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What would you do to free the love of your life from prison?
Not For the Faint of Heart Madcap Adventures Book 1 by Rene Vecka Genre: Epic Fantasy Mystery Romance Adventure
What would you do to free the love of your life from prison?
Magic and mayhem meet mystery and humor in a four-way rumble. Romance gets a few licks in as well. Set in a post-Ragnarok world with dual protagonists. If you loved the Dresden Files, you’ll love Madcap Adventures.
As Rory proposes to Ingefær, the Shrine they’re visiting is set ablaze. Ingefær is jailed and threatened with hanging. Rory investigates, but is hounded at every step by soldiers. While Ingefær searches for ways to defeat the jail’s magic wards, the Shrine’s healer vanishes in a puff of smoke.
Will the couple get the chance to solve the Shrine fire mystery before the law postpones their nuptials forever?
Kirkus Reviews: …In Vecka’s fantasy novel, lovers are torn apart by a false accusation and must prove one’s innocence before a rigged trial…Vecka creates compelling difficulties and character challenges that help drive the fast-paced plot and add to the already exciting mystery narrative…A fun and entertaining fantasy that will keep readers guessing.
I’ve been a reader of fantasy and science fiction since I was ten. Lord of the Rings is still my favorite. I now read Butcher (Dresden) and Salvatore (Drizzt), as well at Sanderson and others. The Mid Dreki Realm got its start with a comment with my then fifteen year old son. That kernel grew into a book, which split into two, and is now a five book series. I retired at 57 and began the process of becoming a writer. I’ve attended a half dozen conferences, read numerous books on the art of writing, joined critique groups, and immersed myself in the craft. I’m a member of Apex, a group founded by David Farland (Runelord). I live in the foothills between Colorado Springs and Denver with my wife. Deer, turkeys, bear, coyotes, and my three children and 2 grandchildren occasionally drop by.
Would you like a chance to win a $30 Amazon gift card or a signed Paperback of Not For The Faint of Heart? -1 winner each! Follow the tour HERE for special content and a giveaway!
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As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
A tea shop owner good girl and a reformed microbrewer bad boy reunite in this wonderfully wicked love story. Sometimes the second sip is sweetest.
Brewing Up a Bad Boy WiCKed Sisters Book 3 By Katherine Garbera Genre: Small Town Cozy Romantic Comedy
A tea shop owner good girl and a reformed microbrewer bad boy reunite in this wonderfully wicked love story.
Sometimes the second sip is sweetest.
In the cozy town of Birch Lake, tea shop owner Poppy Kitchener thought she’d left her mistakes, and her failed marriage, in the past. But when her ex-husband, Alistair Miller, turns up—as charming and irritatingly handsome as ever—those old feelings float to the surface. To top it off, he has a puzzling proposition: pretend they’re still married for his cousin’s wedding in exchange for a lucrative business deal with his family.
Easy enough, right? After all, this could be Poppy’s last chance to get closure, grow her business and use Alistair’s knowledge of microbrewing to help her finish that winning recipe for the tea competition.
But even after all this time, he still knows how to make her laugh. And he’s changed in ways that make Poppy wonder about the man he’s become… Can she trust this new Alistair with her heart, or will a second chance brew up disaster?
From showing up to glowing up, the characters in Afterglow Books are on the path to leading their best lives and finding sizzling romance along the way. Don’t miss any of these other fun titles…
It was all well and good that Alistair wanted to help her get a fair deal from his family, but it was also a lot sus. He’d literally never cared about her position in the family before this. Part of why her marriage hadn’t been the love match she’d believed it to be. Grimacing while he nervously kneaded his own legs, Alistair took his time answering. Over his shoulder, she noticed Sera and Liberty coming closer to them. The doubts that she’d been struggling to contain were assuaged by their presence. The warmth of that bond and friendship gave her strength. “If you can’t answer me, then we’re done,” she said. Merle had been right about her needing closure, but she wasn’t getting back on the hamster wheel that had been her life with Alistair. “I’m trying.” “Good for you. Try harder. You and I don’t speak the same language.” He inhaled deeply, making his chest flex, something she noted and tried to ignore. But Alistair had always been a physical guy, working out, and it was hard to ignore how ripped he was. One of the things that had originally drawn her eye to him was his body. He looked like a sexier version of Harry Styles, mixed with Timothée Chalamet, with a little old-school Chris Pine—Princess Diaries era. One look at him, and she’d fallen hard. “Fine. I am on a leave of absence—” “You need me to get you back in?” Disappointed in herself for believing for half a second that he might be here for some other reason. Of course it was about pleasing his father and reclaiming his place in the family company. “No. NO. Let me start over. I don’t want to get back in. I am trying to right past wrongs. I should have read that contract before I told you to sign it. I want you to get what you deserve, not continue being screwed over by Lancaster-Spencer Tea Makers as you have been.” If what he was saying was true… But how could she trust Alistair again? What did it say about her that she really wanted to? It had taken her five long years to start repairing that damage, and it was only the bond she had with Sera and Liberty that made the healing easier. “That’s nice,” she said. “If you’re going to be like that, then don’t bother.” “Like what?” she demanded, feeling her own anger building for the first time. Something she hadn’t allowed since she’d walked out of their flat in Kensington. “Treating me like I deserve to be treated. If this isn’t the time and you’re not ready to let go of the past, well, I respect that. But my father is going to come for you, and he’s got good corporate solicitors that rarely lose.” “Tell me something I don’t know,” she said. But his honesty here was appreciated. “How would us pretending to be married help?” “As my wife, you have some sway on the board. Mum and George will stand with us when we go up against Dad.” “If I went, when would we leave and return? I can’t just jet off and leave my store,” she said. “I thought we’d leave on Sunday—” “In two days?” He had the grace to look sheepish. “I was afraid if I gave you too much time to think, you’d say no.” “Legend,” she said sarcastically. He pushed his hand through his hair and looked down at the table before locking eyes with her. “I get it. I’m an ass, and I treated you poorly. I am sorry. You know that. I’ve apologized. I’m trying to at least get something good for you out of the mess that our marriage was.” Her heart tugged. She couldn’t resist Ali when he was sincere, which wasn’t as often as she would have liked. But now…when the change in him flashed… “I accepted your apology in that email. But I didn’t expect… Well I had no idea what it would be like seeing you in person again,” she said. Damn Ali. At this moment, he embodied all the things she liked about him, owning his mistakes in a way that he’d only done when they were dating. She wouldn’t deny that hearing him say she deserved better than Lancaster-Spencer made her melt a little. “Me either,” he admitted. “I need some time to think.” But she already was leaning toward going with him. Did that make her the most pitiful woman on the planet? Luckily, she had “Bad Idea Right?” by Olivia Rodrigo on replay in her head. Cutting herself a break, she was going to send him on his way. Chances were, she was going to the UK on Sunday for a week, which meant she needed to get more staff in. That didn’t mean that Alistair shouldn’t sweat a little. Things came too easily to him the first time… “I’ll give you my answer tomorrow,” she said, standing. Alistair gave her a tight nod and then turned to walk out of the shop. She had to be careful she wasn’t all hello, love when she should be goodbye, lover. It was a delicate balance, and one only she could weigh and decide on.
