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Dare to dream. Dare to believe. Dare to embrace your legacy. Orphan Pascal and his friends Paloma and Pierrot dive into the mystery of children disappearing in the enchanting land of The Vale.
Dare to dream. Dare to believe. Dare to embrace your legacy. In the enchanting land of The Vale, the grand city of Pivot stands as a beacon of innovation where scientific progress clashes with the now-dwindling beliefs in magic that the place once held. Just outside of Pivot, 17-year-old Pascal has spent his life at The Skystead Home for Orphaned Children. Life outside the orphanage seems ceaselessly interesting, and shielded from the rest of the world, he wants nothing more than to explore. Already puzzled by unanswered questions about his past, Pascal’s concern deepens as he learns about a grim mystery of local children’s disappearances. In pursuit of finding his place in life, Pascal is joined by Paloma—a street-savvy girl and former gang leader with a tragic past—and Pierrot—a silent, enigmatic companion. Together, the unlikely trio begins to sneak out of the orphanage to experience the one place that still embraces magic: the welcoming carnival. As secrets begin to unravel, the truth unveils hidden powers within each of these three young adventurers. Their friendships are challenged as they overcome demons, both inside and outside themselves. Yet, each step brings them closer to the truth: a sinister plot that threatens the very fabric of their world. Before they know it, the fate of the missing children has become inextricably intertwined with their own. The Harlequin’s Legacy is a gripping tale of adventure, friendship, and self-discovery. Pascal, Paloma, and Pierrot trust in their inner courage and resilience to reach their true potential despite trials and tribulations. This story encourages everyone to dare to dream, to believe in themselves, and embrace the legacy that awaits them. Adventure, magic, and self-discovery await! Are you ready to join Pascal and his friends as they uncover hidden secrets and embrace a timeless legacy? Witness the journey firsthand—grab your copy of The Harlequin’s Legacy today and become part of the story!
Meet Andrés Rosas Hott, an emerging voice in literature and the author of The Harlequin’s Legacy. With a master’s in Graphic Design and Illustration from Konstfack University and a background as a commercial director, Andrés blends creativity and storytelling in captivating ways. His debut novel, inspired by his favorite character, The Harlequin, combines fantasy with themes of courage, identity, and personal growth. Based in Stockholm, Sweden, Andrés balances his creative pursuits with family life, finding inspiration in both the imagination and his loved ones. The Harlequin’s Legacy is just the beginning of an exciting journey into fantasy and self-discovery.
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What are some of your pet peeves? I’m definitely a cat person. I love all types of cats—how cute and fierce they can be, how independent they are, and how everything is always on their terms. That said, I’m an animal lover in general, except when it comes to ticks!
Where were you born/grew up at? I was born in Osorno, Chile, but I’ve spent most of my life in the stunning city of Stockholm, Sweden. While I’ve always carried a piece of Chile with me, Stockholm has shaped much of who I am today, with its charming streets, vibrant culture, and long, beautiful summers. The mix of my roots in South America and the experiences I’ve had in Sweden gives me a unique perspective on life.
Who is your hero and why? I firmly believe in the saying, “Never meet your heroes,” because no one is perfect, and heroes are often just people with flaws like the rest of us. That being said, I admire people who spread love, kindness, and joy. Robin Williams is a great example. His ability to bring laughter while also showing deep compassion and vulnerability makes him someone I truly look up to.
How did you come up with the concept and characters for the book? The inspiration for my book began with my fascination with The Harlequin, a character from Commedia dell’arte whose vibrant costume, iconic mask, and bicorne hat embody a timeless archetype of cleverness, agility, and courage. His mix of mystery, playfulness, and heroism sparked my imagination and laid the foundation for the world I’ve created. I was especially intrigued by the Harlequin’s darker roots, such as the chilling depiction of “Hellequin”—a devil’s emissary chasing damned souls to Hell. This duality of whimsy and shadow
inspired me to craft a mythology where light and darkness coexist, entwined with themes of self-discovery, courage, and belonging. Set in a world where magic and progress collide, this adventure is about friendship and uncovering hidden truths. At its core, it celebrates daring to dream, believing in yourself, and embracing the legacy that awaits—even when its shape is unclear. I hope readers will be inspired by its characters, their courage, and the enduring magic of a journey that balances humor and heart with mystery and depth.
Who designed your book covers? Ary Fajriyanto also created all the illustrations in the book.
Are your characters based off real people or did they all come entirely from your imagination? Yes, the main characters, like Pascal and Pierrot, are inspired by my two sons, Pascal and Marcél. As for Paloma, she’s based on the many strong girls and women I’ve had the privilege of meeting throughout my life.
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As an author who has been writing now for 15 years and has navigated both the gritty, magical streets of urban fantasy and the dark, fractured worlds of dystopian fiction, I’ve picked up countless lessons throughout my writing journey. Some have come from hard-won experience, others from moments of doubt, and still others from the quiet, unexpected flashes of inspiration that seem to come out of nowhere, usually in the shower or during long car rides.
Today, I want to share the most valuable writing lessons I’ve learned along the way. These aren’t just about crafting stories—they’re about the mindset, habits, and perseverance that shape an author’s life.
1. Embrace the Chaos of the First Draft
When I first started writing, I used to agonize over every word in my first drafts. I’d waste hours trying to perfect every sentence, hoping to make it sound just right. But here’s the thing I’ve learned: the first draft is supposed to be messy. In fact, it’s better if it is.
Writing that first draft is about getting the story out of your head and onto the page, without worrying too much about perfection. It’s about momentum. Perfection can come later, during the revision process. When I finally gave myself permission to write without overthinking every word, I found that my creativity flowed much more freely. So, don’t stress over the first draft. Just write it.
2. Characters are the Heart of Your Story
In urban fantasy, where the world is often as complex as the plot itself, and in dystopian novels, where entire societies are upended, it’s easy to get caught up in world-building and intricate plots. But the most important part of any story is the characters. Readers don’t just want to know what’s happening—they want to know how it affects the characters, how they react, and how they grow.
I’ve learned that the more real and complex your characters feel, the more invested your readers will be in the world you’ve created. Whether they’re fighting monsters in a magical city or surviving in a post-apocalyptic wasteland, their journey—emotional, moral, and physical—is what makes readers care. So, I always ask myself: What does this moment mean for my characters?
