huntsville with her wife and daughter and their 3 dogs, Bubsy, Pip, and Lucy. She loves to write, travel, and drink wine. She would like to thank Nina Soden for trusting her with this role and Wayne Miller for breathing life into The Belles of Whitechapel. 

When asked her thoughts on Sarah Lewis’s monologue, Haley had this to say: Sarah Lewis is very different from my own character in that I found her to be very judgemental of the “unfortunates” and almost victim shaming when it came to their circumstances. I think she has layers of sympathy and humility, but it is often times over-shadowed by her piety. She is terrified when she realizes that she could have been just like the women that she looks down upon, no matter that she is an honest woman herself. I believe that she might have a history of prostitution or degeneracy, which was probably brought on by poverty in the past, but now that she is married and out of “the life” the idea that she could have potentially been mistaken for one of “those women” again might be worse to her than the fact that she met Jack the Ripper.

When asked about the process of performing virtual theatre, she said: The process of learning a monologue as long and as layered as this one in only 2 weeks, with a 1 year old running around, was really survival of the fittest. My wife was a big help in giving me an hour or two here and there to really dive in and razor focus. I would have liked more time to work through the piece, but having such a short time to learn it forced me to challenge myself and pushed me to jump in with both feet right away.

I enjoy monologues because they give you the opportunity to find levels in your work. There is a real peace in knowing that you have ultimate control over what you bring to the script and how it is presented. I also like the pressure of only having myself to rely on on stage or in this case, on film. I do prefer scene work and being on stage with a live audience over monologues and film, simply because having the response of the audience adds to the over all experience and energy of the experience each night. There is nothing quite like treading the boards under bright stage lights. 


A Note from the Director

As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden


WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.

Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.

When not involved in Cheez business, Wayne Miller is a reporter for the websites werewolves.com, vampires.com, and darkness.com. He has previously written content for zombies.org, topcomics.com, thenerdrecites.com, and Legless Corpse Films.


SPECIAL THANKS:

Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.

Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.


Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.


To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!

Annie Millwood
Martha Tabram
Polly Nichols
“Dark Annie” Chapman
Elizabeth “Long Liz” Stride and Kate Eddowes
Sarah Lewis
Mary Jane Kelly

Elizabeth “Long Liz” Stride and Kate Eddowes ~ Victims of Jack the Ripper Speak

Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller / Directed by Nina Soden

Actress Leslie Gates

LESLIE GATES is very excited to be part of this project. She has been seen on stage in Huntsville in The Importance of Being Earnest, The Diviners, Blithe Spirit, and Nunsense. Leslie is also the Executive Director of Theatre Huntsville. Thank you to Nina for such a fun opportunity and to Wayne for a great script. 

When asked her thoughts on Elizabeth “Long Liz” Stride’s role, Leslie had this to say: Liz was a very interesting person. She was born in Sweden, and came to London for a better life. That didn’t seem to work out for her as she ended up on the streets, depending on charity and selling her wares to make ends meet. However, she did seem to have somewhat of an optimistic outlook. Liz seemed like she never gave up and never lost her sense of humor. 

When asked about the process of performing virtual theatre, she said: Film is so different from the stage. It was a little intimidating to have the camera there – I really wasn’t used to that. And having the shorter time period was really different – especially the older I get. I tend to attach words to movement, so that was different as well.  And I must admit I did miss the audience. But Nina was so supportive and patient that it was not as scary as I thought it would be. 


Actress Gena Rawdon

Gena has been active in community theatre for 20+ years and is honored to be appearing in The Belles of Whitechapel for a third time.  She would love to tell every belle’s story if she has the chance!

After working in the Shoals theater scene for seven years, her first show in Huntsville was Theatre Huntsville’s Sabrina Fair in 2000. She has consistently worked with community theatre companies in Huntsville, Florence and Guntersville throughout her career.  

Her first opportunity for a movie role came in 2018, when she played “Maw” in “The Quiet”, a movie filmed in the Shoals.  

Gena wants to thank Nina Soden and all the Belles for bringing these beautiful women and their haunting stories to light.  