She’s kind of a witch. He’s definitely a nerd. And this Halloween they’re letting their geek flags fly in this playful romantic comedy from USA TODAY bestselling author Katherine Garbera.
Dungeons and dragons and nerds, oh my…
The spooky season is almost here, and occultist and tarot reader Liberty Wakefield is already feelin’ it. But ever since her sick nan muttered the name of Liberty’s mysterious biological father, nothing feels normal. Not her friends, her family, nor the quirky shop she runs with her besties. So maybe it’s time for Liberty to track down the father she’s never met. Of course, that means getting a little help from the sexy nerd she’s been not-so-secretly vibing since last summer…
Merle Rutland hasn’t met anyone like the vivacious, bubbly Liberty. Part of him wishes he was more like her—instead of hiding his geekery from his hyper-athletic family. The other part just wants to pull the curvy redhead close, steal a kiss and hope he doesn’t roll a critical fail.
Only, somewhere between Dungeons & Dragons campaigns, pumpkins and a few ridiculously hot sexy-times, Liberty and Merle discover their respective weirds might be a match. Yet as Halloween draws closer, it seems everyone has skeletons in the closet…and nothing spells disaster quite like being haunted by the past…
A witchy, witty, wickedly sexy romance about love, books, friendship and the unexpected connections that bind us together…
Bookbinding (verb): the art of creating something magical out of fabric, leather and paper.
As a lonely foster kid, Serafina Conte sought refuge in handmaking journals—and writing her wishes within their pages. Now, in the quirky new age store she shares with her two best friends, Sera’s intentions have paid off. Her journals are in the spotlight—and rumored to manifest great things. Whether it’s witchy skills, real magic or not, Sera’s finally ready to be the leading lady of her life story…
Until her plot hits a twist.
After the death of her mentor, Ford Sitwell, all the loneliness and insecurity of her past returns. The only balm is the box of antique books he left to her. But Ford’s suspicious brooding grandson, Wes, is ready to think the worst of her—and get his grandfather’s books back! The first part doesn’t bother her. The second? Forget it. Sera won’t give Wes the books so easily. But it’s clear he’s seeking something more, an emotional connection no book can replace. So she offers a deal—work in her store for six weeks, and in return, she’ll help him get closure by sharing memories of his late grandfather.
Yes, Wes seems grumpy, but actually he’s hot…and maybe kind? Deep down? And when desire and vulnerability work their charms, Sera begins to wonder if the best stories aren’t the ones you intend, but the ones that take you where you least expected…
From showing up to glowing up, these characters are on the path to leading their best lives and finding sizzling romance along the way.
Katherine Garbera is bestselling author of more than 100 novels which have been translated into over two dozen languages and have sold millions of copies worldwide. A strong believer in happy endings, her love of books led her to her dream career writing novels. She is the mother of two incredibly creative and snarky grown children, Katherine enjoys champagne, reading, walking, and travels with her husband. A Florida native, Katherine now lives in the UK.
As an author who has been writing now for 15 years and has navigated both the gritty, magical streets of urban fantasy and the dark, fractured worlds of dystopian fiction, I’ve picked up countless lessons throughout my writing journey. Some have come from hard-won experience, others from moments of doubt, and still others from the quiet, unexpected flashes of inspiration that seem to come out of nowhere, usually in the shower or during long car rides.
Today, I want to share the most valuable writing lessons I’ve learned along the way. These aren’t just about crafting stories—they’re about the mindset, habits, and perseverance that shape an author’s life.
1. Embrace the Chaos of the First Draft
When I first started writing, I used to agonize over every word in my first drafts. I’d waste hours trying to perfect every sentence, hoping to make it sound just right. But here’s the thing I’ve learned: the first draft is supposed to be messy. In fact, it’s better if it is.
Writing that first draft is about getting the story out of your head and onto the page, without worrying too much about perfection. It’s about momentum. Perfection can come later, during the revision process. When I finally gave myself permission to write without overthinking every word, I found that my creativity flowed much more freely. So, don’t stress over the first draft. Just write it.
2. Characters are the Heart of Your Story
In urban fantasy, where the world is often as complex as the plot itself, and in dystopian novels, where entire societies are upended, it’s easy to get caught up in world-building and intricate plots. But the most important part of any story is the characters. Readers don’t just want to know what’s happening—they want to know how it affects the characters, how they react, and how they grow.
I’ve learned that the more real and complex your characters feel, the more invested your readers will be in the world you’ve created. Whether they’re fighting monsters in a magical city or surviving in a post-apocalyptic wasteland, their journey—emotional, moral, and physical—is what makes readers care. So, I always ask myself: What does this moment mean for my characters?
3. Don’t Be Afraid to Break the Rules
Urban fantasy and dystopian fiction are genres that thrive on bending and breaking traditional rules. Magic is real, societies are crumbling, and the unexpected is always lurking around the corner. Over the years, I’ve realized that writing is a playground, and the rules are there to be tested, twisted, and sometimes shattered.
Whether it’s breaking the rules of storytelling, experimenting with unconventional narrative structures, or taking risks with your plot and characters, innovation often lies in the moments of rebellion. Some of my most exciting and rewarding moments as a writer have come from pushing beyond what I thought was possible. So, embrace the freedom to break the rules and experiment. You might just create something uniquely yours.
4. Write the Story That Only You Can Tell
In the world of fiction, it’s easy to feel the pressure to conform—to write what’s trendy or popular, or to imitate successful authors. I’ve definitely been pulled toward that trap before. But the truth is, the best stories come from your unique perspective. What makes your voice distinct is the way you see the world, your influences, and your experiences.
I’ve learned to lean into my own voice and not shy away from telling the stories that feel the most personal or unusual. When I allowed myself to write the kinds of stories I truly wanted to tell—my writing became more authentic, more exciting, and more fulfilling. Your story is yours to tell, and it will resonate most when it comes from an honest, original place.
5. Perfectionism Will Only Hold You Back
It’s easy to fall into the trap of constantly editing, revising, and doubting every word you write, especially when you’re passionate about your project. I can’t tell you how many times I’ve stared at a paragraph, tweaking and reworking it endlessly. But here’s the hard truth: perfect writing doesn’t exist.
At some point, you have to let go of the fear of imperfection and give yourself permission to finish. This doesn’t mean being careless or writing sloppy prose, but it does mean accepting that no piece of writing will ever be flawless. Perfectionism kills progress—it’ll paralyze you and keep you from finishing what you started. I’ve learned to step away from the manuscript, trusting that revisions will smooth out the rough edges.