3. Don’t Be Afraid to Break the Rules
Urban fantasy and dystopian fiction are genres that thrive on bending and breaking traditional rules. Magic is real, societies are crumbling, and the unexpected is always lurking around the corner. Over the years, I’ve realized that writing is a playground, and the rules are there to be tested, twisted, and sometimes shattered.
Whether it’s breaking the rules of storytelling, experimenting with unconventional narrative structures, or taking risks with your plot and characters, innovation often lies in the moments of rebellion. Some of my most exciting and rewarding moments as a writer have come from pushing beyond what I thought was possible. So, embrace the freedom to break the rules and experiment. You might just create something uniquely yours.
4. Write the Story That Only You Can Tell
In the world of fiction, it’s easy to feel the pressure to conform—to write what’s trendy or popular, or to imitate successful authors. I’ve definitely been pulled toward that trap before. But the truth is, the best stories come from your unique perspective. What makes your voice distinct is the way you see the world, your influences, and your experiences.
I’ve learned to lean into my own voice and not shy away from telling the stories that feel the most personal or unusual. When I allowed myself to write the kinds of stories I truly wanted to tell—my writing became more authentic, more exciting, and more fulfilling. Your story is yours to tell, and it will resonate most when it comes from an honest, original place.
5. Perfectionism Will Only Hold You Back
It’s easy to fall into the trap of constantly editing, revising, and doubting every word you write, especially when you’re passionate about your project. I can’t tell you how many times I’ve stared at a paragraph, tweaking and reworking it endlessly. But here’s the hard truth: perfect writing doesn’t exist.
At some point, you have to let go of the fear of imperfection and give yourself permission to finish. This doesn’t mean being careless or writing sloppy prose, but it does mean accepting that no piece of writing will ever be flawless. Perfectionism kills progress—it’ll paralyze you and keep you from finishing what you started. I’ve learned to step away from the manuscript, trusting that revisions will smooth out the rough edges.
6. It’s Okay to Not Have All the Answers Right Away
When I first began writing, I thought that a solid plot needed to be completely figured out before I even started. I tried to outline everything in advance, convinced that the best stories had everything planned out. But what I’ve learned over the years is that sometimes, you don’t have to have all the answers right away.
Especially when writing in genres like urban fantasy or dystopian fiction, there’s room for spontaneity. Your characters will surprise you, and your plot will evolve. Instead of trying to force everything into a predetermined mold, I’ve learned to embrace the unknown and trust that the answers will come as I write. Often, it’s in the act of writing itself that the story reveals what it wants to be.
7. Writing is a Marathon, Not a Sprint
Writing is not about getting to the finish line as quickly as possible. It’s about the process—the journey of creation. As someone who’s worked on multiple novels, I’ve learned that it’s important to pace myself. There are days when the words come easily, and there are days when they don’t come at all. That’s okay.
I’ve had to remind myself that writing is a long game. It takes time, persistence, and patience. There’s no rush. I’ve learned to accept that the process of writing—no matter how slow or messy it seems—is just as important as the finished product. Some days, the best thing I can do is simply sit down and write, even if it’s just a few hundred words or even justa journal entry. The more consistent I am, the further I get.
8. Rejection is Part of the Process
If there’s one lesson I wish I could tell every aspiring writer, it’s that rejection is a part of the journey. It stings, yes. It’s painful to have your work turned away or ignored, but I’ve learned that rejection is not a reflection of your talent or worth as a writer.
Every rejection has taught me something—whether it’s a critique on my writing style or a simple reminder that not every story is the right fit for every reader. The key is to not let rejection stop you from writing. I’ve had my fair share, and each time, I’ve picked myself back up, learned from the experience, and moved forward. Rejection is just a detour, not the end of the road.
9. Trust Your Instincts
There are many voices in the writing world—editors, agents, fellow authors, readers—and they all have their opinions. It’s easy to get overwhelmed by the advice and feedback you receive. Over the years, I’ve learned that the most important voice is your own.
Your instincts, your gut feelings, are there for a reason. If something feels off in your story or your character arc doesn’t resonate, listen to that. It’s easy to second-guess yourself, but I’ve found that trusting my own instincts is often what leads me to my best work. Writing is personal, and only you can truly know what’s right for your story.
Final Thoughts
The writing journey is not an easy one—it’s filled with highs and lows, moments of inspiration and doubt. But through it all, the lessons I’ve learned have made me a better, more resilient author. As I continue to write urban fantasy and dystopian novels, I carry these lessons with me, knowing they’ll help me navigate whatever comes next.
To anyone just starting out, or anyone struggling with their own writing journey: remember that writing is a process. You don’t have to get everything perfect right away, and sometimes, the biggest breakthroughs come when you least expect them. Keep writing, keep learning, and keep believing in your story. It’s worth it.
As an Amazon Associate, I earn from qualifying purchases. That means, when you purchase a book using an Amazon link on this site, I earn an affiliate commission. All commission earnings go back into funding my books; editing, cover design, etc.
Douglas Smith is a five-time award-winning author described by Library Journal as “one of Canada’s most original writers of speculative fiction.”
His latest work is the multi-award-winning YA urban fantasy trilogy, The Dream Rider Saga. Other books include the urban fantasy novel, The Wolf at the End of the World; the collections, Chimerascope and Impossibilia; and the writer’s guide Playing the Short Game. His short fiction has appeared in the top markets in the field, including The Magazine of Fantasy & Science Fiction, Amazing Stories, InterZone, Weird Tales, and many others.
He is a 4-time winner of Canada’s Aurora Award as well as the juried IAP Award. He’s been a finalist for the Astounding Award, CBC’s Bookies Award, Canada’s juried Sunburst Award, the juried Alberta Magazine Award for Fiction, and France’s juried Prix Masterton and Prix Bob Morane.
When Did You Start Writing? / When did you realize you wanted to be a writer? I did a lot of writing in high school, but got away from it for many years. I’d always planned to get serious about fiction “someday.” Then, in 1995, I finally decided to try. I started writing what would become my first professionally published story, “Spirit Dance,” but I really wasn’t making much progress. I’d spent, I think, all of July rewriting the same opening scene. Then, while on vacation, I came across a book called The Artist’s Way by Julia Cameron. It’s essentially a twelve-step program for recovering your creativity as an adult, the creativity we’re all born with and which is then beaten out of us by society as we’re told to grow up and get a real job. It’s a wonderful book and one I recommend to anyone who wants to be creative (or more creative), whether that be writing, art, music, acting, or whatever. But the real impetus for me to get serious about writing came when I returned from that vacation. and read that one of my all-time favourite writers, Roger Zelazny, had passed away from cancer at the far too young age of 56. That was it. Right then, I decided not to wait for “someday” or retirement or anything to start writing. There’s no guarantee any of us will live long enough to have a “someday.” I started producing stories regularly and sending them out to professional markets. I submitted my first story in January 1996—and got my first rejection that same month. But I kept submitting and received my first acceptance letter for “Spirit Dance” on Dec 31 that year, which was a great way to end a year and start a new one.
