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About Nina Soden

Wife, Mommy, Urban Fantasy Author, Artist, Actress, Director... I'm only as old as I feel and I try to see the good in everyone. I take life one day at a time and focus only on the moment I'm in without fear or worry about the past or the future.

The Book of Outcasts by Matt Nagin

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The Book of Outcasts features dynamic characters in surreal, often imaginative worlds. The stories run the gamut; in one, the narrator is stripped of his job, his apartment, and any semblance of civil liberties for not getting a brain implant; in another a compulsive gambler is so desperate to repay his debt he robs a casino; in a third, a writer, tormented by his pernicious doppelganger, goes to all lengths to exact revenge. There is also a film festival operator framed for ghastly murder on The French Riviera; a game show host who profits off a deadly pandemic; and a former nightclub comedian who gets abducted by aliens and taken to a planet where cannibalism is the norm.

Several of these stories were previously published. “The Failure” made “Best of Across The Margin 2021.”  “Whose Pandemic Is It Anyway?” was anthologized in The Rabbit Hole Vol 5 in 2022. Still others were published in literary journals such as The Binnacle, Void Magazine, and New Works Review.

The Book of Outcasts will be available on AMAZON on Monday, March 10, 2025! Reserve your copy today.

Matt Nagin is a comedian and author who has published five books, acted in numerous Film and TV projects, and performed standup in seven countries.

As a writer, Matt’s newest book is the short story collection “The Book of Outcasts,” which is available for pre-order now. His humor book “Do Not Feed The Clown” was published by Tenth Street Press and he’s also put out three poetry books (one of which Kirkus Review deemed “powerful verse from a writer of real talent”). Additionally, Matt’s story “The Failure” made Best of Across The Margin and his poem “If We Are Doomed” won The Spirit First Editor’s Choice Award. Other work has been appeared in The Binnacle, NY’s Best Emerging Poets, and Rabbit Hole: Weird Stories Vol. 5. He also taught college writing at such institutions as Fordham, Long Island University, and Fashion Institute of Technology.

As an actor, Matt’s made many TV and film appearances, including in the film “Tango Shalom,” on the Discovery show “Street Justice: The Bronx,” and in the Amazon show “Hunters” in a scene with Al Pacino. As a standup, Matt performed on The Dr. Steve Show, was an opening act for Robert Klein, and performed his one man show at The Edinburgh Comedy Festival. In addition to the above, Matt created the short film “Inside Job,” which won several awards on the festival circuit.

As if all this wasn’t enough, Matt has appeared on numerous game shows, podcasts, radio programs, created a rap video, hosted a film festival, and even was the first person to perform standup in English in Lisbon, Portugal. He’s further long been involved with charitable organization such as The Gotham Comedy Foundation, which brings comedians into hospitals and senior centers, and The Crohn’s and Colitis Foundation, which recently granted him The Mission Award.

Q&A WITH THE AUTHOR

Why do you write fiction?

I find it interesting to explore alternate realities. The other aspect of it is I rarely write with an outline. Hence, I am often entertaining myself when I write since I’m trying to figure out how this story will end. A final element that draws me to it is the editing process, which is really about trying to actualize the ideas in the first draft in the best way possible. 

What is your new book about?

It’s a collection of short stories: “The Book of Outcasts.” As the title suggests, it’s really about characters who don’t fit into society for various reasons; they may be criminals, addicts, fringe artists, madmen etc. It’s really about exploring the inner worlds of these characters and the conflicts they face, often in a world that is hostile to their natural impulses. In some stories it’s about survival; in others it’s more about artistic and existential issues; in still others it is about acceptance of life on its own terms.

What got you into writing?

A poetry class I took at a summer program at Penn State got me into writing. In college, I became an English major and took more writing courses. Then I took screenwriting night classes at UCLA and did script coverage while in L.A. After that I did an M.A. at NYU, where there was a bunch of writing, and, for better or worse, I’ve been writing ever since. 

What do you think makes a good story?

A plot that moves the action forward in a way that is compelling. The story should keep the reader wanting more. Another important element is capturing experience with immediacy and realism. 

What do you want people to take away from your book?

I want them to enjoy the stories and explore these alternate realities. Additionally, in certain cases, my stories comment on aspects of our culture, so it would be great if readers considered our world in light of what the stories are suggesting. For example, Get Your Implant!, is about a man forced to get an A.I. implant to compete in the workforce; he gives up everything to avoid this reality but ultimately cannot hide. It’s a story that comments on the dangers of A.I. and the way technology may not be the Shangri-La some make it out to be. Is technological progress worth losing your soul? What really matters most? Progress? Or being who you really are? The story leaves the reader to reflect on where we as a society are heading. 

What else do you want readers to know about you?

I have four other books available, three poetry books and one humor book. I try to change up what I’m doing. This way I’m offering readers something different, something a little unexpected. I think it’s important artistically to keep exploring and taking chances. Readers can reach out to me through my website at mattnagin.com.  