When asked her thoughts on Kate Eddowes’s role, Gena had this to say: Oh, Kate.  I loved Kate for her brutal honesty and her vulnerability.  To think about a woman who was brutally murdered telling people about how she ended up dying at the hands of a serial killer…..it’s so powerful.  To portray a woman who struggled with poverty, classism and addiction during a time when women had no viable options is a humbling experience.  Kate had a man she loved and I get the feeling they felt it was them against the world.  She made some poor choices, sure.  I have too, we all have.  They didn’t cost me my life, though.  Kate was a survivor.  She had love in her life.  She deserved a fighting chance, but Jack the Ripper’s success as a serial killer depended upon a society who didn’t give women and poor people a fighting chance.  The deck was stacked against Kate, but she never gave up.  I love her for that.  

When asked about the process of performing virtual theatre, she said: I haven’t done much screen work, but I love the option of being able to do a retake if I flub a scene or want to record a better version.  The quick turnaround was a little nerve-wracking, but I would do it again in a heartbeat to be able to tell this story!  

I really miss not being able to collaborate with my fellow artists.  I’m glad Leslie and I had a chance to play off each other.  I look forward to the day that we can all be collaborating in person again!  


A Note from the Director

As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden


WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.

Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.

When not involved in Cheez business, Wayne Miller is a reporter for the websites werewolves.com, vampires.com, and darkness.com. He has previously written content for zombies.org, topcomics.com, thenerdrecites.com, and Legless Corpse Films.


SPECIAL THANKS:

Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.

Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.


Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.


To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!

Annie Millwood
Martha Tabram
Polly Nichols
“Dark Annie” Chapman
Elizabeth “Long Liz” Stride and Kate Eddowes
Sarah Lewis
Mary Jane Kelly

“Dark Annie” Chapman ~ Victim of Jack the Ripper Speaks

Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller / Directed by Nina Soden

Actress Sherri Ryan

Sherri Ryan has been fortunate to have been acting and directing for over 50 years… “Wow, sounds old when I say it that way,” she stated! As a theatre teacher, she says she was blessed to work with amazing Sparkman High School students until she retired in 2015. Her favorite rolls include, Mame in ‘Mame’, Anita in ‘West Side Story’, Doris in ‘Same Time Next Year’, Ouisa in ‘Six Degrees of Separation’, Clairee in ‘Steele Magnolias’, and playing Annie Chapman!!! After 10 years of NOT acting, she says a 15-minute monologue can really rattle you, but that she is thankful for this opportunity.

When asked her thoughts on “Dark Annie’ Chapman’s monologue, Sherri had this to say: When Nina first asked me to take on the role of Annie Chapman, I was thrilled that at 67, I was going to do “theatre” again.  (It has been 10 years since I was last on stage).   THEN I saw the script.  WOW.  15 minutes of a monologue AND with an accent.  It was such a challenge but I finally did it and so appreciated the opportunity.  I have always enjoyed doing film work as well as performing on stage.  This was quite fun though with only 2 weeks of studying, filming for 30 minutes, and you are finished with the project. 

But now I miss Annie!  What a character I was fortunate enough to bring back to life, or death!!  She had spunk, edgy charm, and her own unique take on life.  Learning her dialogue and putting it into perspective in order to capture her was like peeling an onion, lots of layers.  I appreciate the writing of Wayne Miller so much, the direction of Nina Soden, and the opportunity to get to know “Dark Annie Chapman”.


A Note from the Director

As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden


WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.

Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.

When not involved in Cheez business, Wayne Miller is a reporter for the websites werewolves.com, vampires.com, and darkness.com. He has previously written content for zombies.org, topcomics.com, thenerdrecites.com, and Legless Corpse Films.


SPECIAL THANKS:

Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.

Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.


Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.  


To watch all seven scenes, follow the link below to the YouTube playlist.


To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!

