As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
A must-read for Sherlockians, history enthusiasts, and anyone eager to uncover the hidden layers of Victorian England.
Rediscover Victorian England’s forgotten history and culture.
Volume V of The Life and Times of Sherlock Holmes explores the cultural, scientific, and historical allusions found throughout Sir Arthur Conan Doyle’s famous detective stories. This collection of essays unpacks twenty-four topics mentioned in the original mysteries, from everyday details like hats and plumbing to complex issues such as international spying, the binomial theorem, and relations with Russia. Through such insights, readers gain a deeper understanding of the Victorian world in which Holmes operated.
Other essays explore both the familiar and the obscure, touching on subjects like the KKK’s presence in England, the significance of whaling, and legal concepts like insanity and blackmail. Unique cultural topics—such as the role of curry in the British Empire, the rise of bohemianism, and the Victorian obsession with rejuvenation through animal hormones—reveal the rich complexity of the era. The collection also features a bonus essay on Sarah Cushing from The Adventure of the Cardboard Box, offering fresh insight into one of the most sinister characters in the Canon.
Whether examining automata, wax figures, or the legal definitions of murder and suicide, The Life and Times of Sherlock Holmes provides a compelling lens through which readers gain a deeper understanding of the historical and social backdrop of the Holmes mysteries.
A must-read for Sherlockians, history enthusiasts, and anyone eager to uncover the hidden layers of Victorian England.
Sherlock Holmes, the most cerebral of detectives, finds his deductive powers put to the test in this intriguing collection of cases. Each adventure presents a web of secrets, clues, and deceptions. Only his highly honed observational skills lead him to the truth.
In a locked-room murder, did the victim succumb to “The Curse of Kisin?” And how had the daughter of Squire Northridge disappeared from her own locked bedroom? Can Holmes, an ocean away, determine if a missing treasure hunter ran off with Jean Lafitte’s fabled buried plunder? The disappearance of a beloved dog is an adventure filled with whimsy and humor, as are the return of Lady Frances Carfax and the howling dog of Baker Street.
Holmes’ unrivaled deductive powers rise to the test with each case. He shines as the consummate master of the art of detection and will captivate from beginning to end.
Liese Sherwood-Fabre is an award-winning author known for her meticulously researched works of historical fiction and mystery. With a background in social sciences, she brings a unique depth to her characters and settings, particularly in her acclaimed series The Life and Times of Sherlock Holmes, which explores Victorian England through the lens of the famous detective’s world. Her essays delve into the cultural and historical intricacies of the era, uncovering hidden details that enhance her stories’ authenticity. Her fiction weaves real historical events and social insights into suspenseful plots, creating immersive narratives that captivate fans of both history and mystery. An avid traveler and lifelong scholar, Dr. Sherwood-Fabre combines curiosity and expertise to craft stories that transport readers to fascinating past worlds filled with intrigue and insight.
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A Little Texas for Sherlock
Being a native-born Texan, I was happy to find Sherlock Holmes also has some ties to Texas. Lillie Langtry, a British actress romantically linked to King Edward VII, is thought to have influenced the character of Irene Adler. Judge Roy Bean, the colorful saloon owner and self-proclaimed “Law West of the Pecos,” was so taken with the actress (whom he never met), he named his saloon “Jersey Lily” and his town Langtry, Texas. The town remains as a quirky historical tribute to her lasting charm and Bean’s unrequited admiration. A second tie comes from a ship. Holmes tracks a suspect to the ship “The Lone Star” in “The Five Orange Pips.” Even Watson knows Texas is “The Lone Star State.”
I decided to add my own Texas tie to Holmes. In Master of the Art of Detection, one story involves another of the more famous characters in Texas history. The pirate Jean Lafitte made his mark on the Texas Gulf Coast and Louisiana. For several years, he used Galveston Island (near Houston) as a base to raid Spanish ships and trade goods on the black market. Known for playing both sides, he also occasionally aided the U.S., most notably by providing intelligence and supplies to Andrew Jackson during the War of 1812. At the same time, his base on Galveston Island became a haven for smuggling and piracy. Though Lafitte was ultimately expelled from Texas, his legacy continues through the legends surrounding the treasure he left buried somewhere on the island. Holmes, however, soon uncovers Lafitte’s secrets.
These ties connect Victorian England with the rough, colorful world of 19th-century Texas and bridge two seemingly different worlds whose spirit of adventure and intrigue knows no boundaries. By adding a Texas mystery to Holmes’ cases, I honor my state’s tradition of unique characters and history and make Holmes’s adventures as boundless as the Texas sky.
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Outlining a story might seem daunting at first, especially if you’re new to writing. But it’s one of the most valuable tools in a writer’s toolkit. An outline serves as a roadmap, guiding you from the beginning of your story to its conclusion. Outlining can help you structure your ideas, stay on track, and avoid those dreaded moments of writer’s block, whether you’re writing a novel, short story, or screenplay. Let me walk you through how to outline a story effectively and make the process feel less intimidating.
1. The Purpose of an Outline
At its core, an outline is a blueprint for your story. It organizes your ideas, helps you identify gaps in the plot, and ensures your story has a clear structure. It’s important to remember that an outline isn’t set in stone. You can—AND SHOULD—adapt it as you write. Think of it as a flexible guide rather than a rigid set of instructions.
The benefits of outlining include:
Clarity: You’ll have a clear direction for your story, which helps prevent getting lost in the weeds.
Structure: An outline forces you to think about the story’s pacing, character development, and plot points.
Motivation: Knowing what comes next keeps you moving forward when you sit down to write.