6. It’s Okay to Not Have All the Answers Right Away
When I first began writing, I thought that a solid plot needed to be completely figured out before I even started. I tried to outline everything in advance, convinced that the best stories had everything planned out. But what I’ve learned over the years is that sometimes, you don’t have to have all the answers right away.
Especially when writing in genres like urban fantasy or dystopian fiction, there’s room for spontaneity. Your characters will surprise you, and your plot will evolve. Instead of trying to force everything into a predetermined mold, I’ve learned to embrace the unknown and trust that the answers will come as I write. Often, it’s in the act of writing itself that the story reveals what it wants to be.
7. Writing is a Marathon, Not a Sprint
Writing is not about getting to the finish line as quickly as possible. It’s about the process—the journey of creation. As someone who’s worked on multiple novels, I’ve learned that it’s important to pace myself. There are days when the words come easily, and there are days when they don’t come at all. That’s okay.
I’ve had to remind myself that writing is a long game. It takes time, persistence, and patience. There’s no rush. I’ve learned to accept that the process of writing—no matter how slow or messy it seems—is just as important as the finished product. Some days, the best thing I can do is simply sit down and write, even if it’s just a few hundred words or even justa journal entry. The more consistent I am, the further I get.
8. Rejection is Part of the Process
If there’s one lesson I wish I could tell every aspiring writer, it’s that rejection is a part of the journey. It stings, yes. It’s painful to have your work turned away or ignored, but I’ve learned that rejection is not a reflection of your talent or worth as a writer.
Every rejection has taught me something—whether it’s a critique on my writing style or a simple reminder that not every story is the right fit for every reader. The key is to not let rejection stop you from writing. I’ve had my fair share, and each time, I’ve picked myself back up, learned from the experience, and moved forward. Rejection is just a detour, not the end of the road.
9. Trust Your Instincts
There are many voices in the writing world—editors, agents, fellow authors, readers—and they all have their opinions. It’s easy to get overwhelmed by the advice and feedback you receive. Over the years, I’ve learned that the most important voice is your own.
Your instincts, your gut feelings, are there for a reason. If something feels off in your story or your character arc doesn’t resonate, listen to that. It’s easy to second-guess yourself, but I’ve found that trusting my own instincts is often what leads me to my best work. Writing is personal, and only you can truly know what’s right for your story.
Final Thoughts
The writing journey is not an easy one—it’s filled with highs and lows, moments of inspiration and doubt. But through it all, the lessons I’ve learned have made me a better, more resilient author. As I continue to write urban fantasy and dystopian novels, I carry these lessons with me, knowing they’ll help me navigate whatever comes next.
To anyone just starting out, or anyone struggling with their own writing journey: remember that writing is a process. You don’t have to get everything perfect right away, and sometimes, the biggest breakthroughs come when you least expect them. Keep writing, keep learning, and keep believing in your story. It’s worth it.
As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
Douglas Smith is a five-time award-winning author described by Library Journal as “one of Canada’s most original writers of speculative fiction.”
His latest work is the multi-award-winning YA urban fantasy trilogy, The Dream Rider Saga. Other books include the urban fantasy novel, The Wolf at the End of the World; the collections, Chimerascope and Impossibilia; and the writer’s guide Playing the Short Game. His short fiction has appeared in the top markets in the field, including The Magazine of Fantasy & Science Fiction, Amazing Stories, InterZone, Weird Tales, and many others.
He is a 4-time winner of Canada’s Aurora Award as well as the juried IAP Award. He’s been a finalist for the Astounding Award, CBC’s Bookies Award, Canada’s juried Sunburst Award, the juried Alberta Magazine Award for Fiction, and France’s juried Prix Masterton and Prix Bob Morane.
When Did You Start Writing? / When did you realize you wanted to be a writer? I did a lot of writing in high school, but got away from it for many years. I’d always planned to get serious about fiction “someday.” Then, in 1995, I finally decided to try. I started writing what would become my first professionally published story, “Spirit Dance,” but I really wasn’t making much progress. I’d spent, I think, all of July rewriting the same opening scene. Then, while on vacation, I came across a book called The Artist’s Way by Julia Cameron. It’s essentially a twelve-step program for recovering your creativity as an adult, the creativity we’re all born with and which is then beaten out of us by society as we’re told to grow up and get a real job. It’s a wonderful book and one I recommend to anyone who wants to be creative (or more creative), whether that be writing, art, music, acting, or whatever. But the real impetus for me to get serious about writing came when I returned from that vacation. and read that one of my all-time favourite writers, Roger Zelazny, had passed away from cancer at the far too young age of 56. That was it. Right then, I decided not to wait for “someday” or retirement or anything to start writing. There’s no guarantee any of us will live long enough to have a “someday.” I started producing stories regularly and sending them out to professional markets. I submitted my first story in January 1996—and got my first rejection that same month. But I kept submitting and received my first acceptance letter for “Spirit Dance” on Dec 31 that year, which was a great way to end a year and start a new one.
How did you discover the joys of speculative fiction? I had two “discovery” periods. When I was eight, a friend introduced me to Robert A. Heinlein’s young-adult SF novels — essentially rocket and ray-gun books. I devoured all of those, but then stopped reading the genre. Then in Grade 11, I had to do a paper in English comparing the works of multiple authors. Amazingly, the teacher included a group consisting of Heinlein, Isaac Asimov, Arthur C. Clarke, and Ray Bradbury, which, of course, was the group I picked. That assignment got me back into reading SF and fantasy.
What writing has inspired you? / Major Influences? / Favourite Authors? I’d have to say my favourite author and influence on my own writing has been the late Roger Zelazny. His Lord of Light is one of the greatest speculative fiction novels ever written. His stories are often based on mythology, and I’ve always loved myths—Greek, Norse, Egyptian, Native American—so that was one attraction to his work. His prose style is lean but poetic, his stories poignant and mythic and filled with unique characters you want to spend time with. Plus, his work shows the most fantastic range of imagination of any writer I’ve ever encountered. I don’t think I write like him, but I’m sure he’s had an influence. Ray Bradbury’s short fiction was another early influence. He wrote about the fantastical hiding in our everyday lives, whether the hidden mystery is wondrous or frightening. I love his lyrical prose style, the simple humanity of his characters, and his insight into what it means to be human, no matter what our age. I reread “Something Wicked This Way Comes” recently. When I’d read it as a teenager, I remember loving the book and the kid characters, but not really “getting” the father. Reading it now, as an adult and father, I realize that Bradbury really understood both generations and the changes, choices, and regrets that come with age, and that is where the power of the book resides. I came to Hemingway late and after he was out of fashion, but his lean prose style amazed me, the way he could say so much by saying so little, and often communicating as much by what he left out, by what his characters didn’t discuss, as what he put on the page. Other favourite authors include Charles de Lint, Shirley Jackson, Emily St. John Mandel, Amor Towles, Thomas Perry, Thomas King, Ian Hamilton, Neil Gaiman, and Tim Powers. That’s a short list (but a good one). Some favourite books, including a lot on non-speculative fiction, include Station Eleven, The Queen’s Gambit, A Gentleman in Moscow, Memory & Dream, Ready Player One, Weaveworld, We Have Always Lived in the Castle, Tomorrow and Tomorrow and Tomorrow, Ian Hamilton’s Ava Lee series, and of course, the spec fic classics like Dune, Stranger in a Strange Land, and LOTR. I’ve also written several short stories inspired in some way by the songs of Bruce Springsteen. He’s an astounding storyteller. In a few lines, he tells stories of everyday people struggling with whatever life has thrown at them, but with an attitude of defiance and hope despite the odds against them. And Buffy. Major Buffy fan. It remains one of the most creative shows ever to hit TV and is a writing workshop on character development and arcs and dialog.