How did you discover the joys of speculative fiction? I had two “discovery” periods. When I was eight, a friend introduced me to Robert A. Heinlein’s young-adult SF novels — essentially rocket and ray-gun books. I devoured all of those, but then stopped reading the genre. Then in Grade 11, I had to do a paper in English comparing the works of multiple authors. Amazingly, the teacher included a group consisting of Heinlein, Isaac Asimov, Arthur C. Clarke, and Ray Bradbury, which, of course, was the group I picked. That assignment got me back into reading SF and fantasy.
What writing has inspired you? / Major Influences? / Favourite Authors? I’d have to say my favourite author and influence on my own writing has been the late Roger Zelazny. His Lord of Light is one of the greatest speculative fiction novels ever written. His stories are often based on mythology, and I’ve always loved myths—Greek, Norse, Egyptian, Native American—so that was one attraction to his work. His prose style is lean but poetic, his stories poignant and mythic and filled with unique characters you want to spend time with. Plus, his work shows the most fantastic range of imagination of any writer I’ve ever encountered. I don’t think I write like him, but I’m sure he’s had an influence. Ray Bradbury’s short fiction was another early influence. He wrote about the fantastical hiding in our everyday lives, whether the hidden mystery is wondrous or frightening. I love his lyrical prose style, the simple humanity of his characters, and his insight into what it means to be human, no matter what our age. I reread “Something Wicked This Way Comes” recently. When I’d read it as a teenager, I remember loving the book and the kid characters, but not really “getting” the father. Reading it now, as an adult and father, I realize that Bradbury really understood both generations and the changes, choices, and regrets that come with age, and that is where the power of the book resides. I came to Hemingway late and after he was out of fashion, but his lean prose style amazed me, the way he could say so much by saying so little, and often communicating as much by what he left out, by what his characters didn’t discuss, as what he put on the page. Other favourite authors include Charles de Lint, Shirley Jackson, Emily St. John Mandel, Amor Towles, Thomas Perry, Thomas King, Ian Hamilton, Neil Gaiman, and Tim Powers. That’s a short list (but a good one). Some favourite books, including a lot on non-speculative fiction, include Station Eleven, The Queen’s Gambit, A Gentleman in Moscow, Memory & Dream, Ready Player One, Weaveworld, We Have Always Lived in the Castle, Tomorrow and Tomorrow and Tomorrow, Ian Hamilton’s Ava Lee series, and of course, the spec fic classics like Dune, Stranger in a Strange Land, and LOTR. I’ve also written several short stories inspired in some way by the songs of Bruce Springsteen. He’s an astounding storyteller. In a few lines, he tells stories of everyday people struggling with whatever life has thrown at them, but with an attitude of defiance and hope despite the odds against them. And Buffy. Major Buffy fan. It remains one of the most creative shows ever to hit TV and is a writing workshop on character development and arcs and dialog.
Why start with short fiction? I started with short fiction because in spec fic, it’s been traditional to break in writing short stories. But I also think it makes sense to start with the short form before trying to tackle a novel, and I always urge young writers to do the same. Short stories let you learn the craft of fiction much faster than writing a novel. Twenty 5,000-word short stories let you experiment far more with different styles, points of view, genres, story structures, etc. than you could in a single 100,000-word novel. Plus, you’ll be able to find out earlier if your writing is at a publishable level by submitting those stories to short fiction markets. And short fiction will teach you skills you need whether you write short stories or novels—handling point of view, story structure, use of scenes, characterization, plot, pacing, dialog, setting, world building, information flow, voice—not to mention basic sentence structure, paragraphing, punctuation, grammar. I moved to novels once all my “short” stories started becoming very long stories.
What I read as a child I was reading by the time I was four, thanks to my parents reading to me every night at bedtime. It hooked me on books for a lifetime. Reading was a way to have wonderful adventures as a kid and make my world so much bigger than my house and neighborhood and school. My early favourites were animal stories, which probably led me to my love for writing shapeshifter tales. I loved A.E. Milne’s “Winnie the Pooh” books (apparently my favourite bedtime stories as a young child) and Walter Brook’s “Freddie the Pig” series (the first books I remember knowing how to find in a library). Later it was everything by Jack London. About grade 5 or 6, Robert A. Heinlein juveniles got me hooked on SF, which led to fantasy. John Creasey and Dorothy Sayers introduced me to mystery and crime fiction somewhere in there as well. I believe that parents can teach kids to love reading by reading them a bedtime story EVERY night, from the day you bring them home. Make it a fun time, something they look forward to and associate with a wonderful experience. And make books a natural thing to have around. Our kids knew we’d say “no” to games, toys, or candy when out shopping—but they could always buy a new book. And for any wannabe writers, you can’t be a writer if you’re not a voracious reader. Period.
Will Dreycott is a superhero. In his dreams…and in yours.
The Hollow Boys The Dream Rider Saga Book 1 by Douglas Smith Genre: YA Urban Fantasy
WINNER OF THE 2023 AURORA AWARD FOR BEST YA NOVEL WINNER OF THE 2023 JURIED IAP AWARD FOR BEST YA NOVEL
“Thrilling YA fantasy” —BookLife (Editor’s Pick) “A must-read story for YA fantasy fans.” —Blueink Review (Starred review) “Inventive, engaging, and boundless fun.” —The Ottawa Review of Books
Vanishing street kids. An ancient evil. The end of the world. Our only hope? A hero who can’t leave home.
At seventeen, Will Dreycott is a superhero…in his dreams. And in yours.
Eight years ago, Will’s parents, shady dealers in ancient artifacts, disappeared on a jungle expedition. Will, the sole survivor, returned home with no memory of what happened, bringing a gift…and a curse.
The gift? Will can walk in our dreams. At night in Dream, Will hunts for criminals—and his parents. During the day, his Dream Rider comic, about a superhero no one knows is real, has made Will rich.
The curse? Severe agoraphobia. Will can’t go outside. So he makes his home a skyscraper with everything he needs in life—everything but the freedom to walk the streets of his city.