LINKS:


A Critique is Not an Insult: The Power of Constructive Feedback in Writing

Writing is an intimate act. Authors pour their thoughts, emotions, and creativity into every word, each sentence carefully crafted to convey a piece of themselves to the world. When we put our work out there, we risk exposing our vulnerabilities to others, opening ourselves up to both praise and criticism. It’s natural to feel protective over our creations—after all, they are an extension of who we are. But here’s the truth that all writers must come to understand: a critique is not an insult. It is a powerful tool for growth and improvement. Trust me, learning or believing this lesson isn’t always easy.

The Purpose of Critique

At its core, a critique is about evaluating and offering feedback in a way that encourages development. It’s a way for writers to see their work from another perspective, to recognize both strengths and weaknesses they might not have noticed on their own. Critiques—whether given by a trusted friend, editor, or fellow writer—serve to refine the piece and help authors evolve. Constructive feedback isn’t about tearing someone down. It’s about lifting them up and guiding them toward better writing.

Think of it this way: no one is born knowing how to write perfectly. Every author, from the most seasoned to the newest, needs feedback to hone their craft. Even the greatest writers, like Hemingway and Orwell, relied on others to point out areas for improvement. Critique helps us grow, just as a sculptor chisels away at a block of stone to reveal the masterpiece within. It is a necessary step in the process of becoming better at our craft.

Critique Is About the Work, Not the Writer

One of the most important (and maybe hardest) distinctions to make is that a critique is about the work, not the person behind it. It is an evaluation of a specific story, essay, or novel, not a reflection of the author’s worth as an individual. When a critique points out flaws or areas for improvement, it is never meant to undermine the writer’s self-esteem or creative potential.

Unfortunately, the emotional connection between an author and their writing can sometimes blur this line. A negative critique can feel like a personal attack, but that is rarely the intention. Instead, it’s a sign that the work, as it stands, could benefit from revisions—just as any piece of art requires revisions before it can be truly considered finished. Even the best works in history have been revised multiple times before reaching their final form. Criticism, then, is a necessary step in this journey, a part of the art’s evolution.

Constructive Criticism: The Heart of Growth

Constructive criticism is the gold standard for feedback. It focuses on improvement, offering actionable suggestions while acknowledging what works well. The best critiques never simply say “This is bad” or “This doesn’t work.” Instead, they offer insight into why something doesn’t work and, more importantly, how to make it better. A good critique provides clarity on plot holes, character inconsistencies, pacing issues, or weak dialogue. It helps the writer see their work from different angles, offering solutions rather than just identifying problems.

As a writer, it’s essential to remain open to such feedback. Embrace the idea that all feedback—no matter how critical—comes with the potential for growth. Take a step back, detach emotionally, and view the critique objectively. Is there a kernel of truth in what’s being said? Can the suggested changes improve the overall quality of your work? Often, the answer will be yes.

The Personal Connection: Don’t Take It Personally

It’s easy to feel vulnerable when your work is critiqued. It can sting, especially if the feedback points out flaws you’ve worked hard to overlook or aspects of your writing you were especially proud of. But remember, a critique is not a judgment on you as a person. It does not diminish your talent, your creativity, or your ability as a writer. It’s simply a tool to make your writing the best it can be.

A critique can only hurt if you let it. Instead of viewing feedback as a negative judgment, try to see it as an opportunity to learn. Even harsh criticisms often contain valuable lessons. After all, no one becomes a master at something without making mistakes along the way—and writing is no exception.

A Final Thought: Embrace the Challenge

To be a writer is to be forever evolving, learning, and adapting. The work will always get better with each revision, with each thoughtful critique. It’s important to remember that a critique is a gift, not a condemnation. It’s a chance to refine your skills, to deepen your understanding of your craft, and to produce the best version of your work.

So, the next time you receive feedback—whether positive or critical—take a deep breath and embrace it. Understand that it’s not a reflection of you as a person but a reflection of your work in its current form. A critique is not an insult. It’s a steppingstone on the path to becoming the writer you’re destined to be.


Bound by Charley Black

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Blood binds them. Danger surrounds them. Love could destroy them.

Bound
The Elite Series Book 1
by Charley Black
Genre: Dystopian Vampire Paranormal Romance

Bound by blood, Marked by rebellion, Destined for a love that could save or destroy them.
A forbidden bond. A crumbling city. A choice that could change everything.

Serenity

Becoming an Elite—a blood donor for the Vampyr—was never part of the plan. But with my family’s lives on the line, I had no choice but to step out of hiding and into a world I barely understand. My rare blood has made me a target, and now, I’m bound to Kane—the ruthless, untouchable head of the Vampyr Council.

The rebels want to use me. My family depends on me. And Kane… he’s the only one who can keep me alive—but trusting him? That might be the most dangerous gamble of all.

Kane

I never wanted an Elite. I certainly didn’t need one—especially not Serenity. She’s everything I’ve avoided: human, stubborn, and a complication I can’t afford. But from the moment I met her, she turned my world upside down.

Her blood sustains me, but it’s her spirit that leaves me hungry for more. As rebellion threatens to tear the city apart, my focus should be on holding everything together—not on the one woman who’s become my greatest weakness.

She’s more than just a distraction. She’s a risk. One I shouldn’t take.