Annie Millwood
Martha Tabram
Polly Nichols
“Dark Annie” Chapman
Elizabeth “Long Liz” Stride and Kate Eddowes
Sarah Lewis
Mary Jane Kelly

Polly Nichols ~ Victim of Jack the Ripper Speaks

Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller / Directed by Nina Soden

Actress Tanja Lewis Miller

Tanja Lewis Miller is honored at the opportunity to reprise the role of Polly Nichols and to, once again, give her a voice. Involved in theatre since childhood, she has acted in and/or directed and/or produced countless productions in North Alabama. Like, literally, she can’t remember how many. She is the co-owner of Evil Cheez Productions, along with her highly creative hubby Wayne, and it’s a safe bet you’ve seen her on the stage somewhere. Much love to Nina and the rest of the amazingly talented cast for allowing her to share the airwaves with them. And a huge thank you to YOU, the audience, for helping to keep theatre alive.

When asked her thoughts on Polly Nichols’ monologue, Tanja had this to say: As the playwright’s wife, I was allowed to read all of the monologues before anyone else, and I fell in love with Polly from her first line, “Do you like my new bonnet?” She’s an optimist. She’s not going to let her situation drag her down. She’s strong, stubborn, and she uses her quick wit as a defense mechanism. She doesn’t defend her faults, but she doesn’t dwell either. She’s someone I can relate to. She’s someone EVERYONE can relate to.

When asked about the process of performing virtual theatre, she said: As far as the process, I’ll take a live audience any day of the week and twice on Sundays. I’m not the biggest fan of being on film. However, I’ll also take theatre any way I can get it. Call me an addict, if you will, but once the acting bug bit, I became a lifer. I will say that Nina made it as painless as possible, and it’s always a joy to work with her.


A Note from the Director

As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden


WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.

Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.

When not involved in Cheez business, Wayne Miller is a reporter for the websites werewolves.com, vampires.com, and darkness.com. He has previously written content for zombies.org, topcomics.com, thenerdrecites.com, and Legless Corpse Films.


SPECIAL THANKS:

Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.

Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.


Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.


To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!

Annie Millwood
Martha Tabram
Polly Nichols
“Dark Annie” Chapman
Elizabeth “Long Liz” Stride and Kate Eddowes
Sarah Lewis
Mary Jane Kelly

 

Martha Tabram ~ Victim of Jack the Ripper Speaks

Virtual Theatre Performance from The Belles of Whitechapel ~ The Victims of Jack the Ripper Speak, written by Wayne Miller / Directed by Nina Soden

Actress Jacinda Rose Swinehart-Johnson

JACINDA ROSE SWINEHART is a professional actress, who has worked all over the country since the year 2000. She owns The Rocket City Sweethearts, Huntsville’s Premiere Vintage Entertainment Trio, singing the hits of the 1940’s, 50’s and 60’s! JACINDA currently works for Fantasy Playhouse Children’s Theatre and Academy as a Teaching Artist, and as an Actress at The Intuitive Planetarium at The US Space and Rocket Center. 

When asked her thoughts on Martha Tabram’s monologue, Valerie had this to say: Martha is heartbreaking. She is a perfect example of how life can truly get the better of you, and that your demons do not care what you want. If you don’t have control, you will be a victim to your surroundings, regardless of how many people love you. She was a true pleasure to play, down to every absolute wonderful flaw that made her human. Her life, wasn’t wasted. I was honored to tell her story.

When asked about the process of performing virtual theatre, she said: This pandemic, this new world, has had an effect on me, as an actor. I have been so focused on everything else… My family, the world, the virus, death. My ability to focus has been effected. I find that I haven’t been able to memorize as I normally do, which is disturbing. This is a new era. I am trying to settle in the fact that things will be dramatically different while also denying that things will not be different and won’t change. Our whole world, (entertainment, performance), is drastically changing… Without an answer in the immediate future. I am thankful to be able to create in this type of venue… For without it, I am not.