2. Decide on the Type of Outline
There’s no “one size fits all” approach to outlining. Different writers prefer different methods, and that’s perfectly okay. Here are a few common types of outlines:
The Snowflake Method: This method starts with a simple concept and gradually expands it into a detailed outline. First, you write a one-sentence summary of your story, then expand that sentence into a full paragraph, and so on. It’s ideal for writers who prefer to develop their story gradually, refining the details as they go.
The Three-Act Structure: A widely-used framework that breaks a story into three acts—Set-Up, Confrontation, and Resolution. This method helps you focus on the major plot points and ensures your story has a strong, well-paced structure. It’s a great option for beginners because of its simplicity.
Chapter-by-Chapter Outline: For those who like specifics, this method involves outlining each chapter or scene of your story in detail. This type of outline gives you a clear sense of what needs to happen at each stage of the story.
The Hero’s Journey: This method, rooted in Joseph Campbell’s monomyth, is particularly helpful for stories involving a protagonist’s transformation. It involves specific stages like “The Call to Adventure,” “Refusal of the Call,” and “The Return.” It’s a fantastic framework for fantasy, adventure, and other high-stakes genres.
Loose Bullet Points: For the more free-spirited writers, some prefer to jot down key plot points and character moments as simple bullet points. This is a more flexible approach and allows room for creativity as the story unfolds.
3. The Building Blocks of a Story Outline
Regardless of the method you choose, there are key elements every story outline should address. Here are the main building blocks you’ll need to consider:
1. The Premise
The premise is the seed of your story. What is your story about? What is the central conflict or question that drives your plot? This is where you should define the “what if” that makes your story compelling. For example:
What if magic was real, but only for a select few?
What if a dystopian society controlled all information?
Spend some time refining your premise before moving on. It will act as the foundation for everything else.
2. The Main Characters
Your characters are the heart of your story. In your outline, make sure to note the following about your protagonist, antagonist, and key supporting characters:
Who are they? Consider their backstory, motivations, desires, and flaws.
What do they want? This is the driving force behind their actions. Your protagonist might want justice, love, freedom, or survival.
What’s at stake? What happens if they fail? This is essential for creating tension and suspense.
3. The Major Plot Points
In order to outline your plot, break it down into key events. These are the moments that move the story forward and change the direction of the narrative. A few important plot points include:
The Inciting Incident: The event that starts the story. This is where your character is thrust into the conflict, whether it’s the discovery of a hidden power or the moment a dystopian society begins to crack.
The Rising Action: The buildup of conflict and challenges that lead toward the climax. This is where your character faces obstacles, grows, and learns more about themselves or the world around them.
The Climax: The turning point or high point of the story. The protagonist confronts the primary conflict in a dramatic and pivotal way.
The Resolution: How the story concludes. Whether the protagonist succeeds or fails, there must be closure and consequences to their actions.
4. The Setting and World-Building
For genres like urban fantasy and dystopian fiction, the setting is crucial. Your outline should include:
Where does the story take place? Is it a magical version of New York, or a desolate post-apocalyptic world? Define the environment, rules, and atmosphere.
What’s the world’s history? In dystopian stories, especially, understanding the past is vital to understanding the present. Was there a war? An economic collapse? A technological breakthrough gone wrong?
What are the stakes within the setting? How do the world’s rules affect the characters and their choices?
5. The Theme
What is the deeper meaning or message of your story? Is it about the fight for freedom, the power of love, or the dangers of unchecked technology? In your outline, think about how you can weave this theme throughout the plot, characters, and setting.
4. Flesh Out Your Outline
Now that you’ve got your main components outlined, it’s time to expand on them. Flesh out the scenes and events that will happen in your story. Here are a few tips to make the outlining process easier:
Start with the Big Picture: Begin by outlining the broad strokes—major plot points and character arcs. Where do you want your characters to start, and where do you want them to end? This will help keep your narrative cohesive.
Go Scene by Scene: If you prefer more detail, break your outline down into individual scenes or chapters. Write down the purpose of each scene and what needs to happen in it—whether it’s a character development moment, a revelation, or a dramatic plot twist.
Think About Pacing: As you lay out each scene, consider how fast the action should move. Are there moments of high tension? Are there quiet, reflective scenes? Mix things up to create variety and keep the reader engaged.
Use Visual Aids: Some writers find it helpful to create visual outlines—whether it’s through storyboarding, mind maps, or index cards. These tools can help you see the structure of your story from a new angle.
5. Stay Flexible
The outline isn’t the end-all-be-all. Once you begin writing, you might find that new ideas emerge, characters evolve, or your plot takes a surprising turn. And that’s perfectly okay! Writing is a dynamic process, and oftentimes, the best stories grow from unexpected twists. Don’t be afraid to change your outline as you go along.
6. Final Thoughts
Outlining is a tool, not a rule. It’s there to help you organize your thoughts and bring your story to life with intention. Whether you’re writing a fast-paced thriller, a deep philosophical dystopia, or an epic urban fantasy, outlining gives you the roadmap to reach your destination. The key is to find the approach that works best for you.
Remember, your outline is just a starting point—let your creativity flow, and don’t be afraid to adjust your plan as the story evolves. The more you practice, the easier the outlining process will become. Good luck, and happy writing!
As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
Candy Crone is a Christmas Short Story standalone in the bestselling Hawthorne University Witch Series.
Candy Crone The Hawthorne University Witch Series Book 8 By A.L. Hawke Genre: Paranormal Holiday Fantasy
Candy Crone is a Christmas Short Story standalone following Shadow Cast in the Hawthorne University Witch Series.