But I can’t let her go. And if I’m not careful, she might destroy me—or save us all.
In a world where blood is currency and love is forbidden, Bound is a spellbinding tale of passion, betrayal, and a bond that could shatter a city—or bring it to its knees.
Fans of dstopyian fantasy, forbidden romance, and slow-burn tension will devour Bound, the first book in The Elite Series.

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Charley Black is an up-and-coming writer and author who has been creating stories since she was twelve years old. Her early short stories dabbled in different genres, but her passion for romance novels — paranormal romance in particular — always shone through. Charley currently resides in Rhode Island, with her family and works at a local university.

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The 3 Pillars of Publishing: Self-Publishing, Vanity Publishing, and Traditional Publishing

The publishing world has evolved dramatically in recent years, offering authors an array of options for sharing their work with readers. Whether you’re a first-time author or a seasoned writer, understanding the key differences between self-publishing, vanity publishing, and traditional publishing can help you make an informed decision on how to release your book. Each route has its unique set of advantages and drawbacks, and the best option depends on your goals, resources, and expectations.

Self-Publishing: Empowerment or Overwhelming Responsibility?

What is it? Self-publishing is the process of independently publishing a book without the involvement of a traditional publisher. Authors retain full control over every aspect of the process, from writing and editing to designing and marketing. The book is then published directly through online platforms like Amazon’s Kindle Direct Publishing (KDP), IngramSpark, or other digital and print-on-demand services.

Pros:

  1. Creative Control: The author has complete control over the content, design, and marketing of the book. There’s no need to follow an editor’s or publisher’s vision.
  2. Higher Royalties: Self-published authors typically keep a larger percentage of book sales—sometimes up to 70% of the retail price for eBooks, compared to much lower percentages from traditional publishers.
  3. Speed to Market: The book can be released as soon as it’s ready, with no lengthy approval processes or waiting for a publisher’s schedule.
  4. No Gatekeepers: Writers are not required to get an agent or publisher’s approval to see their work in print.

Cons:

  1. Initial Costs: Authors are responsible for costs such as editing, cover design, formatting, and marketing. These expenses can add up quickly and are not guaranteed to lead to success.
  2. Time-Consuming: Authors must take on many roles outside of writing—business decisions, marketing, promotions, and customer service.
  3. Limited Reach: Without the backing of a major publishing house, gaining exposure can be more challenging. Self-published authors often need to rely heavily on social media, word of mouth, and personal networks to generate interest.
  4. Perceived Stigma: Though the stigma surrounding self-publishing has diminished over the years, some readers and industry professionals still view it as less prestigious than books published through traditional routes.

Vanity Publishing: Paying for Prestige

What is it? Vanity publishing is a hybrid form of publishing where an author pays a publishing company to publish their work. These companies often offer a range of services, such as editing, cover design, marketing, and distribution. However, the key distinction from traditional publishing is that the author typically covers the costs up front.

Pros:

  1. Professional Services: Vanity publishers often provide high-quality editorial and design services, giving the book a more polished appearance and feel than a typical self-published work.
  2. Less Work for the Author: These publishers handle much of the technical and logistical side of publishing, including formatting and printing, freeing the author to focus on their writing.
  3. Aesthetic Appeal: Books published through vanity presses may appear to be more “legitimate” or professionally produced, as they are physically printed and distributed by a third-party company.

Cons:

  1. High Costs: Authors must pay for all services, which can be costly, ranging from hundreds to thousands of dollars. Even if the book sells, the author may not recoup these expenses.
  2. Limited Distribution: While vanity publishers may offer distribution channels, they often don’t have the far-reaching networks of traditional publishers, so getting the book into bookstores or libraries may be a challenge.
  3. No Guarantee of Success: Vanity publishers typically do not market books with the same intensity or effectiveness as traditional publishers, leaving the author to take on much of the promotional work. There’s no guarantee of sales.
  4. Potential for Exploitation: Some vanity presses prey on naïve authors by offering expensive services without any real return. These publishers may not provide meaningful distribution or marketing, and some operate with dubious business practices.

Traditional Publishing: The Gatekeeper Path

What is it? Traditional publishing involves submitting a manuscript to a publishing house, typically through an agent. If accepted, the publisher will take over the publishing process, including editing, design, marketing, and distribution. The author’s involvement is often limited to the creative aspects and promotional efforts post-publication.

Pros:

  1. Professional Expertise: A traditional publisher brings in a team of professionals—editors, designers, marketers, and publicists—to ensure the book is well-crafted and widely distributed.
  2. No Upfront Costs: Authors receive an advance against royalties and don’t have to cover the costs of production, printing, or distribution. The publisher handles these expenses.
  3. Broader Distribution: Traditional publishers have established networks for getting books into bookstores, libraries, and online platforms, resulting in better visibility and access to readers.
  4. Prestige and Recognition: Being accepted by a reputable publisher often carries a sense of prestige, and a publisher’s name on the cover can lend credibility to a book.

Cons:

  1. Long Process: Traditional publishing can be a slow process. It may take months or even years to get a book published, and there’s a lengthy submission process that includes finding an agent and getting approval from a publisher.
  2. Limited Control: Authors have little control over the final product. Editors may make significant changes to the manuscript, and decisions about marketing, cover design, and distribution lie largely with the publisher.
  3. Lower Royalties: While authors receive advances, their royalties (the percentage of sales they earn) are typically much lower than those in self-publishing, often around 10-15% of the book’s retail price.
  4. Highly Competitive: The process of being accepted by a traditional publisher is highly competitive. Many authors struggle to secure an agent or a deal with a publisher, particularly if they are new or unproven in the market.