Case, an orphan Will’s age, survives on those streets with her younger brother, Fader. Survives because she too has a gift. She hears voices warning her of danger. And Fader? Well, he fades.
When street kids start vanishing, the Dream Rider joins the hunt. Will’s search becomes personal when Case breaks into his tower to escape her own abduction. Fader isn’t so lucky.
As Will and Case search for Fader and the missing kids, an unlikely romance grows between the boy with everything and the girl with nothing except the freedom Will longs for.
But as they push deeper into the mystery, they confront an ancient power feeding on these forgotten kids to restore itself. And once restored, no one in the world will be safe.
To defeat this creature, Will must do the impossible.
Go outside.
Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).
Praise for The Hollow Boys: “This arresting series kickoff grips from the start as it introduces its inventive milieu, its flawed but fantastically powered hero, its playful worldbuilding, and a host of tantalizing mysteries. … [A] vigorously imaginative scenario. … Takeaway: Thrilling YA fantasy” —BookLife (Editor’s Pick)
“An assured, confident novel … A must-read story for YA fantasy fans.” —Blueink Review (Starred review)
“Inventive, engaging, and boundless fun.” —The Ottawa Review of Books “A fun supernatural tale with well-developed characters and a touch of romance.” —Kirkus Reviews Praise for Douglas Smith:
“The man is Sturgeon good. Zelazny good. I don’t give those up easy.” —Spider Robinson, Hugo and Nebula Awards winner
“A great storyteller with a gifted and individual voice.” —Charles de Lint, World Fantasy Award winner
“His stories are a treasure trove of riches that will touch your heart while making you think.” —Robert J. Sawyer, Hugo and Nebula Awards winner
Sequel to the AURORA AWARD WINNER and the Juried IAP AWARD WINNER, The Hollow Boys
“Give me the Crystal Key!”
Will Dreycott is the Dream Rider, the agoraphobic teenage superhero who can walk in our dreams but never in the streets of his city. Case is his girlfriend, a survivor of those streets who hears voices that warn her of danger. Fader is her brother, who is very good at disappearing. Together, they defeated a body swapper and a witch to save the world (The Hollow Boys).
Now, Case battles guilt over living sheltered in Will’s tower home while her street friends still struggle. Blaming his affliction for Case’s sadness, Will searches for a way to live a normal life with the girl he loves—a way to go outside.
But his efforts draw the attention of dark forces. Sinister figures hunt Will in Dream. Intruders scour the vast warehouse of antiquities “acquired” by Will’s missing parents. And a masked swordswoman attacks Will, demanding “the Crystal Key” before disappearing into thin air.
Are they all searching for the same thing? Something from Will’s parents’ shady past? For the swordswoman leaves behind a flowery scent, Will’s only memory from the lost expedition eight years ago that gave him powers in Dream but cost him his parents and his freedom.
A trail of dark secrets leads Will, Case, and Fader to a mysterious world. Trapped between warring cults willing to kill for the Crystal Key, the three friends must master strange new powers that grow stronger and wilder the closer they draw to the truth.
This time it’s not just the fate of the world at stake…but the multiverse.
~ ~ ~
Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).
Praise for The Crystal Key: “The richly inventive Dream Rider adventure continues in this second appealing entry…with an exciting plot… always enlivened by the Smith hallmarks of crack dialogue, fun sleuthing and puzzle-solving, a strong throughline of emotion, a swift pace…and a principled refusal to settle for the familiar. Takeaway: This thrilling superpowered urban fantasy series continues to grip.” (New readers should start with book one.) —BookLife (Editor’s Pick) “The engrossing second installment of Douglas Smith’s Dream Rider Saga trilogy. … Smith continues to demonstrate an ability to expertly weave multiple complex fantasy elements into a cohesive whole. … This fast-paced story delivers in a big way—and Smith has all his ducks lined up for an explosive conclusion [to the series] that readers won’t want to miss.” —Blueink Review (★ Starred review) Praise for Douglas Smith:
“The man is Sturgeon good. Zelazny good. I don’t give those up easy.” —Spider Robinson, Hugo and Nebula Awards winner
“A great storyteller with a gifted and individual voice.” —Charles de Lint, World Fantasy Award winner
“His stories are a treasure trove of riches that will touch your heart while making you think.” —Robert J. Sawyer, Hugo and Nebula Awards winner
“Stories you can’t forget, even years later.” —Julie Czerneda, multi-award-winning author and editor
The Thrilling Conclusion to the Multi-Award-Winning Trilogy
Will is the Dream Rider, the superhero who walks in our dreams but never in the streets of his own city. Case is his girlfriend, a survivor of those streets who hears voices warning her of danger. Fader, her brother, is very good at disappearing.
In The Hollow Boys, they defeated a body swapper and a witch to save the world. In The Crystal Key, they battled warring cults to protect an ancient artifact tied to Will’s affliction.
The Chakana. The Crystal Key. But the key to what? To finding answers, they hope, to the questions that rule their lives.
What caused their strange powers? And Will’s crippling agoraphobia? Can he be cured? Why did their parents travel to the jungles of Peru eight years ago? Are they still alive?
Behind every question is the Chakana. What is the mysterious relic? Why will people kill to possess it? What hold does it have on Will?
As creatures from Inca myths haunt the three friends, another attack on the Chakana threatens Will’s life. To save him and solve the mystery of the lost expedition, only one choice remains.
Return to Peru. With the Chakana.
There, they find friends and foes, both old and new. And behind it all, an unseen enemy moving them like pieces on a chessboard.
To win this deadly game, Will, Case, and Fader must master new powers to defeat the most dangerous adversary they’ve ever faced—a god.
At stake this time? Every life, every world, every universe. Everything.
Indiana Jones meets Teen Titans in The Dream Rider Saga, a fast-paced urban fantasy trilogy from “one of Canada’s most original writers of speculative fiction” (Library Journal).
Outlining a story might seem daunting at first, especially if you’re new to writing. But it’s one of the most valuable tools in a writer’s toolkit. An outline serves as a roadmap, guiding you from the beginning of your story to its conclusion. Outlining can help you structure your ideas, stay on track, and avoid those dreaded moments of writer’s block, whether you’re writing a novel, short story, or screenplay. Let me walk you through how to outline a story effectively and make the process feel less intimidating.
1. The Purpose of an Outline
At its core, an outline is a blueprint for your story. It organizes your ideas, helps you identify gaps in the plot, and ensures your story has a clear structure. It’s important to remember that an outline isn’t set in stone. You can—AND SHOULD—adapt it as you write. Think of it as a flexible guide rather than a rigid set of instructions.