While I’m enjoying a spicy caramel apple surprise at our local ice cream parlor, an old lady in rags rambles nonsense about candy canes to children waiting for Santa. That distracts me from prepping my young friend Cat for her college interview at Hawthorne University.
Christmas turns into creepy Halloween when all the local children, including Cat, disappear in the woods. Bryce and I search our forest but become spellbound. All this voracious casting heralds the arrival of a new witch in town. The Candy Crone.
As the Hawthorne Witch, I hold great power, but with my unborn baby kicking, the witch exploits my sins and vices through gluttony. Am I nothing more than my appetites and power as the Hawthorne Witch? Or can I accomplish something greater? If I can’t sort my stuff out, Cat, my unborn baby, Chandra, and all these innocent kids living in Hawthorne are toast.
Cadence Hawthorne returns in this Christmas novella taking place after Shadow Cast, book 6, in The Hawthorne University Witch Series. Candy Crone is a complete self-contained novella not ending in cliffhangers. Some spoilers cannot be avoided, but the story is a STANDALONE book that can be enjoyed without reading the preceding novels.
A.L. Hawke is the author of the bestselling Hawthorne University Witch series. The author lives in Southern California torching the midnight candle over lovers against a backdrop of machines, nymphs, magic, spice and mayhem. A.L. Hawke writes fantasy and romance spanning four thousand years, from pre-civilization to contemporary and beyond.
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AUTHOR INTERVIEW
Do you write one book at a time or do you have several going at a time? If I’m really into a particular project, it becomes all encompassing. I prefer one book at a time but it doesn’t always work out that way. And lately, I also work on converting books to audio at the same time.
What made you want to become an author and do you feel it was the right decision? I always had ideas in my head about writing. I think I always wanted to be a storyteller my whole life.
Advice you would give new authors? Take a look at other books in your interested genre. Learn from other writers by looking at what’s been written before. And do it for the fun of writing, not for the dollar. At an average cost of $3.99 per ebook, just doing the math, this isn’t a job making writers rich. You really have to love it for the craft.
Describe your writing style. I think my books are very dialog-heavy. It’s funny because I’ve heard the opposite. Some say they were impressed with my descriptive writing, but I really feel like most of the time I’m using description as a scaffold for conversation. I’m letting the characters run the show. So, reality comes in the form of dialog. It’s what breathes life into my characters.
What makes a good story? Something engrossing.
What are you currently reading? I’m reading It Ends with Us. Heard of it? I’m giving that book a whirl.
What is your writing process? For instance do you do an outline first? Do you do the chapters first? No outlines. My characters shape what happens.
Do you try more to be original or to deliver to readers what they want? That’s a good question. It’s a mix. If I feel like something is successful, like my witch series has been, then I want to spend my time working with my success. That’s why I’ve written so many books in the series. But I write some books outside of my typical genre. And I like to take chances. It’s part of being an “artist” not a marketer. Because indie writers tend to be on different sides of that spectrum.
How long on average does it take you to write a book? I can write about four pages an hour. I’m very prolific and can bust out a novel in a couple of weeks. The editing process can take longer, but, in many ways editing is more gratifying. There’s no blank pages staring at you. Or you’re not looking at page count and thinking “man, I’ve only got another hundred pages to go.”
Do you believe in writer’s block? Absolutely. I suffer from it all the time. But, for me, it’s not a blank page. I can write pages upon pages, but it’s a sense that I’m struggling to get work out. If the story comes easy, it’s so much more of a pleasure and I know it’s going to be good.
I am happy to be one of many tour hosts sharing information about
As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
Lisa Towles is an award-winning, Amazon bestselling crime novelist and a passionate speaker on the topics of fiction writing, creativity, and Strategic Self Care. Lisa has 11 crime novels in print with her newest title Specimen freshly released in November 2024. The first two books of her E&A Investigations Series (Hot House and Salt Island) were both #1 Amazon Kindle Bestsellers. Lisa also writes standalone thrillers, such as her 2022 political thriller, The Ridders, which won an American Fiction Award. Lisa is an active member and frequent panelist/speaker of Mystery Writers of America, Sisters in Crime, and International Thriller Writers. She has an MBA in IT Management and works full-time in the tech industry. Read more about Lisa’s book on her publisher’s website.
While investigating a viral internet game, 17 year old Thea Riggs stumbles upon a series of unsolved murders and the global crime syndicate that orchestrated them. Can she alone bring down a secret crime syndicate, or is the cost of justice too high?
Specimen by Lisa Towles Genre: YA Psychological Thriller, Suspense
Thea Riggs is shocked by a dead body in the empty house she was summoned to. It feels like a setup, like she’s being framed for murder. By the time she discovers a connection between the body and the internet game everyone’s playing, it’s too late. They know she’s onto them. Now she’s their next target. Lured to an underground San Francisco lab, she pieces together the hidden agenda behind what she’s seen – scientific experiments, a secret society of operatives, a labyrinth of lies hiding a decades-old cold case. She’s in deep and knows too much, but now they’ve threatened her mother. Can she alone bring down a secret crime syndicate, or is the cost of justice too high?
Specimen is an action-packed, Young Adult contemporary thriller. Fans of Blake Crouch and James Rollins will love Lisa Towles’ technical thrill ride. Join Thea’s quest for the truth and Buy Specimen today.