Why start with short fiction? I started with short fiction because in spec fic, it’s been traditional to break in writing short stories. But I also think it makes sense to start with the short form before trying to tackle a novel, and I always urge young writers to do the same. Short stories let you learn the craft of fiction much faster than writing a novel. Twenty 5,000-word short stories let you experiment far more with different styles, points of view, genres, story structures, etc. than you could in a single 100,000-word novel. Plus, you’ll be able to find out earlier if your writing is at a publishable level by submitting those stories to short fiction markets. And short fiction will teach you skills you need whether you write short stories or novels—handling point of view, story structure, use of scenes, characterization, plot, pacing, dialog, setting, world building, information flow, voice—not to mention basic sentence structure, paragraphing, punctuation, grammar. I moved to novels once all my “short” stories started becoming very long stories.
What I read as a child I was reading by the time I was four, thanks to my parents reading to me every night at bedtime. It hooked me on books for a lifetime. Reading was a way to have wonderful adventures as a kid and make my world so much bigger than my house and neighborhood and school. My early favourites were animal stories, which probably led me to my love for writing shapeshifter tales. I loved A.E. Milne’s “Winnie the Pooh” books (apparently my favourite bedtime stories as a young child) and Walter Brook’s “Freddie the Pig” series (the first books I remember knowing how to find in a library). Later it was everything by Jack London. About grade 5 or 6, Robert A. Heinlein juveniles got me hooked on SF, which led to fantasy. John Creasey and Dorothy Sayers introduced me to mystery and crime fiction somewhere in there as well. I believe that parents can teach kids to love reading by reading them a bedtime story EVERY night, from the day you bring them home. Make it a fun time, something they look forward to and associate with a wonderful experience. And make books a natural thing to have around. Our kids knew we’d say “no” to games, toys, or candy when out shopping—but they could always buy a new book. And for any wannabe writers, you can’t be a writer if you’re not a voracious reader. Period.
Will Dreycott is a superhero. In his dreams…and in yours.
The Hollow Boys The Dream Rider Saga Book 1 by Douglas Smith Genre: YA Urban Fantasy
WINNER OF THE 2023 AURORA AWARD FOR BEST YA NOVEL WINNER OF THE 2023 JURIED IAP AWARD FOR BEST YA NOVEL
“Thrilling YA fantasy” —BookLife (Editor’s Pick) “A must-read story for YA fantasy fans.” —Blueink Review (Starred review) “Inventive, engaging, and boundless fun.” —The Ottawa Review of Books
Vanishing street kids. An ancient evil. The end of the world. Our only hope? A hero who can’t leave home.
At seventeen, Will Dreycott is a superhero…in his dreams. And in yours.
Eight years ago, Will’s parents, shady dealers in ancient artifacts, disappeared on a jungle expedition. Will, the sole survivor, returned home with no memory of what happened, bringing a gift…and a curse.
The gift? Will can walk in our dreams. At night in Dream, Will hunts for criminals—and his parents. During the day, his Dream Rider comic, about a superhero no one knows is real, has made Will rich.
The curse? Severe agoraphobia. Will can’t go outside. So he makes his home a skyscraper with everything he needs in life—everything but the freedom to walk the streets of his city.
Case, an orphan Will’s age, survives on those streets with her younger brother, Fader. Survives because she too has a gift. She hears voices warning her of danger. And Fader? Well, he fades.
When street kids start vanishing, the Dream Rider joins the hunt. Will’s search becomes personal when Case breaks into his tower to escape her own abduction. Fader isn’t so lucky.
As Will and Case search for Fader and the missing kids, an unlikely romance grows between the boy with everything and the girl with nothing except the freedom Will longs for.
But as they push deeper into the mystery, they confront an ancient power feeding on these forgotten kids to restore itself. And once restored, no one in the world will be safe.
To defeat this creature, Will must do the impossible.
Go outside.
Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).
Praise for The Hollow Boys: “This arresting series kickoff grips from the start as it introduces its inventive milieu, its flawed but fantastically powered hero, its playful worldbuilding, and a host of tantalizing mysteries. … [A] vigorously imaginative scenario. … Takeaway: Thrilling YA fantasy” —BookLife (Editor’s Pick)
“An assured, confident novel … A must-read story for YA fantasy fans.” —Blueink Review (Starred review)
“Inventive, engaging, and boundless fun.” —The Ottawa Review of Books “A fun supernatural tale with well-developed characters and a touch of romance.” —Kirkus Reviews Praise for Douglas Smith:
“The man is Sturgeon good. Zelazny good. I don’t give those up easy.” —Spider Robinson, Hugo and Nebula Awards winner
“A great storyteller with a gifted and individual voice.” —Charles de Lint, World Fantasy Award winner
“His stories are a treasure trove of riches that will touch your heart while making you think.” —Robert J. Sawyer, Hugo and Nebula Awards winner
Sequel to the AURORA AWARD WINNER and the Juried IAP AWARD WINNER, The Hollow Boys
“Give me the Crystal Key!”
Will Dreycott is the Dream Rider, the agoraphobic teenage superhero who can walk in our dreams but never in the streets of his city. Case is his girlfriend, a survivor of those streets who hears voices that warn her of danger. Fader is her brother, who is very good at disappearing. Together, they defeated a body swapper and a witch to save the world (The Hollow Boys).
Now, Case battles guilt over living sheltered in Will’s tower home while her street friends still struggle. Blaming his affliction for Case’s sadness, Will searches for a way to live a normal life with the girl he loves—a way to go outside.
But his efforts draw the attention of dark forces. Sinister figures hunt Will in Dream. Intruders scour the vast warehouse of antiquities “acquired” by Will’s missing parents. And a masked swordswoman attacks Will, demanding “the Crystal Key” before disappearing into thin air.