The benefits of outlining include:
Clarity: You’ll have a clear direction for your story, which helps prevent getting lost in the weeds.
Structure: An outline forces you to think about the story’s pacing, character development, and plot points.
Motivation: Knowing what comes next keeps you moving forward when you sit down to write.
2. Decide on the Type of Outline
There’s no “one size fits all” approach to outlining. Different writers prefer different methods, and that’s perfectly okay. Here are a few common types of outlines:
The Snowflake Method: This method starts with a simple concept and gradually expands it into a detailed outline. First, you write a one-sentence summary of your story, then expand that sentence into a full paragraph, and so on. It’s ideal for writers who prefer to develop their story gradually, refining the details as they go.
The Three-Act Structure: A widely-used framework that breaks a story into three acts—Set-Up, Confrontation, and Resolution. This method helps you focus on the major plot points and ensures your story has a strong, well-paced structure. It’s a great option for beginners because of its simplicity.
Chapter-by-Chapter Outline: For those who like specifics, this method involves outlining each chapter or scene of your story in detail. This type of outline gives you a clear sense of what needs to happen at each stage of the story.
The Hero’s Journey: This method, rooted in Joseph Campbell’s monomyth, is particularly helpful for stories involving a protagonist’s transformation. It involves specific stages like “The Call to Adventure,” “Refusal of the Call,” and “The Return.” It’s a fantastic framework for fantasy, adventure, and other high-stakes genres.
Loose Bullet Points: For the more free-spirited writers, some prefer to jot down key plot points and character moments as simple bullet points. This is a more flexible approach and allows room for creativity as the story unfolds.
3. The Building Blocks of a Story Outline
Regardless of the method you choose, there are key elements every story outline should address. Here are the main building blocks you’ll need to consider:
1. The Premise
The premise is the seed of your story. What is your story about? What is the central conflict or question that drives your plot? This is where you should define the “what if” that makes your story compelling. For example:
What if magic was real, but only for a select few?
What if a dystopian society controlled all information?
Spend some time refining your premise before moving on. It will act as the foundation for everything else.
2. The Main Characters
Your characters are the heart of your story. In your outline, make sure to note the following about your protagonist, antagonist, and key supporting characters:
Who are they? Consider their backstory, motivations, desires, and flaws.
What do they want? This is the driving force behind their actions. Your protagonist might want justice, love, freedom, or survival.
What’s at stake? What happens if they fail? This is essential for creating tension and suspense.
3. The Major Plot Points
In order to outline your plot, break it down into key events. These are the moments that move the story forward and change the direction of the narrative. A few important plot points include:
The Inciting Incident: The event that starts the story. This is where your character is thrust into the conflict, whether it’s the discovery of a hidden power or the moment a dystopian society begins to crack.
The Rising Action: The buildup of conflict and challenges that lead toward the climax. This is where your character faces obstacles, grows, and learns more about themselves or the world around them.
The Climax: The turning point or high point of the story. The protagonist confronts the primary conflict in a dramatic and pivotal way.
The Resolution: How the story concludes. Whether the protagonist succeeds or fails, there must be closure and consequences to their actions.
4. The Setting and World-Building
For genres like urban fantasy and dystopian fiction, the setting is crucial. Your outline should include:
Where does the story take place? Is it a magical version of New York, or a desolate post-apocalyptic world? Define the environment, rules, and atmosphere.
What’s the world’s history? In dystopian stories, especially, understanding the past is vital to understanding the present. Was there a war? An economic collapse? A technological breakthrough gone wrong?
What are the stakes within the setting? How do the world’s rules affect the characters and their choices?
5. The Theme
What is the deeper meaning or message of your story? Is it about the fight for freedom, the power of love, or the dangers of unchecked technology? In your outline, think about how you can weave this theme throughout the plot, characters, and setting.
4. Flesh Out Your Outline
Now that you’ve got your main components outlined, it’s time to expand on them. Flesh out the scenes and events that will happen in your story. Here are a few tips to make the outlining process easier:
Start with the Big Picture: Begin by outlining the broad strokes—major plot points and character arcs. Where do you want your characters to start, and where do you want them to end? This will help keep your narrative cohesive.
Go Scene by Scene: If you prefer more detail, break your outline down into individual scenes or chapters. Write down the purpose of each scene and what needs to happen in it—whether it’s a character development moment, a revelation, or a dramatic plot twist.
Think About Pacing: As you lay out each scene, consider how fast the action should move. Are there moments of high tension? Are there quiet, reflective scenes? Mix things up to create variety and keep the reader engaged.
Use Visual Aids: Some writers find it helpful to create visual outlines—whether it’s through storyboarding, mind maps, or index cards. These tools can help you see the structure of your story from a new angle.
5. Stay Flexible
The outline isn’t the end-all-be-all. Once you begin writing, you might find that new ideas emerge, characters evolve, or your plot takes a surprising turn. And that’s perfectly okay! Writing is a dynamic process, and oftentimes, the best stories grow from unexpected twists. Don’t be afraid to change your outline as you go along.
6. Final Thoughts
Outlining is a tool, not a rule. It’s there to help you organize your thoughts and bring your story to life with intention. Whether you’re writing a fast-paced thriller, a deep philosophical dystopia, or an epic urban fantasy, outlining gives you the roadmap to reach your destination. The key is to find the approach that works best for you.
Remember, your outline is just a starting point—let your creativity flow, and don’t be afraid to adjust your plan as the story evolves. The more you practice, the easier the outlining process will become. Good luck, and happy writing!
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Candy Crone is a Christmas Short Story standalone in the bestselling Hawthorne University Witch Series.
Candy Crone The Hawthorne University Witch Series Book 8 By A.L. Hawke Genre: Paranormal Holiday Fantasy
Candy Crone is a Christmas Short Story standalone following Shadow Cast in the Hawthorne University Witch Series.
While I’m enjoying a spicy caramel apple surprise at our local ice cream parlor, an old lady in rags rambles nonsense about candy canes to children waiting for Santa. That distracts me from prepping my young friend Cat for her college interview at Hawthorne University.
Christmas turns into creepy Halloween when all the local children, including Cat, disappear in the woods. Bryce and I search our forest but become spellbound. All this voracious casting heralds the arrival of a new witch in town. The Candy Crone.