A Note from the Director

As a writer, I can appreciate every word Wayne put into this script. His research and dedication to his writing did these women proud. As an actress, I hope to one day play all the roles so I can truly connect with each of them on an emotional level. As a director, I am both honored and humbled that Wayne would trust me with this production. I have loved working with each of these actresses and believe that in the short time we had together (2 weeks start to finish) each and every one of them have given a beautiful performance. ~ Nina Soden


WAYNE MILLER is the owner and creative director of EVIL CHEEZ PRODUCTIONS and is the Grand High Poobah of CHEEZISM, the movement he founded (it isn’t organized enough to be called a religion, besides which it isn’t religious) dedicated to providing audiences with the finest in entertainment options on the page and for the stage. (On the big screen, too, if Spielberg ever returns any of his phone calls.) Wayne has been writing stories literally since before he learned his alphabet—he drew pictures. After languishing in the nether-regions of the publishing industry for years, working as an acquisitions editor for a literary agency, he chose, as an experiment, to combine his passion for writing with his hobby of Theatre, and in the process, by accident and Providence, discovered his life’s purpose: to be a showman.

Describing himself as a cross between Edgar Allan Poe and P.T. Barnum, Miller is a devotee of Ed Wood, the “worst director of all time!” who inspires Wayne due to his unflappable dedication to his muse and unrestrainable creative drive.

When not involved in Cheez business, Wayne Miller is a reporter for the websites werewolves.com, vampires.com, and darkness.com. He has previously written content for zombies.org, topcomics.com, thenerdrecites.com, and Legless Corpse Films.


SPECIAL THANKS:

Wayne Miller and Tanya Miller of Evil Cheez Productions for allowing me the honor of producing and directing this amazing play. Through his script, Wayne has done a wonderful job of bringing these women back to life, even if just for a few minutes, to tell their story. Make sure you check out Evil Cheez online and learn about their upcoming productions.

Theatre Huntsville for letting us use The Studio Theatre space at Lowe Mill and for providing the professional lighting design. You can find them, and their upcoming productions, online by clicking HERE or on Facebook.


Please like, share, subscribe, and comment so more people can share in this virtual theatre experience.


To read the actresses comments about their characters, click on the links below and you’ll be taken to the individual posts!

Annie Millwood
Martha Tabram
Polly Nichols
“Dark Annie” Chapman
Elizabeth “Long Liz” Stride and Kate Eddowes
Sarah Lewis
Mary Jane Kelly

WHOOMP! WHOOMP! WHOOMP! (4 Chapter Short Story)

Whoomp! Whoomp! Whoomp!

The Day the World Stopped Making Sense

by Nina Soden

Dedicated to Wayne and Tanja Miller

©2019 Nina Soden

Based on the character Lynne Loveless and the fictitious facts of the play BAMGILA written by Wayne Miller the leader of Evil Cheez Productions

CHAPTER 1

I’m sure you’ve heard the story of the tragedy that befell Southern Alabama on the day Bamgila made his way out of the bay. It was over twenty years ago, August 2019, and I still remember it like it was yesterday.

Thousands were killed, more were injured, and hundreds were left homeless as billions were reported in property damage. It was a miracle how the community came together, over the five years following the tragedy, and rebuilt the city from the ashes left in Bamgila’s wake.

In order to explain what happened, I first have to tell you how it was that I came to live in Southern Alabama. I wasn’t born there, nor did I choose to make Mobile, Alabama my home; it was forced upon me. The journey had started ten years before Bamgila’s invasion in the summer of 2009. My husband, David, moved me, and our then 4-year-old daughter, Darby, from our home in Northern Washington to the depths of Alabama.

David’s work was transferring him, whether I liked it or not. He had cheated and I had considered letting him go without us, but for Darby’s sake, I decided to give our marriage one more chance. I had hoped that a new start would do us both some good. Besides, I had learned that my best friend from high school, Susan Miller, now Susan Garrison, had moved down to Mobile, Alabama about fifteen years earlier after marrying her husband. I hadn’t seen her in over twenty years, but we still talked from time to time and of course, we kept in touch through social media. Susan was a very successful real estate agent, with her own firm and a wall full of awards. She helped us find a home, my dream home, with a wrap around porch and a backyard pool.