Are they all searching for the same thing? Something from Will’s parents’ shady past? For the swordswoman leaves behind a flowery scent, Will’s only memory from the lost expedition eight years ago that gave him powers in Dream but cost him his parents and his freedom.
A trail of dark secrets leads Will, Case, and Fader to a mysterious world. Trapped between warring cults willing to kill for the Crystal Key, the three friends must master strange new powers that grow stronger and wilder the closer they draw to the truth.
This time it’s not just the fate of the world at stake…but the multiverse.
~ ~ ~
Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).
Praise for The Crystal Key: “The richly inventive Dream Rider adventure continues in this second appealing entry…with an exciting plot… always enlivened by the Smith hallmarks of crack dialogue, fun sleuthing and puzzle-solving, a strong throughline of emotion, a swift pace…and a principled refusal to settle for the familiar. Takeaway: This thrilling superpowered urban fantasy series continues to grip.” (New readers should start with book one.) —BookLife (Editor’s Pick) “The engrossing second installment of Douglas Smith’s Dream Rider Saga trilogy. … Smith continues to demonstrate an ability to expertly weave multiple complex fantasy elements into a cohesive whole. … This fast-paced story delivers in a big way—and Smith has all his ducks lined up for an explosive conclusion [to the series] that readers won’t want to miss.” —Blueink Review (★ Starred review) Praise for Douglas Smith:
“The man is Sturgeon good. Zelazny good. I don’t give those up easy.” —Spider Robinson, Hugo and Nebula Awards winner
“A great storyteller with a gifted and individual voice.” —Charles de Lint, World Fantasy Award winner
“His stories are a treasure trove of riches that will touch your heart while making you think.” —Robert J. Sawyer, Hugo and Nebula Awards winner
“Stories you can’t forget, even years later.” —Julie Czerneda, multi-award-winning author and editor
The Thrilling Conclusion to the Multi-Award-Winning Trilogy
Will is the Dream Rider, the superhero who walks in our dreams but never in the streets of his own city. Case is his girlfriend, a survivor of those streets who hears voices warning her of danger. Fader, her brother, is very good at disappearing.
In The Hollow Boys, they defeated a body swapper and a witch to save the world. In The Crystal Key, they battled warring cults to protect an ancient artifact tied to Will’s affliction.
The Chakana. The Crystal Key. But the key to what? To finding answers, they hope, to the questions that rule their lives.
What caused their strange powers? And Will’s crippling agoraphobia? Can he be cured? Why did their parents travel to the jungles of Peru eight years ago? Are they still alive?
Behind every question is the Chakana. What is the mysterious relic? Why will people kill to possess it? What hold does it have on Will?
As creatures from Inca myths haunt the three friends, another attack on the Chakana threatens Will’s life. To save him and solve the mystery of the lost expedition, only one choice remains.
Return to Peru. With the Chakana.
There, they find friends and foes, both old and new. And behind it all, an unseen enemy moving them like pieces on a chessboard.
To win this deadly game, Will, Case, and Fader must master new powers to defeat the most dangerous adversary they’ve ever faced—a god.
At stake this time? Every life, every world, every universe. Everything.
Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).
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Molly, accompanied by her son and his boyfriend, embarks on a high-stakes mission to rescue her kidnapped husband, unraveling secrets while racing against the clock to prevent a technology from falling into destructive hands.
The Poseidon Project The Herb Society Mysteries Book 1 by E. William Podojil Genre: Techno Thriller, Adventure, Romantic Suspense
Molly Halloran and her friends have a secret past. Their bucolic retirement is suddenly upended when Molly’s husband is abducted and held for a steep ransom. Now she, her friends, her tech executive son, Lukas and his Air Force pilot boyfriend must race against the clock and travel halfway around the world to meet the kidnappers’ demands. But when they learn why her husband has been abducted, they realize how high the stakes truly are. Molly and her friends now must face their past in order to save the future. But not only their futures; the world’s.
E. William Podojil is an international business executive and novelist. He has traveled extensively and visited over sixty countries while living in Europe and the United States. Podojil works as an executive business advisor, and strategist while also pursuing his love of storytelling and writing. Podojil’s first novel, The Tenth Man, was published in 2004. His second novel, The Poseidon Project, was be released in August, 2024 by The Wild Rose Press, and is the first in The Herb Society Mysteries, a series of adventure thrillers. His novels and other writing are showcased on his website http://www.ewpodojil.com. Here he also writes a personal blog with humorous stories of his life and travels with his husband and three sons. He and his family currently reside in Northeast Ohio.
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What inspired you to write this book? I am a huge fan of Thrillers, Suspense, Action-Adventure and like to write in that genre. My idea for Poseidon came from a couple of areas. First, the main characters are retired women scientists who are kind of bored in retirement and they have a secret past you’ll learn about in the book. Second, I like stories that have protagonists/heroes who are not stereotypically perfect, strong, fearless and things like that. So I took the four retired women, one woman’s son who is a tech genius but complicated and afraid of getting into a relationship, the man he finally meets and all the family dynamics that go on while the mystery is playing out.
What can we expect from you in the future? Book 2 is titled Archipelago and involves the same characters and an expansion of the story and mysteries from Book 1. Archipelago is in production and will be released in 2025. Book 3 is the continuation of the storyline and is titled, Chameleon and that should be out in 2026. The storylines are complex, twisted, multi-dimensional with many surprises thrown in.
Can you tell us a little bit about the characters in The Poseidon Project? Molly Halloran – leader of a 4-friend group called The Herb Society, all retired women, ex-physicists, teachers and a secret mission they shared. Lukas Halloran – Molly’s son is a technical genius who works in cybersecurity. His father goes missing while on business in Dubai and Molly asks her son to help find out what happened to him. Taylor Pastore – Jet pilot, ex-Air Force Special Forces agent. He falls for Lukas while piloting Lukas in a private jet. Tory Pastore – Taylor’s daughter who is grown up and also a pilot with her dad.
Can you, for those who don’t know you already, tell something about yourself and how you became an author? I have worked in business for most of my career, always in commercial functions like sales and marketing. I lived in Europe for more than a decade and was able to travel around the world. I’d always dreamed of writing a book and finally wrote The Tenth Man and published it in 2004. For the next 20 years I dreamed about my next book (and raised three sons which kept me a bit busy), which is The Poseidon Project, published in 2024.
What is something unique/quirky about you? I’m organized and like to be on time, which normally drives my family crazy.
What are some of your pet peeves? Laziness and not doing what was promised.
Where were you born/grew up at? Born in Ohio, grew up in Connecticut and Ohio, lived 14 years in Amsterdam, The Netherlands and now back in Ohio. It’s been quite a journey.
How to find time to write as a parent? When my boys were little, I didn’t find the time to write or had no energy. I was working in an executive level job and flying all over the world and probably spent a decade in some state of jet-lag. I gave all my energy to work and family and very little to myself in terms of doing things I loved to do (not a recommended strategy by the way.) After doing everything I wanted to do career-wise and raising my boys to be adults, I finally had the time and space to start writing again.