Which Path is Right for You?

Ultimately, choosing between self-publishing, vanity publishing, and traditional publishing depends on your personal goals, financial resources, and willingness to take on various roles throughout the publishing process.

  • Self-publishing might be right for you if you’re tech-savvy, enjoy having full control, and are prepared to manage all aspects of your book’s release, from writing to marketing.
  • Vanity publishing could be a good option if you want a more hands-off approach but are willing to invest money into the process and don’t mind the costs associated with professional services.
  • Traditional publishing is ideal if you are looking for a professional team to help bring your book to market and are prepared to wait for the submission process and the potential compromises on creative control.

Each publishing option comes with trade-offs, and there’s no one-size-fits-all answer. By understanding the pros and cons of each, you can choose the route that aligns best with your vision for your book and your career as an author. For me personally, I am a self-published author. I hire talented professionals to design my book covers and of course, to edit my manuscripts (several times over), but I am the one in charge of the process every step of the way… to include self-promotion and all marketing.

If you haven’t read my books, I’d love to share them with you. You can find me on Amazon by following THIS LINK!


First Elite by Emmanuel M Arriaga

As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.

Emmanuel Arriaga is a sci-fi author trapped in the body of a Product Manager. With a 14+ year background in engineering, cybersecurity, and infrastructure, Emmanuel received education from Pennsylvania State University and Stanford Graduate School of Business. He’s held roles building products for people in emerging markets, creating privacy and security safeguards for users on the Android platform, improving core experiences for creators on YouTube, and is currently at Google Play, ensuring the integrity of developers within the Play Ecosystem in Silicon Valley. When the author occasionally breaks free, he publishes award-winning novels such as Foundra and Elevator Quest.
He is best known for the Foundra Series, a sci-fi space opera and National Indie Excellence Award (NIEA) Finalist. His rich worlds introduce expansive worldbuilding with innovative technologies and concepts. He is a bronze winner of the Readers’ Favorite Award for Best Young Adult Action Novel and a TopShelf Book Award winner.

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When vengeance becomes your only purpose, how far will you go?

First Elite
Foundra Series Book 3
by Emmanuel M. Arriaga
Genre: Science Fiction, Space Opera

When vengeance becomes your only purpose, how far will you go?
Grief-stricken and betrayed, Neven Kenk embarks on a dangerous mission to avenge his wife, whose life was stolen in a brutal act of violence. Paired with Tashanira, a fierce Uri warrior, and Ellipse, a sentient AI, they embark on a daring mission to hunt down the killer, Entradis. But when their mission ends in catastrophe, they are forced to abandon the hunt and are removed from active duty in the Founder’s Elites.
Their quest for redemption takes them to the farthest reaches of the Twin Galaxies, where they uncover fragments of a forgotten history and the veiled truths of their existence. But their journey leads to a revelation none of them are prepared for. The trio confronts the legendary First Elite and faces the harrowing cost of service to the immortal Founders of the Huzien Empire.
Blending rich world-building, emotional depth, and epic adventure, First Elite explores the strength it takes to rebuild after loss and the unyielding price of loyalty in a galaxy teeming with intrigue and high-stakes politics.

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Pride of Ashna
Foundra Series Book 2

In the Outer Rim, a lawless region of space filled with violence, a young girl vows vengeance against the marauding pirate bands who brutally murdered her family.

After enlisting with the zealous matriarchal Ashna Maidens who attempt to police the Outer Rim, Serah’Elax quickly becomes a powerful weapon.

Meanwhile, a ruthless pirate band has taken over a cruise ship deep within Alliance space. They run into unexpected trouble when they encounter a few members of the highly trained force of military specialists known as the Founder’s Elites, who happened to be vacationing on the vessel. Disturbed by the boldness of the pirates, the Alliance tasks the rest of the Founder’s Elites with dealing a powerful blow to the marauders, who normally operate in the Outer Rim, once and for all. However, they quickly discover that things in the Outer Rim are not as expected.

The young warrior and Founder’s Elites must come together to face an extradimensional threat left over from the Rift War that seeks to turn the last bastion of safety in the Outer Rim into something that could threaten the entire Twin Galaxies. Will the new allies have the cunning necessary to defeat this insidious threat or will it tear the Ashna Maidens apart from the inside?

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Foundra
Foundra Series Book 1

A powerful force known as the Enesmic permeates every aspect of the universe. It powers the mystical art of Cihphism which allows a gifted few to manipulate the very world around them. But something has gone terribly wrong.

When the flow of the Enesmic shifts, the most powerful Cihphist in the galaxy, Soahc, can sense that something is coming. Unable to convince other Cihphists to act, Soahc takes his apprentice and sets out to find the source of the disturbance.

As colonies across the Huzien Alliance are attacked by terrifying creatures, a prodigy named Neven is recruited to join the Founder’s Elites, a highly skilled squad of specialists from across the galaxy. Under the direct command of Lanrete, their immortal leader, they join forces with Soahc and set off to discover where the creatures are coming from.