As the Hawthorne Witch, I hold great power, but with my unborn baby kicking, the witch exploits my sins and vices through gluttony. Am I nothing more than my appetites and power as the Hawthorne Witch? Or can I accomplish something greater? If I can’t sort my stuff out, Cat, my unborn baby, Chandra, and all these innocent kids living in Hawthorne are toast.
Cadence Hawthorne returns in this Christmas novella taking place after Shadow Cast, book 6, in The Hawthorne University Witch Series. Candy Crone is a complete self-contained novella not ending in cliffhangers. Some spoilers cannot be avoided, but the story is a STANDALONE book that can be enjoyed without reading the preceding novels.
A.L. Hawke is the author of the bestselling Hawthorne University Witch series. The author lives in Southern California torching the midnight candle over lovers against a backdrop of machines, nymphs, magic, spice and mayhem. A.L. Hawke writes fantasy and romance spanning four thousand years, from pre-civilization to contemporary and beyond.
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AUTHOR INTERVIEW
Do you write one book at a time or do you have several going at a time? If I’m really into a particular project, it becomes all encompassing. I prefer one book at a time but it doesn’t always work out that way. And lately, I also work on converting books to audio at the same time.
What made you want to become an author and do you feel it was the right decision? I always had ideas in my head about writing. I think I always wanted to be a storyteller my whole life.
Advice you would give new authors? Take a look at other books in your interested genre. Learn from other writers by looking at what’s been written before. And do it for the fun of writing, not for the dollar. At an average cost of $3.99 per ebook, just doing the math, this isn’t a job making writers rich. You really have to love it for the craft.
Describe your writing style. I think my books are very dialog-heavy. It’s funny because I’ve heard the opposite. Some say they were impressed with my descriptive writing, but I really feel like most of the time I’m using description as a scaffold for conversation. I’m letting the characters run the show. So, reality comes in the form of dialog. It’s what breathes life into my characters.
What makes a good story? Something engrossing.
What are you currently reading? I’m reading It Ends with Us. Heard of it? I’m giving that book a whirl.
What is your writing process? For instance do you do an outline first? Do you do the chapters first? No outlines. My characters shape what happens.
Do you try more to be original or to deliver to readers what they want? That’s a good question. It’s a mix. If I feel like something is successful, like my witch series has been, then I want to spend my time working with my success. That’s why I’ve written so many books in the series. But I write some books outside of my typical genre. And I like to take chances. It’s part of being an “artist” not a marketer. Because indie writers tend to be on different sides of that spectrum.
How long on average does it take you to write a book? I can write about four pages an hour. I’m very prolific and can bust out a novel in a couple of weeks. The editing process can take longer, but, in many ways editing is more gratifying. There’s no blank pages staring at you. Or you’re not looking at page count and thinking “man, I’ve only got another hundred pages to go.”
Do you believe in writer’s block? Absolutely. I suffer from it all the time. But, for me, it’s not a blank page. I can write pages upon pages, but it’s a sense that I’m struggling to get work out. If the story comes easy, it’s so much more of a pleasure and I know it’s going to be good.
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On Threshold time travel is about to become possible. The huge space habitat, already 500 years in our future is about to go forward to a safer time and place. Aliens from the All-Time hold the keys. Wanna go?
Threshold The Threshold Series Book 1 by Janet & Chris Morris Genre: Science Fiction Thriller Adventure
Set a millennium from now on Threshold Terminal—virtually a Grand Hotel in space— a young test pilot, Joe South, is thrust five hundred years into his future and finds himself in the thick of interstellar smuggling, intrigue, and the rough underworld of an alien environment. It is a time of danger and ever-shifting powers . . . and the destinies of a lost test pilot, an underworld scavenger, and two young lovers become irrevocably intertwined . .
November’s Featured Title of the month with Perseid Press! On Sale for Only $2.99! Amazon * Bookbub * Goodreads
Bestselling author Janet Morris began writing in 1976 and has since published more than 30 novels, many co-authored with her husband Chris Morris or others. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.
Christopher Crosby Morris (born 1946) is an American author of fiction and non-fiction, as well as a lyricist, musical composer, and singer-songwriter. He is married to author Janet Morris. He is a defense policy and strategy analyst and a principal in M2 Technologies, Inc. He writes primarily as Chris Morris, but occasionally uses pseudonyms.
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What is something unique/quirky about you? Together we breed Morgan horses. We consult with Morgan breeders to help them choose crosses to their stock to achieve a desired result. We are also musicians; Janet plays bass guitar, Chris sings and plays guitar. We have an album on MCA records. Look for Christopher Crosby Morris on Soundcloud or N1M.com
Can you, for those who don’t know you already, tell something about yourself and how you became an author? Janet wrote her first novel, High Couch of Silistra in 1975; a friend sent it to an agent who chose to represent her; she had already written the second book in the Silistra Quartet and her agent told her not to disclose that until they finalized the contract for the first one. When the publisher learned of the others, Bantam Books bought the succeeding three. When the fourth book was published, the series already had four million copies in print. Suddenly Janet was a novelist specializing in environmental, gender, historical and political subjects. In the process, Chris started as her editor and ultimately a co-writer. Since then, she and Chris have co-authored many books.
Who is your hero and why? Heraclitus of Ephesus, a pre-socratic philosopher, whose Cosmic Fragments foreshadow our knowledge of reality and how to perceive it. Among his precepts is the statement that change alone is unchanging. We’ve worked Heraclitus’ fragments in here and there throughout our books.
Which of your novels can you imagine being made into a movie? All of them. We write cinematically, our books are vivid adventures we undertake without knowing the destination. I, the Sun, The Sacred Band, and Outpassage are particularly suited to film. The Threshold Series is a feast of opportunities for today’s special effects creators.
What inspired you, to write Threshold? Threshold explores what will happen if we meet beings who are interdimensional, not limited by time and space as we know it. Of course, there’s massive suspicion and mistrust when humans meet aliens capable of grasping a much wider time spectrum and able to predict what is about to occur as a result of current circumstance. How can ordinary people trust this super-human race and how can they not once given the benefit of their perspective?
Convince us why you feel Threshold is a must read. Today our space telescopes are showing us pictures of events that happened millions of light years ago, showing us actual images of the plastic nature of time and space. It is a short conceptual jump from those images to imagining beings like us, but capable of accessing a wider present and acting in concert with events provably happening over vast time arcs. As humans, we may feel that a lifetime is but a moment in an eternal reality and guess what it could be like to be free of the clock-time that rules our earthly progress. In Threshold, we get to play on the greatest chess board available to our fledgling perception of our own possible futures. We’ve gone to lengths to make this book available in e-book, trade paper, hardback, and soon in audiobooks.