Describe yourself in 5 words or less! Creative, Empowering, Resilient, Storyteller, Determined
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He walked away to protect her, but now he wants her back.
Protected Atlanta’s Finest Series Book 8 by Sharon C. Cooper Genre: Romantic Suspense
He walked away to protect her, but now he wants her back.
Personal security specialist Parker Wilcox should be dead. Instead, he’s been hiding in plain sight for years. But when a mishap threatens his cover, he’s terrified his past will bring danger to the lives of those he loves—especially Chelsey Bailey. The only way to protect her is to put distance between them, but how can he live without the only woman who owns his heart?
As a parole officer, Chelsey believes in second chances…for her parolees. Not for Parker—a man who claimed to love her but then dropped her without warning. While she’s trying to bury her pain in work, Parker comes back on the scene, begging to try again. The excuse he gives for abandoning her in the first place is ridiculous. There’s no way he’s some kind of cartel prince on the run from his murderous father. Right?
Parker will never have the life he desires with Chelsey if he doesn’t destroy his father, but will he survive this time around? And will he and Chelsey ever get to have the life they’ve been dreaming of?
*All books in this series can be read as a standalone.
Why else would He open up doors for her to get her dream job, then drop Parker dead smack in the middle of her first real assignment? It wasn’t fair. Even more than that, she had to be near the man while he was looking like he had just stepped out of a GQ magazine photo shoot.
Sometime between last night, when he threatened her date, until now, he must have visited the barber shop. His low fade haircut looked fresh and showed off his natural waves, and his mustache and goatee were perfectly groomed.
Chelsey had always been drawn to dark chocolate men, and they didn’t come any finer than Parker Wilcox. The man was beautiful, and he had the body to go with it. He always wore his suits fitted, and they showed off his wide shoulders that tapered to his narrowed waist. Tonight, though, everything about him was popping, including his muscular biceps pushing against the dark fabric. As her gaze took him in, a deep longing for him burrowed into her and landed dead smack into her chest. Damn him! “You can not wear that,” Parker ground out, his words and tone jolting her out of her perusal of him. “This is a security assignment, not some…some party! You shouldn’t be going anyway until you’ve had more training.”
Chelsey stepped further into the kitchen, barely hanging on to her anger. “Clearly you have forgotten that I was once a cop. But why am I even talking to you? You’re not my boss, and in case no one told you, I belong on this detail!”
His long legs carried him across the room in three steps, and he stopped in front of her. She had opted for dressy wedge-heels since she could run better in them, and they added a few inches to her 5’8” height. Still Parker had a few inches on her. Between his gorgeous eyes that were boring into her, and his enticing woodsy scent, she lost herself in his presence. But then he opened his mouth.
“No one is going to take you seriously if you’re wearing that and claiming to be a security specialist. Every asshole in that place tonight will be pawing at you like you’re their next meal, and what are you going to do? Like you, Laz and I have a job to do, and we won’t be able to keep an eye on you while protecting our client.”
Chelsey gritted her teeth, refusing to let his words turn her into a screaming lunatic. But she was seriously tempted to knock him upside his big head with her handbag. The handbag that held one of her weapons. She had another strapped to her inner thigh with a garter holster that was well hidden but easy to reach.
“Parker, you don’t have to worry about me. Ever. I can take care of myself while also doing my job. So keep your focus on our client and worry about your own damn self.” She wanted to ask him who was going to keep the lonely women attending the event from grabbing his gorgeous ass. Because no doubt he’d be luring all the honeys his way tonight. The man was too fine for his own good.
“And another thing, why do you even care?” she snapped. She wanted to add that he’d given up any right to anything about her, but she kept that thought to herself. “Because…” His eyes blazed with anger as his chest heaved. “Because I love you, dammit.” He moved closer. Close enough to kiss, and Chelsey stilled. “And I care because if anything ever happened to you, it would kill me!” he roared and shoved past her before storming out of the room.
**Don’t miss the rest of the Atlanta’s Finest Series!**
*All books in this series can be read as a standalone.
USA Today bestselling author Sharon C. Cooper loves anything involving romance with a happily-ever-after, whether in books, movies, or real life. She writes contemporary romance, romantic suspense, and dabbles in romantic comedy. She enjoys rainy days, carpet picnics, and peanut butter and jelly sandwiches. Sharon’s stories have won numerous awards over the years, and when she isn’t writing, she’s hanging out with her amazing husband, doing volunteer work, or reading a good book (a romance of course). To read more about Sharon and her novels, visit www.sharoncooper.net
As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
Will it be a Christmas to remember, or will their holiday get plowed away?
On the first day of Christmas, Buckeye Falls gave to me…
A snow storm…
Uninvited dinner guests…
A Christmas pageant…
And a friends’ reunion dinner to warm your heart.
It’s been ten years since five couples found love in this charming small Ohio town. Families and careers have grown, but the love remains the same.
Max is hosting Christmas at the diner, a final sendoff before the beloved hangout gets a facelift. But the risk of a snow storm and a few uninvited guests threaten everyone’s plans. Will it be a Christmas to remember, or will their holiday get plowed away?
Revisit your favorite couples in this holiday novella, which includes favorite recipes from the series. Warning: this story will make you hungry and may cause uncontrollable swoons.
Libby Kay lives in the city in the heart of the Midwest with her husband. When she’s not writing, Libby loves reading romance novels of any kind. Stories of people falling in love nourish her soul. Contemporary or Regency, sweet or hot, as long as there is a happily ever after—she’s in love!
When not surrounded by books, Libby can be found baking in her kitchen, binging true crime shows, or on the road with her husband, traveling as far as their bank account will allow. Libby cohosts the Romance Roundup podcast with Liz Donatelli on the Reader Seeks Romance Channel where they recommend romance books and interview authors, influencers, and publishers. Check it out for your weekly dose of romance!
As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
A must-read for Sherlockians, history enthusiasts, and anyone eager to uncover the hidden layers of Victorian England.
Rediscover Victorian England’s forgotten history and culture.
Volume V of The Life and Times of Sherlock Holmes explores the cultural, scientific, and historical allusions found throughout Sir Arthur Conan Doyle’s famous detective stories. This collection of essays unpacks twenty-four topics mentioned in the original mysteries, from everyday details like hats and plumbing to complex issues such as international spying, the binomial theorem, and relations with Russia. Through such insights, readers gain a deeper understanding of the Victorian world in which Holmes operated.
Other essays explore both the familiar and the obscure, touching on subjects like the KKK’s presence in England, the significance of whaling, and legal concepts like insanity and blackmail. Unique cultural topics—such as the role of curry in the British Empire, the rise of bohemianism, and the Victorian obsession with rejuvenation through animal hormones—reveal the rich complexity of the era. The collection also features a bonus essay on Sarah Cushing from The Adventure of the Cardboard Box, offering fresh insight into one of the most sinister characters in the Canon.