The Founder’s Elites uncover an ancient threat from another plane of existence that threatens life as they know it. With a race against the clock and a terrifying war machine from eons past churning once more, will they be able to stop the engine of death, or will they be consumed by it?

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Barracuda Bay by Carmen Amato

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Barracuda Bay
Detective Emilia Cruz Book 9
by Carmen Amato
Genre: Mystery, Thriller, Female Detective

Political corruption turns Acapulco’s first female police detective into a fugitive on the run . . . in Washington DC.
“A thrilling series” — National Public Radio

In a derelict building for sale, Acapulco police detective Emilia Cruz stumbles on the body of a woman brutally shot to death. Incredibly, the victim was the sister of Acapulco’s ambitious mayor, who is running for re-election against an opponent with deep pockets.

Emilia’s investigation is immediately under pressure for a fast result. The victim’s ex-boyfriend has a suspiciously weak alibi but is the crime scene the key to finding the murderer? The building was once used for a secret Mexican government operation targeting a ruthless drug lord.

Meanwhile, there’s a conspiracy within the police department to force Emilia out.

Before Emilia can save her job or arrest her prime suspect, she’s sent on an errand of mercy to Washington, DC.

There she becomes a fugitive hunted by killers masquerading as cops. Alone, desperate and on the run, Emilia turns for help to a man she once vowed to murder.

He’s her only chance to survive a deadly game of political intrigue on the wrong side of the border.

From Acapulco’s beaches to the streets of Washington, DC, the stakes couldn’t be higher in this electrifying, page-turning thriller.

2019 and 2020 Poison Cup award, Outstanding Series – CrimeMasters of America

“Emilia is a character who is close to my heart” – MysterySequels

“Amato brings her characters to life with her vivid writing style and sets them on the streets of a Mexico steeped in Catholicism and corruption” – OnlineBookClub.org

With unflinching authenticity from the author’s own espionage and counterdrug experience in Mexico and Central America, this is a female detective mystery series like no other.

The Emilia Cruz series is for fans of international mystery and crime by Ian Rankin, Jo Nesbo, Ann Cleeves, Donna Leon and Liza Marklund, plus the Department Q series by Jussi Adler-Olsen. Fans of Don Winslow’s cartel and border thrillers set in Mexico love the plots torn from the headlines of the Detective Emilia Cruz police series set in Acapulco.

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Don’t miss the rest of the Detective Emilia Cruz Series!
Find out more on the Author’s Website!

A 30-year veteran of the Central Intelligence Agency, Carmen Amato writes the contemporary Detective Emilia Cruz series pitting the first female police detective in Acapulco against Mexico’s cartels, corruption, and social inequality. Beginning with Cliff Diver, it’s a 2-time winner of the Outstanding Series award from CrimeMasters of America and a 4-time finalist for the Silver Falchion award, lauded by Kirkus Reviews as “Danger and betrayal never more than a few pages away.”

Carmen Amato is also the 2023 winner of the Silver Falchion Award for Best Historical for Murder at the Galliano Club, inspired by her grandfather’s experiences as a deputy sheriff during Prohibition. Her standalone thrillers include The Hidden Light of Mexico City, which was longlisted for the 2020 Millennium Book Award.

Carmen is a recipient of both the National Intelligence Award and the Career Intelligence Medal. She has been a judge for the BookLife Prize and Killer Nashville’s Claymore Award. Her work has appeared in Huffpost, Criminal Element, Publishers Weekly, and other national publications.

Originally from upstate New York, after years of globe-trotting she and her husband enjoy life in Tennessee.

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What makes the Detective Emilia Cruz Series a Must-read?

BARRACUDA BAY is the 9th book in the Detective Emilia Cruz police series pitting the first female police detective in Acapulco against Mexico’s cartels, corruption and culture of machismo.

In the series, just like in the news coming out of Mexico, rival drug cartels fight for territory, politicians are bribed to look the other way, and ordinary people are caught in the middle.
The series takes readers behind the scenes of what’s happening in the war on drugs. Given that more than 100,000 Americans lost their lives to drug overdoses last year and there’s talk in Washington DC of designating drug cartels as terrorists, these are real issues that pack a real punch.

Emilia’s challenges are pulled from the headlines. There’s no need to make up bizarre serial killers when cartel violence and corrupt politicians provide more than enough inspiration. For example, Emilia’s perpetual hunt for women who have gone missing–referred to as Las Perdidas or the Lost Ones–was inspired by the hundreds of women missing from the Juarez area.

But BARRACUDA BAY and the other books in the 9-book series are also about a woman trying not to lose her soul in the wreckage. She wants a real relationship with hotel manager Kurt Rucker, but is afraid of being shackled by commitment. As a police detective, she threatens colleagues and even senior officers who see a woman in that role as a threat.
But she’s here to stay.

I’m deeply proud of the Emilia Cruz series and the way so many readers embrace the series. They’re the same readers who love international crime fiction and mystery by Jo Nesbo, Peter May, Louise Penny, Ann Cleeves, and Martin Cruz Smith, as well as Don Winslow’s cartel thrillers set in Mexico.