A razor sharp, edge of your seat thriller”
The Prairies Book Review
“A sharp, thought-provoking examination of technology’s dark side and the elusive nature of truth”
BookView Reviews
“A rollercoaster ride of a story that readers will find exhilarating and heart stopping”
San Francisco Book Review
“A gripping thriller for readers who love mystery, suspense, ambition, betrayal, and intrigue” – Literary Titan
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Prologue
“Mmmmm.” “Is that you?” I asked, unsure. Her voice sounded dreamy. And who answers the phone that way? Now an exhaustive sigh. “Lise, answer me!” “What was the question again?” I heard her footsteps on the other end, walking slowly, rhythmically on a hard surface. “Where are you right now?” “How is that relevant?” she clipped back. Salty. That sounded more like her. “Because! I’m a–” My words caught in my throat. I wiped my eyes and coughed, hoping to swallow the feeling of horror. “I’m at your house, where-you-summoned-me, where your—” Breathe, Thea. “Why did you run?” My raspy voice ricocheted against the marble walls of the colossal foyer. “I’ve got nothing to say.” “That’s not an answer.” “Well ask me something easier then.” I had no time to pause and think, to consider a strategy or explain the shocking circumstances to the part of my brain grasping for reason. “Why call me in the first place, then?” The footsteps halted. I now heard the roar of cars on the other end of the phone; she was outside. I ran to one of the front windows. No sign of her platinum hair or Burberry trench. “You’re just leaving me here?? What about the police? Who does this?” “Couldn’t be helped.” Her monotone told me she was dissociating from the situation, which might imply she was as upset as I was. Or maybe that was just a fairy tale. “What do I tell them?” I whispered. “Cops? Whatever you want. You know nothing so they won’t waste time on you.” “Cut it out.” I moved from the front windows back to the same spot inside the front door, where I’d placed the call. A safe distance from the kitchen. Then my emotions caved in, sobs rippling out through my nose and mouth. My eyes were a mess. I couldn’t wipe the tears fast enough. “Calm down, Thea.” “Calm down? Are you high? They’re gonna ask me what I know about—” “My dead mother? No kidding. Believe me, she’s better off this way. We all are.” She’d said the words finally – dead mother. So I hadn’t imagined it? Now I needed to close it up and get the hell out of here. “Lise, did you—” A thud from the kitchen yanked my attention from my phone. I felt the vibration under my feet. Maybe Lise hadn’t actually killed her. Maybe the killer was still here.
Chapter 1
Blood pooled under the mop of the woman’s dark brown hair, her skin a horrid chalky color, gray almost, body awkwardly twisted like she’d been on her way somewhere and shocked by the thrust of something blunt and resolute intended to stop the beat of her heart, or at least her intentions. As to what—I hadn’t gotten there yet. Was it a good day to die? I stared down at her body from the kitchen doorway, one hand covering my mouth to quell the shaking in my soul. I knew her. How could this possibly be real? The house was quiet except for the howl of wind, the Fenning’s giant sycamore scraping the east side of the house like a demon’s fingernail. Fitting.
Something made me turn, not a sound exactly, more like a sensation. I gazed at the upstairs landing that overlooked a foyer the size of a basketball court. A much better vantage point to say the least. I tore up the stairs and pancaked myself to the cold tiles. My erratic pulse banged in my ears. Tha-thump, tha-thump. Breathe, Thea. Breathe. Okay, my frantic brain re-engaged for the moment, I could see this was a much safer place to assess. The woman’s lower half was visible from here on the marble floor beside the island – dark gray pants, expensive black heels, one of them on and the other three inches from her body exposing a bare, grayish foot. Lying on my stomach, pain jarred me from the phone in my pocket— glass on bone. I hadn’t pulled it out yet or called for help because I needed time to gather my wits, I had no idea what I’d say and, more importantly, what if her killer was still here?
I used to think a day that began with a game of cards was destined to be good. With a father and grandfather in the Navy, of course I grew up playing cards. I could beat them both at cribbage by the time I was fifteen, or maybe they let me win. There was something about numbers that had always comforted me, like a tacit reminder of the ordered universe despite all the visual evidence of chaos. And cribbage was a game that valued numbers and pairs, and in my fragile heart that symmetry felt, somehow, like safety. Okay sure, life in the Marshall Islands was a little sheltered, but my dad wanted it that way. My mother disagreed and tried to move us all to San Francisco, where we’d have the support of her family along with the contemporary imprint of urban life. She won the battle but lost the war. My father remained five thousand miles away in Majuro Atoll, and after my brother Rudy died she and I built a new life in San Francisco’s Mission District without them. The culture and beauty of my Islander roots lives in my heart forever but honestly failed to prepare me for the spectacle of Roberta Fenning’s bludgeoned body. Could anything have? Rudy died on his seventeenth birthday, my age now, which my mother said was like being erased by the universe and twice as bad as just losing him. Now we can’t even celebrate his birthday without reliving the trauma of his loss. The closest thing I had to a brother now was Fergus Wilde, my best friend since the third grade.
“Stop dreaming and cut the deck,” Fergus had said this morning while we drank coffee on the floor of my bedroom, preparing for another game of cribbage during the lazy, summer lull before college. And I had been daydreaming while he decided which cards to throw in the crib. Nothing I hated more than wasting time. And there was nothing I wanted more than to escape reality go back to the safety of that cribbage game right now. My chin touching the cold floor of the Fenning’s second floor landing, I couldn’t make my lungs remember how to work. Sucking in air, I clawed the grout between the foyer’s white marble tiles to steady myself. That same marble downstairs in the kitchen would now be permanently stained with Roberta Fenning’s blood. Wait…why was there blood under my fingernails? I hadn’t touched the body. Not even close. Had I? I shouldn’t even be here, I realized, gasping finally like a surfer reaching air after being held down by a set wave. My nose ran and the fluid mixed with tears sliding down my cheeks. I couldn’t wipe it because whoever did this to her could still be in the house watching me right now. Stay silent. Don’t move. Two questions: would I be next and, more importantly, why had Lise summoned me if she wasn’t even here? I ignored the most obvious possibility because honestly it was too much weight on my heart. I needed to get the hell out of here before the police arrived. Had anyone even called them? Had Lise done that before she skipped out?