Whether examining automata, wax figures, or the legal definitions of murder and suicide, The Life and Times of Sherlock Holmes provides a compelling lens through which readers gain a deeper understanding of the historical and social backdrop of the Holmes mysteries.
A must-read for Sherlockians, history enthusiasts, and anyone eager to uncover the hidden layers of Victorian England.
Sherlock Holmes, the most cerebral of detectives, finds his deductive powers put to the test in this intriguing collection of cases. Each adventure presents a web of secrets, clues, and deceptions. Only his highly honed observational skills lead him to the truth.
In a locked-room murder, did the victim succumb to “The Curse of Kisin?” And how had the daughter of Squire Northridge disappeared from her own locked bedroom? Can Holmes, an ocean away, determine if a missing treasure hunter ran off with Jean Lafitte’s fabled buried plunder? The disappearance of a beloved dog is an adventure filled with whimsy and humor, as are the return of Lady Frances Carfax and the howling dog of Baker Street.
Holmes’ unrivaled deductive powers rise to the test with each case. He shines as the consummate master of the art of detection and will captivate from beginning to end.
Liese Sherwood-Fabre is an award-winning author known for her meticulously researched works of historical fiction and mystery. With a background in social sciences, she brings a unique depth to her characters and settings, particularly in her acclaimed series The Life and Times of Sherlock Holmes, which explores Victorian England through the lens of the famous detective’s world. Her essays delve into the cultural and historical intricacies of the era, uncovering hidden details that enhance her stories’ authenticity. Her fiction weaves real historical events and social insights into suspenseful plots, creating immersive narratives that captivate fans of both history and mystery. An avid traveler and lifelong scholar, Dr. Sherwood-Fabre combines curiosity and expertise to craft stories that transport readers to fascinating past worlds filled with intrigue and insight.
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A Little Texas for Sherlock
Being a native-born Texan, I was happy to find Sherlock Holmes also has some ties to Texas. Lillie Langtry, a British actress romantically linked to King Edward VII, is thought to have influenced the character of Irene Adler. Judge Roy Bean, the colorful saloon owner and self-proclaimed “Law West of the Pecos,” was so taken with the actress (whom he never met), he named his saloon “Jersey Lily” and his town Langtry, Texas. The town remains as a quirky historical tribute to her lasting charm and Bean’s unrequited admiration. A second tie comes from a ship. Holmes tracks a suspect to the ship “The Lone Star” in “The Five Orange Pips.” Even Watson knows Texas is “The Lone Star State.”
I decided to add my own Texas tie to Holmes. In Master of the Art of Detection, one story involves another of the more famous characters in Texas history. The pirate Jean Lafitte made his mark on the Texas Gulf Coast and Louisiana. For several years, he used Galveston Island (near Houston) as a base to raid Spanish ships and trade goods on the black market. Known for playing both sides, he also occasionally aided the U.S., most notably by providing intelligence and supplies to Andrew Jackson during the War of 1812. At the same time, his base on Galveston Island became a haven for smuggling and piracy. Though Lafitte was ultimately expelled from Texas, his legacy continues through the legends surrounding the treasure he left buried somewhere on the island. Holmes, however, soon uncovers Lafitte’s secrets.
These ties connect Victorian England with the rough, colorful world of 19th-century Texas and bridge two seemingly different worlds whose spirit of adventure and intrigue knows no boundaries. By adding a Texas mystery to Holmes’ cases, I honor my state’s tradition of unique characters and history and make Holmes’s adventures as boundless as the Texas sky.
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Outlining a story might seem daunting at first, especially if you’re new to writing. But it’s one of the most valuable tools in a writer’s toolkit. An outline serves as a roadmap, guiding you from the beginning of your story to its conclusion. Outlining can help you structure your ideas, stay on track, and avoid those dreaded moments of writer’s block, whether you’re writing a novel, short story, or screenplay. Let me walk you through how to outline a story effectively and make the process feel less intimidating.
1. The Purpose of an Outline
At its core, an outline is a blueprint for your story. It organizes your ideas, helps you identify gaps in the plot, and ensures your story has a clear structure. It’s important to remember that an outline isn’t set in stone. You can—AND SHOULD—adapt it as you write. Think of it as a flexible guide rather than a rigid set of instructions.
The benefits of outlining include:
Clarity: You’ll have a clear direction for your story, which helps prevent getting lost in the weeds.
Structure: An outline forces you to think about the story’s pacing, character development, and plot points.
Motivation: Knowing what comes next keeps you moving forward when you sit down to write.
2. Decide on the Type of Outline
There’s no “one size fits all” approach to outlining. Different writers prefer different methods, and that’s perfectly okay. Here are a few common types of outlines:
The Snowflake Method: This method starts with a simple concept and gradually expands it into a detailed outline. First, you write a one-sentence summary of your story, then expand that sentence into a full paragraph, and so on. It’s ideal for writers who prefer to develop their story gradually, refining the details as they go.
The Three-Act Structure: A widely-used framework that breaks a story into three acts—Set-Up, Confrontation, and Resolution. This method helps you focus on the major plot points and ensures your story has a strong, well-paced structure. It’s a great option for beginners because of its simplicity.
Chapter-by-Chapter Outline: For those who like specifics, this method involves outlining each chapter or scene of your story in detail. This type of outline gives you a clear sense of what needs to happen at each stage of the story.
The Hero’s Journey: This method, rooted in Joseph Campbell’s monomyth, is particularly helpful for stories involving a protagonist’s transformation. It involves specific stages like “The Call to Adventure,” “Refusal of the Call,” and “The Return.” It’s a fantastic framework for fantasy, adventure, and other high-stakes genres.
Loose Bullet Points: For the more free-spirited writers, some prefer to jot down key plot points and character moments as simple bullet points. This is a more flexible approach and allows room for creativity as the story unfolds.
3. The Building Blocks of a Story Outline
Regardless of the method you choose, there are key elements every story outline should address. Here are the main building blocks you’ll need to consider:
1. The Premise
The premise is the seed of your story. What is your story about? What is the central conflict or question that drives your plot? This is where you should define the “what if” that makes your story compelling. For example:
What if magic was real, but only for a select few?
What if a dystopian society controlled all information?
Spend some time refining your premise before moving on. It will act as the foundation for everything else.
2. The Main Characters
Your characters are the heart of your story. In your outline, make sure to note the following about your protagonist, antagonist, and key supporting characters:
Who are they? Consider their backstory, motivations, desires, and flaws.
What do they want? This is the driving force behind their actions. Your protagonist might want justice, love, freedom, or survival.
What’s at stake? What happens if they fail? This is essential for creating tension and suspense.