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A Family With The Cowboy by Elsa Winckler

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When a single dad and his son’s teacher clash, sparks fly and it’s not only because his son is neglecting his chores to read.

A Family With the Cowboy
The Westons of Montana Book 1
by Elsa Winckler
Genre: Contemporary Small-Town Romance

Widowed rancher Hayden Weston knows what it means to be responsible for his siblings, his eight-year-old son, and the running of the huge family cattle ranch. Some even call him a stern and grumpy taskmaster and they’re not exactly wrong. So when Hayden discovers his son reading a storybook instead of doing chores, he calls on Luke’s teacher to talk about priorities.
School teacher Laura Anderson is new to Marietta, Montana, and has never—until now—been reprimanded for encouraging a child to read. It doesn’t help that sweet Luke’s father is the handsome cowboy with the amber eyes that she met in Grey’s Saloon, or that she’s wildly attracted to him.
Sparks keep flying as their paths keep crossing, but Hayden is determined not to give in to his incomprehensible need to have, hold, and protect Laura from any type of harm. He’s the one who’ll hurt her if he lets her stray too close. He’s not ready to admit his feelings or commit to sharing his life with her.
Even if love comes tumbling in.

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I have been reading love stories for as long as I can remember and when I ‘met’ the classic authors like Jane Austen, Elizabeth Gaskell, Henry James The Brontë sisters, etc. during my Honours studies, I was hooked for life. I married my college boyfriend and soul mate and after 47 years, 3 interesting and wonderful children and 4 beautiful grandchildren, he still makes me weak in the knees. We are fortunate to live in the picturesque little seaside village of Betty’s Bay, South Africa with the ocean a block away and a beautiful mountain right behind us. And although life so far has not always been an easy ride, it has always been an exciting and interesting one! I like the heroines in my stories to be beautiful, feisty, independent and headstrong. And the heroes must be strong but possess a generous amount of sensitivity. They are of course, also gorgeous! My stories typically incorporate the family background of the characters to better understand where they come from and who they are when we meet them in the story.

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What are your top 10 favorite books/authors?
Pride and Prejudice – Jane Austen
North and South – Mrs. Gaskell
Emma – Jane Austen
Middlemarch – George Eliot
Portrait of a lady – Henry James
Midnight at the blackbird café – Heather Webber
Covenant of Water – Abraham Verghese
Where the crawdads sing – Delia Owen
The Little Paris bookshop – Nina George
A year in Provence – Peter Mayle

What book do you think everyone should read?
Tolstoy’s War and Peace. I’m doing a slow read over on Substack with Simon Haisell and love every moment of it. What has struck me throughout the book is that people haven’t really changed or evolved. It’s a great book and one of those everyone should read at least once in their lives.

How long have you been writing?
Since 2008

Do the characters all come to you at the same time or do some of them come to you as you write?
I’m not much of a plotter, but I do like to think about my characters before I start writing – where do they come from? What are their quirks and flaws, their childhood wounds and how can they grow in the course of the story. What I’ve found though, is that no matter how much you plan, like someone you meet for the first time, it takes time to get to know your characters and sometimes they are not the person you thought they should be!

What kind of research do you do before you begin writing a book?
Doing research about a topic or setting is one of the best parts of writing for me. For this particular series, I read a lot about Montana ranching, about grazing, about cattle and about horses. I also had a wonderful time researching animal whisperers and empaths. 

Do you see writing as a career?
Oh, yes. I only started writing after I’ve retired. Our three kids are grown-up and living their own lives, the dogs we had, died, so now I only have my husband to keep happy!

What do you think about the current publishing market?
It has changed very quickly over the past decade, I think. Publishing your own book wasn’t even a possibility a few decades ago, now it seems more and more authors prefer to do it on their own. And of course, social media has probably changed the way of advertising for ever.

Do you read yourself and if so what is your favorite genre?
Reading has always been my escape from the real world. I’ve read hundreds and thousands of romances but I also love cosy mysteries (Agatha Christie was a favorite while growing up) suspense, but nothing too vivid, please  And I love the classics. Jane Austen, the Brontë sisters, Mrs. Gaskell, Henry James, Virginia Wolf, George Eliot, to name a few. This year I’m doing a slow reading of Tolstoy’s War and Peace with Simon Haisell over at Substack and I’m really enjoying it.

Do you prefer to write in silence or with noise? Why?
I can shut out background noise when I’m writing. I love music and sometimes have a song that inspires a story, but I don’t listen to music while I’m writing. If I’m really into the story, I don’t hear anything else but in the planning stages I prefer silence.

Do you write one book at a time or do you have several going at a time?
I write one book at a time. When writing a series, like The Westons of Montana, I do think about the other stories and take notes that I’ll need for the rest of the series but I only concentrate on one story at a time.

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What It Really Takes to Write a Novel: The Truth Behind the Glamorous—Not So Glamorous—Writing Life

If you’ve ever read a captivating novel and thought, I could do that, you’re not alone. Many aspiring writers dream of having their work published, imagining that writing a novel is an exciting, glamorous endeavor—filled with quiet mornings at coffee shops, elegant book launches, and long days spent immersed in creative bliss. But as someone who juggles writing with a full-time career in real estate, a busy household with a husband and two kids, and endless daily responsibilities, I can tell you the reality of writing a novel is much less glamorous. It’s often chaotic, exhausting, and involves far more sacrifice than most people realize. But for those who are committed to making it happen, it’s also incredibly rewarding.