I went through it in my head to sort of rehearse. I entered with my own personal key to the Fenning estate, given to me by Lise Fenning, my other BFF. It’s not that I lived here, necessarily, just that the house was huge and running to answer the door every time the bell chimed was apparently too extraordinary an effort on a regular basis. So they gave me one of the spare keys. Lise should have been here to meet me, and she was scheduled to be. I’d called out for her and at least expected Nanny, the live-in cook, to be in the kitchen where I always stopped in to say hi. She’s nice, I liked her. Today the kitchen was completely closed up. No Nanny, no Roberta, only her discarded body staining the pristine tile with a pool of her blood. What if they asked me if I knew her? I needed an answer ready for that. Yes, of course I knew her, I even liked her. She was my best friend’s mother so I’d been to that house at least once a week for years. The words felt so strange in my mouth – was, best friend. Best friends didn’t do what Lise has done. Roberta was the kind of woman, the kind of mother who cared about people and wanted to know them. She’d stop me in the hallway sometimes and grasp my shoulders, look in my eyes to not just ask how I was doing but see for herself. My God. Roberta. I’d only stood in the doorway and honestly didn’t take a single step into the kitchen. But when I crouched low, I caught sight of a pooling of blood in the back of her head, mostly dried now, and the ghastliest color I’d ever seen on another person. I tried to remember if she’d been sick lately, but she was fine the last time I saw her. My God, the blood. I knew that had to mean something about the timing of her attack, but my mind wasn’t capable of critical thinking right now. I’m not sure why, but I’d snapped one quick photo of her lying there before charging up the grand staircase and dropping to the floor of the landing.
From this vantage point I could see into the kitchen, her lifeless legs visible and feet turned awkwardly inward. I might never be able to unsee the ghoulish cast to her skin, and the way rigor mortis had frozen her contorted fingers into these spectral claws belonging in a zombie movie. I felt sick and rolled onto my left side before vomiting, another assault on what had once been their pristine floor. How could this beautiful estate be habitable again after tonight? My fingertips gripped the edge of the staircase and pulled my body forward two inches, which gave me a bit more view. Some kind of leather strap stuck up beneath her on the side of the kitchen island, which I hadn’t noticed before. Was it her handbag, and why hadn’t I noticed it when I’d been in the kitchen?
My frantic brain began some basic calculations, starting with steps. An estimated thirty-seven to the lower landing and then roughly another twenty to the inner front door. Could I make it there before the killer spotted me? Wait a minute, I knew this house. There was a back bedroom. Lise and I removed part of the flooring once to access a support pole that weaved from the basement up to the second floor. If I could get to that closet, I might be able to use the pole to exit the house through the basement’s bulkhead, which would be safer than ploughing out the front door for all of Sea Cliff to see. My wet, swollen eyes blinked through these new possibilities, fingernails clicking the white marble, performing a momentary risk assessment. Had the Fennings discovered our secret escape path and blocked off the closet? If someone was still in the house, this could be my only chance of making it out alive. I tried texting Lise again. Where the fuck are you?? Don’t leave me here!
I heard the clink of China from the kitchen, a saucer upended and seesawing side to side before it came to rest.
OMG. My stomach tightened with an imaginary vice grip over my throat. That sound could mean Roberta was still alive. I pressed my hands over my mouth to suppress the urge to call out to her, because it could also mean that her killer was down there waiting for me.
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As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
On Threshold time travel is about to become possible. The huge space habitat, already 500 years in our future is about to go forward to a safer time and place. Aliens from the All-Time hold the keys. Wanna go?
Threshold The Threshold Series Book 1 by Janet & Chris Morris Genre: Science Fiction Thriller Adventure
Set a millennium from now on Threshold Terminal—virtually a Grand Hotel in space— a young test pilot, Joe South, is thrust five hundred years into his future and finds himself in the thick of interstellar smuggling, intrigue, and the rough underworld of an alien environment. It is a time of danger and ever-shifting powers . . . and the destinies of a lost test pilot, an underworld scavenger, and two young lovers become irrevocably intertwined . .
November’s Featured Title of the month with Perseid Press! On Sale for Only $2.99! Amazon * Bookbub * Goodreads
Bestselling author Janet Morris began writing in 1976 and has since published more than 30 novels, many co-authored with her husband Chris Morris or others. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.
Christopher Crosby Morris (born 1946) is an American author of fiction and non-fiction, as well as a lyricist, musical composer, and singer-songwriter. He is married to author Janet Morris. He is a defense policy and strategy analyst and a principal in M2 Technologies, Inc. He writes primarily as Chris Morris, but occasionally uses pseudonyms.
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What is something unique/quirky about you? Together we breed Morgan horses. We consult with Morgan breeders to help them choose crosses to their stock to achieve a desired result. We are also musicians; Janet plays bass guitar, Chris sings and plays guitar. We have an album on MCA records. Look for Christopher Crosby Morris on Soundcloud or N1M.com
Can you, for those who don’t know you already, tell something about yourself and how you became an author? Janet wrote her first novel, High Couch of Silistra in 1975; a friend sent it to an agent who chose to represent her; she had already written the second book in the Silistra Quartet and her agent told her not to disclose that until they finalized the contract for the first one. When the publisher learned of the others, Bantam Books bought the succeeding three. When the fourth book was published, the series already had four million copies in print. Suddenly Janet was a novelist specializing in environmental, gender, historical and political subjects. In the process, Chris started as her editor and ultimately a co-writer. Since then, she and Chris have co-authored many books.