3. The Major Plot Points
In order to outline your plot, break it down into key events. These are the moments that move the story forward and change the direction of the narrative. A few important plot points include:
The Inciting Incident: The event that starts the story. This is where your character is thrust into the conflict, whether it’s the discovery of a hidden power or the moment a dystopian society begins to crack.
The Rising Action: The buildup of conflict and challenges that lead toward the climax. This is where your character faces obstacles, grows, and learns more about themselves or the world around them.
The Climax: The turning point or high point of the story. The protagonist confronts the primary conflict in a dramatic and pivotal way.
The Resolution: How the story concludes. Whether the protagonist succeeds or fails, there must be closure and consequences to their actions.
4. The Setting and World-Building
For genres like urban fantasy and dystopian fiction, the setting is crucial. Your outline should include:
Where does the story take place? Is it a magical version of New York, or a desolate post-apocalyptic world? Define the environment, rules, and atmosphere.
What’s the world’s history? In dystopian stories, especially, understanding the past is vital to understanding the present. Was there a war? An economic collapse? A technological breakthrough gone wrong?
What are the stakes within the setting? How do the world’s rules affect the characters and their choices?
5. The Theme
What is the deeper meaning or message of your story? Is it about the fight for freedom, the power of love, or the dangers of unchecked technology? In your outline, think about how you can weave this theme throughout the plot, characters, and setting.
4. Flesh Out Your Outline
Now that you’ve got your main components outlined, it’s time to expand on them. Flesh out the scenes and events that will happen in your story. Here are a few tips to make the outlining process easier:
Start with the Big Picture: Begin by outlining the broad strokes—major plot points and character arcs. Where do you want your characters to start, and where do you want them to end? This will help keep your narrative cohesive.
Go Scene by Scene: If you prefer more detail, break your outline down into individual scenes or chapters. Write down the purpose of each scene and what needs to happen in it—whether it’s a character development moment, a revelation, or a dramatic plot twist.
Think About Pacing: As you lay out each scene, consider how fast the action should move. Are there moments of high tension? Are there quiet, reflective scenes? Mix things up to create variety and keep the reader engaged.
Use Visual Aids: Some writers find it helpful to create visual outlines—whether it’s through storyboarding, mind maps, or index cards. These tools can help you see the structure of your story from a new angle.
5. Stay Flexible
The outline isn’t the end-all-be-all. Once you begin writing, you might find that new ideas emerge, characters evolve, or your plot takes a surprising turn. And that’s perfectly okay! Writing is a dynamic process, and oftentimes, the best stories grow from unexpected twists. Don’t be afraid to change your outline as you go along.
6. Final Thoughts
Outlining is a tool, not a rule. It’s there to help you organize your thoughts and bring your story to life with intention. Whether you’re writing a fast-paced thriller, a deep philosophical dystopia, or an epic urban fantasy, outlining gives you the roadmap to reach your destination. The key is to find the approach that works best for you.
Remember, your outline is just a starting point—let your creativity flow, and don’t be afraid to adjust your plan as the story evolves. The more you practice, the easier the outlining process will become. Good luck, and happy writing!
As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
Candy Crone is a Christmas Short Story standalone in the bestselling Hawthorne University Witch Series.
Candy Crone The Hawthorne University Witch Series Book 8 By A.L. Hawke Genre: Paranormal Holiday Fantasy
Candy Crone is a Christmas Short Story standalone following Shadow Cast in the Hawthorne University Witch Series.
While I’m enjoying a spicy caramel apple surprise at our local ice cream parlor, an old lady in rags rambles nonsense about candy canes to children waiting for Santa. That distracts me from prepping my young friend Cat for her college interview at Hawthorne University.
Christmas turns into creepy Halloween when all the local children, including Cat, disappear in the woods. Bryce and I search our forest but become spellbound. All this voracious casting heralds the arrival of a new witch in town. The Candy Crone.
As the Hawthorne Witch, I hold great power, but with my unborn baby kicking, the witch exploits my sins and vices through gluttony. Am I nothing more than my appetites and power as the Hawthorne Witch? Or can I accomplish something greater? If I can’t sort my stuff out, Cat, my unborn baby, Chandra, and all these innocent kids living in Hawthorne are toast.
Cadence Hawthorne returns in this Christmas novella taking place after Shadow Cast, book 6, in The Hawthorne University Witch Series. Candy Crone is a complete self-contained novella not ending in cliffhangers. Some spoilers cannot be avoided, but the story is a STANDALONE book that can be enjoyed without reading the preceding novels.
A.L. Hawke is the author of the bestselling Hawthorne University Witch series. The author lives in Southern California torching the midnight candle over lovers against a backdrop of machines, nymphs, magic, spice and mayhem. A.L. Hawke writes fantasy and romance spanning four thousand years, from pre-civilization to contemporary and beyond.
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AUTHOR INTERVIEW
Do you write one book at a time or do you have several going at a time? If I’m really into a particular project, it becomes all encompassing. I prefer one book at a time but it doesn’t always work out that way. And lately, I also work on converting books to audio at the same time.
What made you want to become an author and do you feel it was the right decision? I always had ideas in my head about writing. I think I always wanted to be a storyteller my whole life.
Advice you would give new authors? Take a look at other books in your interested genre. Learn from other writers by looking at what’s been written before. And do it for the fun of writing, not for the dollar. At an average cost of $3.99 per ebook, just doing the math, this isn’t a job making writers rich. You really have to love it for the craft.
Describe your writing style. I think my books are very dialog-heavy. It’s funny because I’ve heard the opposite. Some say they were impressed with my descriptive writing, but I really feel like most of the time I’m using description as a scaffold for conversation. I’m letting the characters run the show. So, reality comes in the form of dialog. It’s what breathes life into my characters.
What makes a good story? Something engrossing.
What are you currently reading? I’m reading It Ends with Us. Heard of it? I’m giving that book a whirl.
What is your writing process? For instance do you do an outline first? Do you do the chapters first? No outlines. My characters shape what happens.
Do you try more to be original or to deliver to readers what they want? That’s a good question. It’s a mix. If I feel like something is successful, like my witch series has been, then I want to spend my time working with my success. That’s why I’ve written so many books in the series. But I write some books outside of my typical genre. And I like to take chances. It’s part of being an “artist” not a marketer. Because indie writers tend to be on different sides of that spectrum.
How long on average does it take you to write a book? I can write about four pages an hour. I’m very prolific and can bust out a novel in a couple of weeks. The editing process can take longer, but, in many ways editing is more gratifying. There’s no blank pages staring at you. Or you’re not looking at page count and thinking “man, I’ve only got another hundred pages to go.”
Do you believe in writer’s block? Absolutely. I suffer from it all the time. But, for me, it’s not a blank page. I can write pages upon pages, but it’s a sense that I’m struggling to get work out. If the story comes easy, it’s so much more of a pleasure and I know it’s going to be good.
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Nina Soden 