Susan’s husband, Gill, helped get me a job at WCHZ, a local radio station. I quickly made a name for myself at the station and my co-workers became my family. I worked as an anchor, along side Walsh Chandler, one of the world’s most conservative republicans. He made Rush Limbaugh look liberal. Walsh and I never really saw eye to eye, but I suppose our disagreements made for entertaining radio. Deep down, I always knew Walsh had a soft side. That night, in the basement of the station, Walsh showed his true colors. He proudly exited the closet and came out to all of us while declaring his love for his secret lover, Douglas. If only he hadn’t died that night, I think we would have become fast friends.

Working in media, you’re trained to hold your composure. Don’t show fear or emotion, that’s the number one rule. It’s to easy to evoke mass panic if the audience hears fear in your voice or see’s it in your eyes.

It’s hard… It’s hard trying to encourage others and spread hope when you know people all around you are dying, if not already dead.

That night, the world grieved for the loss of thousands, but in that basement, we grieved for the loss of our co-workers—our family.

Until you’re in a situation like the Bamgila Invasion, which is what the history books are now calling it, you can’t possibly understand the pain and suffering that comes with such a loss. The decisions I made, hoping to keep myself and those I loved alive, and the relationships lost in those endless moments of fear will forever haunt me.

CHAPTER 2

The day started like any other Tuesday, except instead of dropping Darby off at school on my way to work she came with me. She was suspended, three days for skipping class. I suppose I can’t blame her; kids tend to lash out when their feeling stress. Darby’s life had been turned upside down, not once but twice. The most recent being the summer before she started ninth grade when her father decided to leave, moving into a flat in the city with his twenty-three-year-old mistress, Bambi.

Bambi had been Darby’s nanny, up until she turned twelve, and had spent many family vacations and backyard BBQs with us over the eight years she worked for us. It turns out her benefits package was better than my own. She walked with a new condo, money in her pocket, and my husband at her side. I got the house, 75% custody of Darby, and no alimony because David lost his job a month before our divorce became finalized.

When I found out Gill was cheating on Susan, with Crystal one of the stations anchors, I lost it. I gave him an ultimatum, tell Susan before their next anniversary or I would. That gave him five and a half months to decide how to do it, but it didn’t take that long. About two months later, Susan had cornered him in the den, demanding to know the truth. In Gill ultimate wisdom, he confessed thinking he had no other choice. It turns out, Susan had no idea about the affair and only wanted to know how he could possibly spend $2500 on golf clubs without talking to her first. I’m only thankful that Susan didn’t have to live with that pain for too long.

The very next day, Bamgila came walking out of the bay. I won’t go into the gory details of how Susan died, I don’t want to relive those memories. Over twenty years later and her death is still just as painful today as it was then. In fact, I’m tearing up just thinking about her now. If you had known Susan; her passion for life, her extraordinary lust for excitement, and her never ending love of friends and family, you’d understand the gaping hole her death left in all of us.

CHAPTER 3

Darby and I made it into the station about seven o’clock, in the middle of Sunny Storm’s morning weather report. She was a twenty-something, brunet with dreams of one day becoming an actress. The problem she ran into wasn’t a lack of talent, no, it was that no one was looking for fresh talent in L.A. That’s lower Alabama to those of you who haven’t lived in the south, not to be mistaken with Los Angeles, California.

Sunny’s personality was much like her name, sunny. She was eager to learn and although many of the men in the office saw her as a ditz, I knew better. She was a social media wizard. She had over ten thousand followers on Instagram and double that on Twitter. I’m not sure why they were so fascinated by pictures of what she ate for breakfast, lunch, and dinner which she posted on a daily basis. However, I will admit I often found myself getting lost in her ramblings whenever she posted videos.

Gill was always the first one in and the last one to leave at the end of the day. He greeted Darby and I moments after we walked in. I could tell something was wrong, but with Gill you never know if it’s a stubbed toe or a plane crash, everything is over the top with him. Either way, I had my own drama going on, trying to deal with Darby and her recent acts of defiance. By the time I got Darby out of the lobby and settled into a quiet place to nap before hitting the books, Gill was half way into his story about how Susan had pulled the truth out of him. I wont lie, I was glad she finally knew. I hated lying to her.