Who is your hero and why? Heraclitus of Ephesus, a pre-socratic philosopher, whose Cosmic Fragments foreshadow our knowledge of reality and how to perceive it. Among his precepts is the statement that change alone is unchanging. We’ve worked Heraclitus’ fragments in here and there throughout our books.
Which of your novels can you imagine being made into a movie? All of them. We write cinematically, our books are vivid adventures we undertake without knowing the destination. I, the Sun, The Sacred Band, and Outpassage are particularly suited to film. The Threshold Series is a feast of opportunities for today’s special effects creators.
What inspired you, to write Threshold? Threshold explores what will happen if we meet beings who are interdimensional, not limited by time and space as we know it. Of course, there’s massive suspicion and mistrust when humans meet aliens capable of grasping a much wider time spectrum and able to predict what is about to occur as a result of current circumstance. How can ordinary people trust this super-human race and how can they not once given the benefit of their perspective?
Convince us why you feel Threshold is a must read. Today our space telescopes are showing us pictures of events that happened millions of light years ago, showing us actual images of the plastic nature of time and space. It is a short conceptual jump from those images to imagining beings like us, but capable of accessing a wider present and acting in concert with events provably happening over vast time arcs. As humans, we may feel that a lifetime is but a moment in an eternal reality and guess what it could be like to be free of the clock-time that rules our earthly progress. In Threshold, we get to play on the greatest chess board available to our fledgling perception of our own possible futures. We’ve gone to lengths to make this book available in e-book, trade paper, hardback, and soon in audiobooks.
Who designed your book covers? Most of our covers, including Threshold, are realized by Roy Mauritsen, a gifted graphic artist.
Advice to writers? As for advice to writers, here is all we know: write the story you want to read. Start at the beginning, go to the end, and stop. Seriously. From start to finish you must inhabit the construct in a manner that makes the reader choose to continue; if we as writers can’t feel what it’s like being there, our readers can’t either. Close your eyes, look at your feet where they are standing on the story’s ground; tell us what you see. Tell us what you hear. Ask at the end of each paragraph ‘what happens next?’. If you lose touch with it wait until you’re back inside it. Tell the story that comes to you, and from you, to us.
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Split The Price of Talent Book 1 by AK Nevermore Genre: Spicy Dystopian SciFi Romance
On an alternate earth, a cataclysm has altered a subset of the population. Talents are persecuted for their psychic and physical mutations, giving rise to two conflicting societies based upon maintaining genetic purity. And the Source, a shadowy corporate entity dependent upon the exploitation of captive Talents, is hunting them… The city of Glynfyls is burning. And Flynn Scot is powerless to stop it. Now that his status is in question, the Assembly is calling for his head. The only thing keeping it on his shoulders is the commons rioting with the demand he be made Overlord. Fluctuating between extremes, Kara’s talent deficiency is becoming critical. With her body failing and Flynn at the Assembly’s mercy, Kara Scot has no choice but to take his seat and fight for her House. But clearing Flynn’s name and battering herself against the tide of public censure threatens to drag her under. So does the wave of Humanity Purists marching toward Glynfyls. No Talent is safe outside the city. Refugees flock to the north fleeing extermination only to find a metropolis torn by prejudice and fear. Unless Flynn and Kara can find a way to survive the machinations of the Assembly, there will be nothing standing between them and annihilation. Because even if they survive the extremists, Titus’s army is following in their wake ready to harvest whatever is left.
AK Nevermore enjoys operating heavy machinery, freebases coffee, and gives up sarcasm for Lent every year. A Jane-of-all-trades, she’s a certified chef, restores antiques, and dabbles in beekeeping when she’s not reading voraciously or running down the dream in her beat-up camo Chucks. Unable to ignore the voices in her head, and unwilling to become medicated, she writes Science Fiction and Fantasy full time. She pays the bills editing, wielding a wicked hot pink pen and writing a column on SFF. She also belongs to the Authors Guild, is a chapter treasurer for the RWA, teaches creative writing, and on the rare occasion, sleeps.
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Unravel the secrets to crafting a masterful magic system from best-selling fantasy author Charlie N. Holmberg.
Whether using magic as flavor or as an essential piece of plot, this book will guide fantasy authors, from new to experienced, through the delicate layers of creating, utilizing, and mastering magic systems.
In this book, we will… *Discuss the schools, laws, and spectrum of magic *Learn to build individual pieces of a magic system *Dig into magic’s influence on worldbuilding *Examine different types and styles of magic *Develop and polish original magic systems
With workshops, work pages, and reference materials included, this succinct one-and-done guide to crafting the magical elements of the fantasy genre is a must-have for speculative fiction authors.
“If you haven’t had the fortune of attending one of Charlie’s writing classes (which I have), this is the next best thing. Book of Magic contains so much wit, wisdom, and practical suggestions for helping any beginning author, or veteran, make their magic systems rise up and be noticed. She uses expert examples from other authors you know as well as teaching a masterclass on developing magic systems from scratch based on methods she’s invented. You just may need this book to help find out what kind of magic-based diseases might be festering in your neighbor’s cabbages.” —Jeff Wheeler, Wall Street Journal bestselling author of the Kingfountain series
Charlie N. Holmberg is a Wall Street Journal and Amazon Charts bestselling author of fantasy and romance fiction, including the Paper Magician series, the Spellbreaker series, and the Whimbrel House series, and writes contemporary romance under C. N. Holmberg. She is published in over twenty languages and is a Goodreads Choice Award, ALA, and RITA finalist. Born in Salt Lake City, Charlie was raised a Trekkie alongside three sisters who also have boy names. A BYU alumna, she discovered in her thirties that she’s actually a cat person. She lives with her family in Utah. Visit her at http://www.charlienholmberg.com.