I want to pull back the curtain on the real writing life, the highs, the lows, and everything in between. As a part-time writer, I’ve learned that writing a novel requires more than just passion; it demands dedication, resilience, and a lot of time management. Here’s what it really takes to write a novel when life keeps you busy.

1. Finding Time in a Packed Schedule

First, let’s talk about time—or, more accurately, the lack of it.

I work as a full-time real estate agent in North Alabama. (I’m an Associate Broker with Keller Williams Realty Madison… If you are looking to purchase a Home Sweet Home in North Alabama, call me). Between client meetings, property showings, endless paperwork, and negotiating deals, my days are long. By the time I wrap up a busy day of work, there’s barely time to make dinner and take care of household chores. And did I mention I’m a mom? Oh, and I have a husband—who, bless him, is supportive but also juggling his own career and responsibilities.

So, where does writing fit in?

It doesn’t. Not easily, at least.

For many writers like me, the time to write is carved out in small pockets throughout the day. I don’t have the luxury of dedicating full days or even hours at a time to my craft. I’ve learned to write in between the cracks of life—during lunch breaks, after everyone else is in bed, or on the weekend when I can sneak in some quiet time in the early morning hours with my coffee. Sometimes, I might write for only 10 minutes at a time, but those minutes add up. Consistency, even in small doses, is key.

2. Motivation vs. Exhaustion: The Daily Battle

When I finally do find a few minutes to write, and trust me it is NOT every day, the struggle doesn’t end with just having the time. There’s the battle against my own exhaustion. After a long, draining day of work, family commitments, and constant running around, it’s easy to tell myself, I’ll write tomorrow. But here’s the thing: tomorrow rarely comes. The key to making progress on a novel isn’t waiting for the right moment—it’s pushing through the tiredness and getting the words down anyway.

Motivation is a tricky beast. Some days, inspiration flows effortlessly, and I can’t wait to get my thoughts down on paper. But other days, the words feel stuck, and the blank page mocks me. On those tough days, it’s all about showing up—forcing myself to write even when I’d rather be in bed, watching Netflix with a cup of hot coffee. Because writing a novel is less about waiting for inspiration and more about commitment.

When you’re balancing a career and a family, the pressure to make time for writing often feels overwhelming. But I’ve learned that motivation often comes after you start. Even if I only write a few sentences, I’ve made progress, and I celebrate even those small wins. So, even when exhaustion makes it tempting to quit, I remind myself that every word written is one step closer to finishing my next novel.

3. The Perfectionism Trap

Another challenge of writing while managing a busy life is the urge to be perfect. It’s easy to think that if I can’t write in perfect conditions (like a quiet office space with no distractions), then I shouldn’t write at all. But over the years, I’ve come to realize that chasing perfection is a surefire way to get stuck.

Some days, I’ll write a chapter that feels like pure gold, and I’ll be so proud of it. But other days, I’ll look at the page and wonder if it even makes sense. That’s part of the process. I’ve learned to embrace imperfection and accept that not every word will be brilliant. In fact, most of it won’t be. But that’s okay.

The first draft is about getting the story out of my head and onto the page. It’s not about crafting the perfect sentence or worrying about every little detail. I’ve learned to let go of perfectionism and trust that I can always revise later. Right now, the goal is just to keep moving forward.

4. Balancing the Creative and the Practical

Writing is an incredibly creative pursuit, but for part-time writers like me, the practical realities often demand just as much attention. Balancing my real estate career, family life, and writing means juggling priorities and figuring out how to make it all work.

Here’s an example: In real estate, every deal requires attention to detail, strategic planning, and a clear timeline. If I neglect any part of the process, it could cost me a sale. The same goes for my writing. If I don’t set goals, create a timeline, and stay organized, it’s easy for my novel to fall by the wayside.

Writing a novel, especially as a part-time writer, requires a certain level of practicality. It’s not just about getting lost in the creative process—it’s about understanding how to fit writing into an already packed schedule. That means setting small, achievable goals, breaking the novel into manageable chunks, and prioritizing my time. A chapter a week, might not sound like much, but over the course of a few months, it adds up. Planning is just as important as creativity when balancing writing with a busy life.

5. The Guilt of Not Writing Enough

If there’s one thing that haunts me, it’s the guilt of not writing enough. I’ll scroll through social media and see full-time writers posting about their word counts, writing retreats, and book deals. It’s easy to feel inadequate when it seems like everyone else has more time or more success. But I’ve come to realize that my journey is different, and that’s okay.

There’s no one-size-fits-all approach to writing. Just because my schedule is packed doesn’t mean I’m less of a writer. In fact, I think it’s made me more determined. Each time I sit down to write, even for a short period, I’m doing something that I love—and that in itself is a success.

Writing a novel while working full-time and managing family life isn’t easy. It’s full of sacrifices, moments of frustration, and a constant push against time. But it’s also one of the most rewarding experiences I’ve had. The feeling of finishing that first draft, even if it took months or years, is worth every second of effort.