By the time Gill was done ranting, I had barely finished my first cup of coffee. Kenny Kramer, the WCHZ office intern, came bumbling into the lobby in a very Cosmo Kramar way. If you’ve ever seen Seinfeld, the early 1990’s sitcom, then you know what I mean. The irony that his mother named him after Michael Richard’s character Kramer is not lost on anyone who meets him.

Kenny proceeded to bombarded Gill and I in the lobby, going on and on about something he found amazing and world altering. It wasn’t until Gill turned on the television and the image of Bamgila filled the screen that I realized Kenny had no idea how right he really was. Now, don’t get me wrong, I wasn’t excited about Bamgila’s existence, not like Kenny was. No, I was terrified, much like the rest of the world.

In a matter of hours, less than twenty-four, Bamgila had appeared as if out of nowhere. He walked out of waters of Mobile Bay defying all laws of physics and whether maliciously or not, wreaked havoc across the state. Fire exploded from his mouth, vehicles and buildings were crushed under the weight of his mass, and lives… so many lives were sacrificed to his will. The whole city fell under his shadow. We were all at his mercy, but Bamgila showed no mercy.

CHAPTER 4

Skip Starke was the sports anchor back then. No one really took him to seriously, though. He presented himself like a has been football player who thought he should have been more. To be truthful, the only reason I even remember his name was because he had professed his feelings for me only thirty minutes before Bamgila took his life. He didn’t go without a fight though.

Charging toward the fire breathing monster, Skip managed to put two bullets right between the monster’s eyes. It didn’t make a difference, they barely penetrated the skin, but that isn’t what mattered. What mattered was that he had done it, bravely and selflessly, in an effort to save us all.

The weather girl, Sunny Storm, or rather Ethel Eugenia Furbish as we learned that night, was never found after the attack. Members of the National guard were sifting through bodies for months, identifying those they could and contacting family members if any were still living. Sunny’s body never turned up. There have been reports, over the years, that she had run out of the building, heading west, and never looked back. Some even say she kept running until she reached the Pacific Ocean. Considering she only owned four-inch heels, I find it hard to believe she could have run that far. I’m sure she called an uber as soon as she was out of the state, but you never know. Secretly, I hope she did make it all the way to California. I hope she changed her name, again, and took up acting out on the golden coast.

Crystal and Gill ended up throwing a huge party a few months after the event. They called it a funeral, to honor Susan’s memory, but it was a party. The only thing Susan would have liked about the party was all the alcohol. Everyone was drinking in her honor and somehow it felt like she was there too. I couldn’t stomach it, I still missed her too much. Life just wasn’t the same without my friend. I ended up leaving thirty minutes in, just after Crystal announced she was pregnant… with twins. Somehow that didn’t stop her from taking shot after shot of Gill’s expensive tequila thought.

Kenny, the WCHZ intern, who Walsh had hired must to my chagrin ended up being my hero. When Darby and I attempted to get away from Bamgila, I lost hold of her hand. She slipped right out of my fingers. I searched through the rubble for what felt like days trying to find her. Then, after hours of interrogation by General Stone of the U.S. Army, Kenny brought her back to me. I will forever be grateful to him.  In the twenty years since the incident, Kenny has continued with WCHZ, moving his way up the ranks until just five years ago, I heard he had been promoted to General Manager in charge of all programing. He has turned into a fine man and has done the station, and all of us old-timers, proud.

The high school my daughter attended, like most of the city, was demolished. She ended up completing the year, and her next three, through a virtual academy out of Texas. She graduated with honors and moved back to Washington to attend university. She came down every few months to visit, but once she got married, I decided it was time to pack up and move back up north too. I let go of my wrap around porch and backyard pool, in exchange for living just down the street from my two beautiful grandchildren; Sydney and Ethan. I wouldn’t give that up for all the world.

Whoomp! Whoomp! Whoomp! ©2019 Nina Soden