In the brainstorming process, I almost always discover my stories’ magic first. Whether it’s a full-fledged magic system (like in The Paper Magician) or just a spark of magic (like in Followed by Frost), my brain loves the fantasy element of fantasy novels and beelines straight to that. I think I was in a conference or the like and the idea of writing a craft book on magic came to mind—I jotted it down in the bottom corner of my notes. But of course, I didn’t have TIME to write something like that. It was just an idea, but it’s an idea that liked to revisit my brain once in a while.
When I got an idea for what I could include in the book, I would jot it down. I teach a class at conferences about magic systems, but I didn’t think that would be enough for my own craft book—I wanted to have things in there that were new and fresh, so I tried to brainstorm in that direction. My brain would collect ideas here and there; record them in a notebook or on my phone. And then at the beginning of the year, in between other fiction projects, I thought, “Well, why don’t I just outline it?”
I found I enjoyed it. I outlined it and then just brain-dumped my thoughts under every section. I went into the PowerPoint for my magic class and pulled it in. I know workshops really help to cement an idea, so I wanted to include those in the book as well, even designing them so readers can write directly onto the page as they go. Oliver Heber Books had reached out to me for the possibility of publishing previously, so the route was set!
What can we expect from you in the future?
I don’t have any more craft books on the docket right now, but I’m full steam ahead on fantasy fiction! I’ll be completing my Whimbrel House series (book 4, Wizard of Most Wicked Ways, releases March 4th, 2025, and I’ll draft book 5 next year), and I’m releasing a romantasy duology called The Shattered King, with book one coming out next fall. After those series are finished, I’ll be releasing a historical series—the first book is called The Hedge Witch’s Cure for Marriage, and I’m very excited for it!
Did you learn anything during the writing of your recent book?
So in Charlie N. Holmberg’s Book of Magic, I have several appendices for writers to utilize. One of these appendices is a list of commonly used magic in fantasy novels. This list can be used in three ways: 1) choosing one of these magics to ensure an easier learning curve for magic for the reader, 2) avoiding these magics to encourage a more original magic system, or 3) twisting one of the magics to make it your own.
I was thinking about this while playing Final Fantasy XVI with my husband, and I thought, okay, what if I took my own advice? What if I took something off this list and did #3 (twisted it)?
So I chose healing magic. How would I find a way to make it uniquely mine? And I came up with an idea that really stuck with me. That idea had babies with Final Fantasy XVI (the MMC is inspired by Joshua Rosfield), and then playdates with [ahem, my favorite novel] The Bird and the Sword by Amy Harmon and To Poison a King by S.G. Prince. And I drafted that book in fifteen days. It wasn’t even a twinkle in my eye in May and it existed in July.
So . . . check out that appendix, I guess. It’s MAGICAL (pun intended).
Anything specific you want to tell your readers?
I created this book to help other fantasy authors craft fun, believable magic systems, but I think it would be a fun read for those who just enjoy reading fantasy. Sometimes it’s fun to peek behind the curtain. 😉
If your book had a candle, what scent would it be?
Paper and ink to set the reader at ease, a bright lilac to inspire creativity, sharp lemon to mimic magic, and freshly cut grass for theme (that one will make sense after you read it).
Fun Facts/Behind the Scenes/Did You Know?’-type tidbits about the author, the book or the writing process of the book.
Obviously one cannot write an adequate book on magic systems without talking about Brandon Sanderson.
Once upon a time, I hired a good friend of mine as a personal assistant/head editor. Her name is Kristy, and she’s one of the most competent people I know. I wasn’t utilizing her full skillset, so when a bigger, better job offer for her came along, we parted ways amicably.
Said job offer happened to be for Dragonsteel, which is Brandon’s company.
In Charlie N. Holmberg’s Book of Magic, I wanted to address Brandon Sanderson’s laws of magic, but I wanted to make sure I did it in a super legal way. So I contacted Kristy simply because she’s a fountain of knowledge and asked her what I was legally aloud to quote, and she told me. And she said if I wasn’t sure, I could send it into Dragonsteel for review.
“Who would I send it to?”
“Me.”
So that made it pretty darn easy to get review eyeballs on it 😀
Would you like a chance to win a $10 Amazon Gift Card (1 winner) or a signed copy of the book (3 winners)?Follow the tour HERE for special content and a giveaway!
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As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
Sunscreen Shower A Detective Kev Dixit Novel 2 by J.P. Rieger Genre: Crime Mystery, Dark Comedy
Baltimore Police Detective Kev Dixit is being stalked by a psychopath. He’s also saving lives and solving crimes. And he’s late for dinner. Dixit temporarily heads the Criminal Investigation Division, a real stress inducer. Aided by humorless partners and eccentric high school friends, he investigates two vexing cases. Spouses are found shot to death in their home. Murder-suicide is the obvious call, considering one spouse had just cleaned out the couple’s joint accounts the day before. But all is not as it seems when Forensics takes a closer look at the victims’ DNA. Later, Dixit and his assigned mentee investigate a car bombing. What kind of person would viciously murder a likeable gym rat? Oh, and that murder-suicide. It reminded Dixit of an earlier investigation, back when he was a mere newbie detective. One where he worked tirelessly to solve a string of increasingly vicious serial attacks on single women. One where he barely escaped with his life.