Who designed your book covers? Most of our covers, including Threshold, are realized by Roy Mauritsen, a gifted graphic artist.
Advice to writers? As for advice to writers, here is all we know: write the story you want to read. Start at the beginning, go to the end, and stop. Seriously. From start to finish you must inhabit the construct in a manner that makes the reader choose to continue; if we as writers can’t feel what it’s like being there, our readers can’t either. Close your eyes, look at your feet where they are standing on the story’s ground; tell us what you see. Tell us what you hear. Ask at the end of each paragraph ‘what happens next?’. If you lose touch with it wait until you’re back inside it. Tell the story that comes to you, and from you, to us.
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Unravel the secrets to crafting a masterful magic system from best-selling fantasy author Charlie N. Holmberg.
Whether using magic as flavor or as an essential piece of plot, this book will guide fantasy authors, from new to experienced, through the delicate layers of creating, utilizing, and mastering magic systems.
In this book, we will… *Discuss the schools, laws, and spectrum of magic *Learn to build individual pieces of a magic system *Dig into magic’s influence on worldbuilding *Examine different types and styles of magic *Develop and polish original magic systems
With workshops, work pages, and reference materials included, this succinct one-and-done guide to crafting the magical elements of the fantasy genre is a must-have for speculative fiction authors.
“If you haven’t had the fortune of attending one of Charlie’s writing classes (which I have), this is the next best thing. Book of Magic contains so much wit, wisdom, and practical suggestions for helping any beginning author, or veteran, make their magic systems rise up and be noticed. She uses expert examples from other authors you know as well as teaching a masterclass on developing magic systems from scratch based on methods she’s invented. You just may need this book to help find out what kind of magic-based diseases might be festering in your neighbor’s cabbages.” —Jeff Wheeler, Wall Street Journal bestselling author of the Kingfountain series
Charlie N. Holmberg is a Wall Street Journal and Amazon Charts bestselling author of fantasy and romance fiction, including the Paper Magician series, the Spellbreaker series, and the Whimbrel House series, and writes contemporary romance under C. N. Holmberg. She is published in over twenty languages and is a Goodreads Choice Award, ALA, and RITA finalist. Born in Salt Lake City, Charlie was raised a Trekkie alongside three sisters who also have boy names. A BYU alumna, she discovered in her thirties that she’s actually a cat person. She lives with her family in Utah. Visit her at http://www.charlienholmberg.com.
In the brainstorming process, I almost always discover my stories’ magic first. Whether it’s a full-fledged magic system (like in The Paper Magician) or just a spark of magic (like in Followed by Frost), my brain loves the fantasy element of fantasy novels and beelines straight to that. I think I was in a conference or the like and the idea of writing a craft book on magic came to mind—I jotted it down in the bottom corner of my notes. But of course, I didn’t have TIME to write something like that. It was just an idea, but it’s an idea that liked to revisit my brain once in a while.
When I got an idea for what I could include in the book, I would jot it down. I teach a class at conferences about magic systems, but I didn’t think that would be enough for my own craft book—I wanted to have things in there that were new and fresh, so I tried to brainstorm in that direction. My brain would collect ideas here and there; record them in a notebook or on my phone. And then at the beginning of the year, in between other fiction projects, I thought, “Well, why don’t I just outline it?”
I found I enjoyed it. I outlined it and then just brain-dumped my thoughts under every section. I went into the PowerPoint for my magic class and pulled it in. I know workshops really help to cement an idea, so I wanted to include those in the book as well, even designing them so readers can write directly onto the page as they go. Oliver Heber Books had reached out to me for the possibility of publishing previously, so the route was set!
What can we expect from you in the future?
I don’t have any more craft books on the docket right now, but I’m full steam ahead on fantasy fiction! I’ll be completing my Whimbrel House series (book 4, Wizard of Most Wicked Ways, releases March 4th, 2025, and I’ll draft book 5 next year), and I’m releasing a romantasy duology called The Shattered King, with book one coming out next fall. After those series are finished, I’ll be releasing a historical series—the first book is called The Hedge Witch’s Cure for Marriage, and I’m very excited for it!
Did you learn anything during the writing of your recent book?
So in Charlie N. Holmberg’s Book of Magic, I have several appendices for writers to utilize. One of these appendices is a list of commonly used magic in fantasy novels. This list can be used in three ways: 1) choosing one of these magics to ensure an easier learning curve for magic for the reader, 2) avoiding these magics to encourage a more original magic system, or 3) twisting one of the magics to make it your own.
I was thinking about this while playing Final Fantasy XVI with my husband, and I thought, okay, what if I took my own advice? What if I took something off this list and did #3 (twisted it)?
So I chose healing magic. How would I find a way to make it uniquely mine? And I came up with an idea that really stuck with me. That idea had babies with Final Fantasy XVI (the MMC is inspired by Joshua Rosfield), and then playdates with [ahem, my favorite novel] The Bird and the Sword by Amy Harmon and To Poison a King by S.G. Prince. And I drafted that book in fifteen days. It wasn’t even a twinkle in my eye in May and it existed in July.
So . . . check out that appendix, I guess. It’s MAGICAL (pun intended).
Anything specific you want to tell your readers?
I created this book to help other fantasy authors craft fun, believable magic systems, but I think it would be a fun read for those who just enjoy reading fantasy. Sometimes it’s fun to peek behind the curtain. 😉
If your book had a candle, what scent would it be?
Paper and ink to set the reader at ease, a bright lilac to inspire creativity, sharp lemon to mimic magic, and freshly cut grass for theme (that one will make sense after you read it).
Fun Facts/Behind the Scenes/Did You Know?’-type tidbits about the author, the book or the writing process of the book.
Obviously one cannot write an adequate book on magic systems without talking about Brandon Sanderson.
Once upon a time, I hired a good friend of mine as a personal assistant/head editor. Her name is Kristy, and she’s one of the most competent people I know. I wasn’t utilizing her full skillset, so when a bigger, better job offer for her came along, we parted ways amicably.
Said job offer happened to be for Dragonsteel, which is Brandon’s company.
In Charlie N. Holmberg’s Book of Magic, I wanted to address Brandon Sanderson’s laws of magic, but I wanted to make sure I did it in a super legal way. So I contacted Kristy simply because she’s a fountain of knowledge and asked her what I was legally aloud to quote, and she told me. And she said if I wasn’t sure, I could send it into Dragonsteel for review.