6. Celebrating the Small Wins

Writing a novel is a long, sometimes lonely, and often difficult journey. But when you’re a part-time writer, every small victory counts. Whether it’s hitting your word count for the day, finishing a particularly tricky scene, or simply finding the time to write amidst a chaotic schedule, those moments of progress deserve to be celebrated.

There’s no need for grand gestures—just a moment of recognition that, despite all the obstacles life throws at you, you’re still moving forward. And eventually, that novel you’ve been working on—bit by bit—will be finished. And that, to me, is the greatest reward.

So, if you’re out there trying to write while managing a busy life, know that you’re not alone. Keep pushing forward. Your story is worth telling.

Interested in knowing more about me and my books? You can check me out on Amazon HERE!


A Merry Murderous Midwinter by Dahlia Donovan

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Welcome back to the Skeleton Crew. Bring your knitting needles, a good strong brew, and plenty of snacks. You’re going to need them.

A Merry Murderous Midwinter
The Skeleton Crew Paranormal Cozy Series Book 3
by Dahlia Donovan
Genre: Paranormal Romance, Cozy Mystery

Welcome back to the Skeleton Crew. Bring your knitting needles, a good strong brew, and plenty of snacks. You’re going to need them.
Gender-fluid, autistic vampire Hyde Snodgrass is living their best life with their bookshop, cats, and witch girlfriend, Teresa Vega. The colours of autumn are beginning to blend into winter. An ordinarily joyous midwinter is spoiled by the arrival of their estranged family.
When their murderous uncle is found dead in front of their shop, Hyde finds themselves unwillingly dragged into the investigation. Accusations swirl around South Myrddin. It takes a village to untangle the mystery.
Can the true killer be unmasked in time to save them?
Will there be anything to celebrate in the coming Yuletide season?

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A Fatal Autumnal Stew
The Skeleton Crew Paranormal Cozy Series Book 2

Welcome back to the Skeleton Crew. Keep your knitting needles sharp and have a strong brew in hand for their next adventure.
Life for gender-fluid, autistic vampire Hyde Snodgrass has never been better. Her cosy village bookshop is thriving as is their new relationship with witch and taco bus owner, Teresa Vega. Autumn is in full magical tilt in their corner of the Scottish Highlands.
Everything is beautifully perfect right up until a tainted meal ends with Hyde sick and someone dead.
The police immediately suspect the restaurant owners. Hyde and Teresa find themselves drawn into yet another investigation, trying to save their friends from arrest and themselves from a murderer. The situation becomes even more complex when family feuds become tangled in the midst.
Can they find the killer?
Or will everything Hyde loves go up in flames?

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A Curse for Samhain
The Skeleton Crew Paranormal Cozy Series Book 1

Welcome to the Skeleton Crew. Bring your knitting needles and a good, strong brew.
Gender fluid, autistic vampire Hyde Snodgrass runs Between the Leaves—a cosy village book store. Their life revolves around books, all things autumnal, and the two cats who rule their world. The shop also plays host to a weekly knitting group called the Skeleton Crew.
When one of the leaders of the village coven fails to show up for the weekly knitting meeting, Hyde finds themselves investigating a horrific murder side by side with their long-term crush, Teresa Vega.
Suspicion immediately falls on other members of their group. Hyde and Teresa struggle to find answers to the growing list of questions. It’s made all the more difficult when the killer has them in their sights.
Can working together spark the romantic flame within them?
Will they solve the mystery before death comes too close?

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Dahlia Donovan wrote her first romance series after a crazy dream about shifters and damsels in distress. She prefers irreverent humour and unconventional characters. An autistic and occasional hermit, her life wouldn’t be complete without her husband and her massive collection of books and video games.

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Would You Rather by Kimberly Baer

As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.

The luck of the draw has never been riskier.

Would You Rather…
part of The Haunting of Pinedale High Series
by Kimberly Baer
Genre: YA Paranormal

Pick a card, any card…

Would you rather be an amazing artist or a brilliant mathematician?

Would you rather lose your mother or your father?

Would you rather roast to death or freeze to death?

It’s a silly game hosted by a substitute teacher, an exercise in exploring the workings of the teenage mind. Twenty-three students make their choices, and the game is forgotten—until the chosen scenarios start coming true. Classmates Ava, Blake, and Charlie are determined to track down the mysterious teacher and persuade him to end the curse. But the clock is ticking, lives hang in the balance, and the foe they seek is more menacing than they could imagine.

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Kimberly Baer is an author and professional editor who was born and raised in Johnstown, Pennsylvania, a town marginally famous for having endured three major floods. She even lived there during one of them. She enjoys power-walking on days when it’s not too hot, too cold, too rainy, too snowy, or too windy. On indoor days, you’re likely to find her hard at work on her next novel or binge-watching old episodes of Survivor, her favorite guilty pleasure.

Kim has had her nose in a book practically since birth. Her first story, written at age six, was about a baby chick that hatched out of a little girl’s Easter egg after somehow surviving the hard-boiling process. These days she writes in a variety of genres, including young adult, middle-grade, and adult romantic suspense. Her books are published by The Wild Rose Press and have won several awards.

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