J. Paul (J.P) Rieger is a born and bred Baltimorean and mostly retired Maryland attorney. He’s the author of Clonk!, a police farce set in Baltimore and published in 2023 by Apprentice House Press (Loyola University-Baltimore). Clonk! was a finalist in 2023’s CIBA Mark Twain Award for Humor and Satire. He’s also author of The Case Files of Roderick Misely, Consultant, a 2013 mystery novel featuring a wannabe lawyer anti-hero. His third novel, The Big Comb Over, a slipstream fantasy/ comedy of manners, was a finalist in 2023’s Wishing Shelf Book Awards. Sunscreen Shower, a Detective Kev Dixit Novel is Paul’s fourth novel and a sequel to Clonk! Paul and his spouse lives in Towson, Maryland, a Baltimore suburb. Chek out his website: jpaulrieger.net.
I’m still learning as a writer. There’s something new to learn every day. But I can at least provide some practical advice for the new author. First, only write when you feel in the mood, when it will be a fun experience. There’s no point in forcing yourself to engage in a “creative” activity when you’re not in a creative mood. If your writing becomes so popular that you find yourself writing constantly, that’s fantastic and its own reward. Until then, chill out and keep it fun! Don’t get obsessed with outlines. If, like me, you do better by writing down various “scenes,” or perhaps series of phrases or snippets of proposed dialog, go for it. Just let the novel organize itself. Enjoy what you are doing, your way! Write your book in any order you please. If you’re in the mood to work on a specific section or “scene,” just do it. Don’t give away your book to people who have not asked for it. I know, this is a tough proposition. Your inclination is to the contrary. But giving away your unrequested book virtually guarantees that the recipient will avoid you in the future. Not because they dislike you. Only because they haven’t read your book and would be embarrassed to admit it. Or worse, some may have actually read it and disliked it. Giving a book away only to someone who requests it is a safe strategy. Lastly, the new author must accept the possibility that, besides a loved one or two, no one may actually read their book. I know. Quite depressing, right? The novice must ask: “If absolutely no one reads what I am writing, would I continue writing?” If the answer is not, “yes,” the novice writer should consider some other artistic outlet.
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Celeste epitomizes high school success: top grades, head cheerleader, even dating the star quarterback. Life couldn’t be better with a picture-perfect family and college on the horizon. But as she drifts off to sleep on the eve of her 17th birthday, Celeste never fathoms waking up over 1,000 years in the future.
Transported to a world both unfamiliar and strangely linked to her own, Celeste discovers she’s the heir to a royal lineage and her mother is a long-lost princess. Yet as secrets unravel and familial rifts emerge, the once harmonious facade of her family begins to splinter.
Navigating impossible choices, Celeste’s journey becomes a quest for self-discovery and strength. In the chaos, she discovers the power within her identity, the importance of family, and the treasures of genuine friendships. Embark on Celeste’s journey as she boldly faces the mysteries ahead, shaping her fate with courage and unwavering determination.
Nina has always been creative, be it art, theatre, film – anything but singing – you don’t want to hear that! She earned her bachelor’s degree in Theatre and Military Science from Eastern Michigan University where she spent most of her time either on stage, rappelling down buildings, or working one of three jobs. After college, she moved to Los Angeles, like so many other actors, in pursuit of her dreams.
She started writing short stories in 2008. Since then, her dreams have gotten bigger and her storytelling ability has gotten better. Her first novel Awaken (the Blood Angel Series) was published in 2012. Since then, she has completed the Blood Angel Series with Beginnings, Revenge, and Pursuit, published the SECTOR C trilogy (The Chosen, The Hunted, and The Bridge), released a stand-alone interactive fantasy novel called The Beast Within, and just published Finding Everdal a portal-fantasy novel which takes readers over 1,000 years into the future.
In her day-to-day life, Nina is a North Alabama real estate agent, but she has done everything from perform on stage, television, and film to firing an M16 machine gun, jumped out of a C130 aircraft, and given birth – TWICE – but she always returns to her writing.
Though she’ll forever be a Michigan girl at heart, she now lives in the south with her husband and two beautiful children. If she’s not working on her latest story, you can find her playing with her kids, lounging with a good book, or indulging in her unhealthy addiction to Starbucks coffee.
Disclosure: As part of the Amazon affiliate program, I earn a commission for all sales connected with the links within this post. All profits earned are used for the purposes of writing, editing, designing, formatting, and publishing more books.
Celeste epitomizes high school success: top grades, head cheerleader, even dating the star quarterback. Life couldn’t be better with a picture-perfect family and college on the horizon. But as she drifts off to sleep on the eve of her 17th birthday, Celeste never fathoms waking up over 1,000 years in the future.
Transported to a world both unfamiliar and strangely linked to her own, Celeste discovers she’s the heir to a royal lineage and her mother is a long-lost princess. Yet as secrets unravel and familial rifts emerge, the once harmonious facade of her family begins to splinter.
Navigating impossible choices, Celeste’s journey becomes a quest for self-discovery and strength. In the chaos, she discovers the power within her identity, the importance of family, and the treasures of genuine friendships. Embark on Celeste’s journey as she boldly faces the mysteries ahead, shaping her fate with courage and unwavering determination.
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Autographed Copy of Finding Everdal
Teen/YA Fantasy Novel by Nina Soden
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Nina Soden 