“Who would I send it to?”
“Me.”
So that made it pretty darn easy to get review eyeballs on it 😀
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Sunscreen Shower A Detective Kev Dixit Novel 2 by J.P. Rieger Genre: Crime Mystery, Dark Comedy
Baltimore Police Detective Kev Dixit is being stalked by a psychopath. He’s also saving lives and solving crimes. And he’s late for dinner. Dixit temporarily heads the Criminal Investigation Division, a real stress inducer. Aided by humorless partners and eccentric high school friends, he investigates two vexing cases. Spouses are found shot to death in their home. Murder-suicide is the obvious call, considering one spouse had just cleaned out the couple’s joint accounts the day before. But all is not as it seems when Forensics takes a closer look at the victims’ DNA. Later, Dixit and his assigned mentee investigate a car bombing. What kind of person would viciously murder a likeable gym rat? Oh, and that murder-suicide. It reminded Dixit of an earlier investigation, back when he was a mere newbie detective. One where he worked tirelessly to solve a string of increasingly vicious serial attacks on single women. One where he barely escaped with his life.
J. Paul (J.P) Rieger is a born and bred Baltimorean and mostly retired Maryland attorney. He’s the author of Clonk!, a police farce set in Baltimore and published in 2023 by Apprentice House Press (Loyola University-Baltimore). Clonk! was a finalist in 2023’s CIBA Mark Twain Award for Humor and Satire. He’s also author of The Case Files of Roderick Misely, Consultant, a 2013 mystery novel featuring a wannabe lawyer anti-hero. His third novel, The Big Comb Over, a slipstream fantasy/ comedy of manners, was a finalist in 2023’s Wishing Shelf Book Awards. Sunscreen Shower, a Detective Kev Dixit Novel is Paul’s fourth novel and a sequel to Clonk! Paul and his spouse lives in Towson, Maryland, a Baltimore suburb. Chek out his website: jpaulrieger.net.
I’m still learning as a writer. There’s something new to learn every day. But I can at least provide some practical advice for the new author. First, only write when you feel in the mood, when it will be a fun experience. There’s no point in forcing yourself to engage in a “creative” activity when you’re not in a creative mood. If your writing becomes so popular that you find yourself writing constantly, that’s fantastic and its own reward. Until then, chill out and keep it fun! Don’t get obsessed with outlines. If, like me, you do better by writing down various “scenes,” or perhaps series of phrases or snippets of proposed dialog, go for it. Just let the novel organize itself. Enjoy what you are doing, your way! Write your book in any order you please. If you’re in the mood to work on a specific section or “scene,” just do it. Don’t give away your book to people who have not asked for it. I know, this is a tough proposition. Your inclination is to the contrary. But giving away your unrequested book virtually guarantees that the recipient will avoid you in the future. Not because they dislike you. Only because they haven’t read your book and would be embarrassed to admit it. Or worse, some may have actually read it and disliked it. Giving a book away only to someone who requests it is a safe strategy. Lastly, the new author must accept the possibility that, besides a loved one or two, no one may actually read their book. I know. Quite depressing, right? The novice must ask: “If absolutely no one reads what I am writing, would I continue writing?” If the answer is not, “yes,” the novice writer should consider some other artistic outlet.
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Celeste epitomizes high school success: top grades, head cheerleader, even dating the star quarterback. Life couldn’t be better with a picture-perfect family and college on the horizon. But as she drifts off to sleep on the eve of her 17th birthday, Celeste never fathoms waking up over 1,000 years in the future.
Transported to a world both unfamiliar and strangely linked to her own, Celeste discovers she’s the heir to a royal lineage and her mother is a long-lost princess. Yet as secrets unravel and familial rifts emerge, the once harmonious facade of her family begins to splinter.
Navigating impossible choices, Celeste’s journey becomes a quest for self-discovery and strength. In the chaos, she discovers the power within her identity, the importance of family, and the treasures of genuine friendships. Embark on Celeste’s journey as she boldly faces the mysteries ahead, shaping her fate with courage and unwavering determination.
Nina has always been creative, be it art, theatre, film – anything but singing – you don’t want to hear that! She earned her bachelor’s degree in Theatre and Military Science from Eastern Michigan University where she spent most of her time either on stage, rappelling down buildings, or working one of three jobs. After college, she moved to Los Angeles, like so many other actors, in pursuit of her dreams.
She started writing short stories in 2008. Since then, her dreams have gotten bigger and her storytelling ability has gotten better. Her first novel Awaken (the Blood Angel Series) was published in 2012. Since then, she has completed the Blood Angel Series with Beginnings, Revenge, and Pursuit, published the SECTOR C trilogy (The Chosen, The Hunted, and The Bridge), released a stand-alone interactive fantasy novel called The Beast Within, and just published Finding Everdal a portal-fantasy novel which takes readers over 1,000 years into the future.
In her day-to-day life, Nina is a North Alabama real estate agent, but she has done everything from perform on stage, television, and film to firing an M16 machine gun, jumped out of a C130 aircraft, and given birth – TWICE – but she always returns to her writing.
Though she’ll forever be a Michigan girl at heart, she now lives in the south with her husband and two beautiful children. If she’s not working on her latest story, you can find her playing with her kids, lounging with a good book, or indulging in her unhealthy addiction to Starbucks coffee.
Disclosure: As part of the Amazon affiliate program, I earn a commission for all sales connected with the links within this post. All profits earned are used for the purposes of writing, editing, designing, formatting, and publishing more books.
Celeste epitomizes high school success: top grades, head cheerleader, even dating the star quarterback. Life couldn’t be better with a picture-perfect family and college on the horizon. But as she drifts off to sleep on the eve of her 17th birthday, Celeste never fathoms waking up over 1,000 years in the future.
Transported to a world both unfamiliar and strangely linked to her own, Celeste discovers she’s the heir to a royal lineage and her mother is a long-lost princess. Yet as secrets unravel and familial rifts emerge, the once harmonious facade of her family begins to splinter.
Navigating impossible choices, Celeste’s journey becomes a quest for self-discovery and strength. In the chaos, she discovers the power within her identity, the importance of family, and the treasures of genuine friendships. Embark on Celeste’s journey as she boldly faces the mysteries ahead, shaping her fate with courage and unwavering determination.
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Autographed Copy of Finding Everdal
Teen/YA Fantasy Novel by Nina Soden
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Nina Soden 